This series is meant to help fledgling classic movie fans grab hold of a few titles they should watch. Instead of trying to be comprehensive, I want to try and make the discovery manageable with only 4 films.
Let’s begin with one of the most universally beloved directors of all time, “The Master of Suspense” himself: Alfred Hitchcock.
He began his career in silent film and made a name himself with a bunch of early British thrillers in the 1930s. After transitioning to Hollywood in 1940, his career took off and by the 1950s he was one of the most widely-known directors in the world.
Here are a few films to get you started!
It kills me to leave off so much early Hitchcock. The Lady Vanishes, Rebecca, Foreign Correspondent, Shadow of a Doubt. You should go watch them all. But Notorious, starring Cary Grant and Ingrid Bergman, is arguably one of his finest romantic thrillers. It’s masterful.
I know, I know. It’s quite a big jump but this is also the quintessential Hitchcock movie (at least in my humble opinion). James Stewart and Grace Kelly. Limited space and a harrowing murder plot. This film is a textbook example of how to create tension. There’s so much here worth talking about. I’ll leave it at that.
If you like it, check out Vertigo and The Man Who Knew Too Much remake (with Stewart) and Dial M for Murder and To Catch a Thief (with Kelly).
It didn’t earn its nickname as the most epic man-on-the-run Hitchcock movie for nothing. Between crop dusters and Mt. Rushmore, Cary Grant and Eva Marie Saint, this one is an absolute blast of thrilling exhilaration. For bonus points, see how it reworks themes of Hitch’s earlier masterwork The 39 Steps.
Here we are. The one everyone will forever associate with Hitchcock and showers everywhere. And Norman Bates. And his mother. Anyway, it’s another technical masterpiece in manipulation. It rewrote the books on modern horror and still packs a psychotic punch. Pun intended.
Let’s make this easy and say all of them. And for the record, I realize I left out Vertigo. Go watch it.