Wanted resistance leader Victor Laszlo (Paul Henreid) is now in Casablanca, however, a Major Strasser (Conrad Veidt) has arrived from Germany to take him in. To top it off Laszlo’s wife Ilsa (Bergman) was Blaine’s old flame in Paris and it didn’t end well. Laszlo desperately needs the letters of transit to escape and he inquires about them. Soon he is led to Blaine but as he often admits Rick sticks his neck out for nobody. Laszlo shows his defiance against his enemies by leading the people in a round of “La Marseillaise” and as a result, Rick’s is shut down.
All the memories of Paris begin flooding back, and then Ilsa confronts Rick in order to get the letters. This is possibly the most critical point in the film because the tense altercation ultimately renews the relationship between Rick and Ilsa. Rick asks her to trust him and he begins to take things into his own hands. The results of his actions created one of the great romantic and cinematic moments in the history of film. The whole film leading up to this point hints at it, but Rick truly is a sentimentalist at heart. He can live with the notion that they will always have Paris and that leads him to commit a selfless act of love.
This movie has conflict and the uncertainty of war practically in every scene because at the time World War II was in full force. There are a broken romance and a forlorn hero who shows his courage in the end. As an audience, we realize the transformation of Rick into a truly great man. Ilsa, on her part, has the most radiant face I have ever seen! If you take into consideration when this movie was made, it truly is wonderful to watch. You do not need explosions and violence, only great characters and a story with both drama and humor. Up until the final moments of the movie you are captivated the entire time. Then, fittingly you are left with the two men walking off into the night with the words, “Louis I think this is the beginning of a beautiful friendship.”
In fact, with this film, my thoughts always go back to the script. Lines like “Here’s looking at you kid,” “We’ll always have Paris,” and “Round up the usual suspects” are so rampant that you cannot possibly remember them all, and I doubt there will ever be another film that is so entrenched in American culture. Many of my favorite lines in the film are those that get overshadowed by the more famous ones. That is the sign of an amazing film that never grows old. Even those who have not seen this classic film like to think they have because the influence of Casablanca reaches everywhere.