When we go to see the latest action movie are we consciously thinking about what we are ingesting, what the motives of the characters are, or even the film’s title? More often than not the answer is no, because we want to be entertained, like Romans attending gladiator battles. We want thrills above content, without considering what we are being fed. In the line of these types of films are Lethal Weapon, Point Break, and now Britain’s addition Hot Fuzz.
It’s the story of probably, the most industrious, skilled, highly-trained policeman you could imagine. His name is Nick Angel (Simon Pegg) and he’s a butt-kicking, paperwork-completing sergeant, who is making the rest of the force look bad. He has the potential to be a great action hero. Enter in Martin Freeman, Steve Coogan, and Bill Nighy, and they agree to reassign him to the sleepy of village of Sanford, and all his dreams are kaput. Ambition will lead him nowhere in such a town, and it feels more like Mayberry than the locale for a great action flick.
But being as diligent as he is, Angel makes strides even before he starts his first day. Among one of his arrests at the local pub is fellow police officer Danny Butterman (Nick Frost), who also happens to be the son of the police inspector. It’s rather a strange introduction, but of course, the two of them are partners. Nick simply tries to tolerate all those around him, but it proves difficult, and he’s a little taken aback by the geniality of the locals. They all seem to know his name.
However, when a string of grisly murders takes place successively around town, Angel has what he wants, something to investigate. Again, everyone around him says it’s all been a line of unpleasant accidents. They aren’t willing to face the reality that their sleepy little town might have a murderer on the loose.
As you might expect Angel and Buttermann actually begin to build some rapport despite how different they are. However, Hot Fuzz also has a major twist that frames this entire story in a different light. And although the film does exhibit its share of violence, it also has a wickedly funny streak running through it. At times that means laugh-out-loud antics, courtesy of Nick Frost, or maybe uneasy giggles when someone bites the dust in an outrageous manner.
Edgar Wright’s film is also noticeable for its rapid editing, involving quick cuts, flying transitions, and slicing and dicing. It keeps the story at breakneck speed and yet there is a great pathos built around its characters. We actually begin to care for Nick and Danny, which is often not the case in superficial action flicks. But that’s just it. Hot Fuzz is a satirical homage to all the cop/buddy movies out there and it has its share of action, and yet there’s more to it. In other words, action films are not just skin deep. Hot Fuzz proves that resoundingly. It’s a throwaway title maybe, but not a throwaway film.