I have long sought out this picture and all I can say is all hail the conquering hero! It’s everything that could have been hoped for in a Preston Sturges wartime comedy. But in order for the laughs to come along with a great deal more, there must be a setup — a watering hole for our main players to familiarize themselves.
Sure enough, we are introduced to a fairly somber nightclub scene or maybe it’s simply the face of the one man the camera chooses to focus on, sitting dejectedly at the bar. There slumps Eddie Bracken, slightly pudgy and round-faced. By no means classically handsome but he and Preston Sturges had quite a thing going for a couple years.
He got sent home from the Marines for chronic hayfever. I’m extremely empathetic to his condition as I’m sure innumerable others are as well. Anyway, he’s too embarrassed to go home and it’s been a year now and he’s still not returned. However, he has nothing except the highest regard for the Marines as his father gave his life serving his country. In fact, it was the very day our boy was born.
He pays it forward to a group of Marines on leave with no dough, thanks to the gambling habits of one of their pack. The act of charity isn’t lost on them and they get acquainted. Soon they find out the name of their benefactor. It has the be the most patriotic names ever invented: Woodrow Lafayette Pershing Truesmith (sans the Truesmith).
Soon they are regaled with his story and stunned by his encyclopedic knowledge of the exploits of the Marines out on the battlefields. Their leader Sergeant (William Demarest) even finds out they have a lot more in common as he knew the elder Truesmith — Winky Dinky for short — before he perished.
The only place for the film to go from here is back to Woodrow’s roots and so without his consent, his mother gets called up and it’s announced that he’s getting sent home. Woodrow’s against it from the beginning but his new pals say there’s nothing to it. He’ll wear a uniform for a day, give his mother a hug, and take off the uniform soon after, completely forgotten. Of course, as they ride the train into town, they have no idea what’s been stirred up in preparation.
A homecoming like you’ve never witnessed has been hurriedly assembled by the local committee chairman (the frantically hilarious Franklin Pangborn) and it’s the true essence of cacophony with unrehearsed dueling brass bands; the mayor and any number of folks milling about in expectant anticipation. The show is just beginning to warm up now.
What many will find astounding is just how perfectly Hail the Conquering Hero has been constructed by Sturges, at least in the way it skirts its topics with simultaneous delicacy and verve. Here is a film striking an impeccable course between that very same comedy and then admiration for the armed forces because no one can forget WWII was still blasting away across the world.
Likewise, the church service far from belittling the faith is a lingering visual gag as we watch the dueling reactions of the two sides of the pews. First through the hymns and then a very sincere homily from the preacher culminating in yet another rousing display of goodwill. By now Woodrow has little hope to derail any of the fanfare with the erection of a commemorative statue christened “Like Father, Like Son” soon in the works. All his newfound Marine buddies are good for is stoking the fires and applauding the sentiment.
The next great sequence is cued by the music and Mother answers the door and mentions that the Judge (Jimmy Conlin) and some other civic leaders want to see Woodrow. Immediately his mind leaps to the worst possible scenario. The game must be up and all his Marine buddies inconspicuously grab household items in case of a tustle that might take place in the drawing room. Of course, their intentions are nothing of the sort. Far from it. The lead up makes the outcome into yet another outrageous reveal.
Just around this juncture, it becomes increasingly apparent that all the characters appear to move in packs and Sturges crams the frame gladly with bodies and faces and more appendages. Woodrow does his best to avoid the spotlight, flubbing his speech to the masses, and trying to downplay the bid for mayor thrust upon him only to be thwarted at every turn by a cheering crowd of well-wishers. One man even proclaims his was the greatest speech since William Jennings Bryan’s “Crown of Thorns!” Already we have the swellest giggle-fit inducer I’ve encountered in some time.
I wracked my brain only to realize I’d never seen Ella Raines in a comedy before and for much of this picture she’s in the periphery, her comely smiling features on the screen with a whole host of others. But there are a few moments that, far from playing merely humorously, prove deeply moving as she is split between the man she is betrothed to marry and the one she truly loves.
The family she’s caught up in includes a quibbling father and son. The incumbent mayor (Raymond Walburn), who ponificates incessantly, attempts to dictate his speech in his latest bid for reelection only to get annoyed by his dim-witted boy (Bill Edwards) who nevertheless corrects his grammatical blunders. She’d do well to get out of there. Nevertheless, they are a bounty for humorous dialogue.
The stakes are set for a reversal of fortune with a number of parties having a chance to oust our hero. One man who’s buddy-buddy with the Mayor, the cool and collected Jake (Al Bridge) is mighty curious about Woodrow’s service record and he sends a wire to the Marine Base in San Diego. He gets the incriminating news shortly.
But ultimately it comes down to Woodrow himself and Sturges puts the perfect words in his mouth that Eddie Bracken then utters with an assured conviction. Riffing off the Biblical epithet he notes, “My cup runneth over with gall” and proceeds to pour out with veracious intent all the lies and masquerades he’s been too scared to admit to his own town. His guts are laid out right in front of him. Yes, his mother cries. The townspeople look on somberly and his Marine buddies can do nothing to dispel any of it. Even the words of the Mayor and his pal mean nothing now.
With such a showing you would think it was all over for Woodrow and he tells his mama that he’s going to leave again. He cannot stay. Not like this at least. But his girl comes back to him because she at least loves him unconditionally.
At the train station the parlor games look like they might commence again but this time the whole town is involved, a lynching all but imminent. The Marines this time wrap up their belts inconspicuously to prepare for combat once more. Of course, the mob is there for a very different reason altogether.
The film has the foresight to see what so many of its contemporary war movies were, only made plainly obvious with the luxury hindsight: Light-hearted and good-intentioned yet still mawkish propaganda pieces. So Sturges took up his pen and tackled such hero worship and smalltime jingoism and yet settles on a resolution proving to be as venerating as it is satisfying.
Hail The Conquering Hero is a miracle assemblage of poignancy and humor; I don’t know how it comes away still intact and with my heartfelt laughter and deepest respect no less. It’s not an easy road to traverse by any means. Only a few have managed it. Chaplain in The Great Dictator (1940) distinctly comes to mind and Preston Sturges here.