Some Came Running (1958)

Poster_of_the_movie_Some_Came_RunningSome Came Running is a film that can so easily get lost in the shuffle of 1950s Hollywood. It’s hardly the most well-known picture of director Vincente Minnelli, known generally for his musicals and excellent set direction. Furthermore, this is most certainly a melodrama, certainly affecting, but not quite as falsely superficial to the degree of Douglas Sirk’s work. In a way, it feels like a 50s variation on The Best Years of Our Lives.

In the post-war years drifting vet and one-time author Dave Hirsh (Frank Sinatra) comes back to the town he skipped out on as a young kid. He’s a bit hung over getting off the Greyhound and realizes he has another traveler in his wake. The fellow passenger is the potentially disreputable and slightly dumb Ginny Moorehead (Shirley MacLaine), who came along for the ride from Chicago on his invitation.

Now that he’s back home, he just wants Ginny to head back the way she came, while he gets over with the obligatory meeting with his older brother. After handing his brother over to a boarding school, Frank Hirsh (Arthur Kennedy) did pretty well for himself. He married a wife (Leora Dana) from a good family and inherited a profitable jewelry business. By now he’s living the American Dream and his daughter Dawn (Betty Lou Keim) is growing up to be a beautiful young woman. In fact, you might call Frank a pillar of society, because everything’s working for him and people look up to him for what he has made for himself.

Thus, the arrival of Dave is not without its problems. The brothers have not talked for well nigh 16 years now. Frank looks to play things up like nothing’s changed and they’re both pals. He sets his brother up to an evening with a Professor French and his beautiful and highly intelligent daughter Gwen (Martha Hyer), who happens to be a literature teacher at the local high school. This is his way of trying to get his brother into good company. After all, he can’t bear that people should talk. He’s got a reputation to uphold.

But Dave’s not much for that type of company, although he takes a liking to Gwen, who avoids his advances while still taking a great interest in his work as an author. Furthermore, the cynical drifter begins to keep company with jovial gambler Bama Dillert, played by none other than a boozing, poker playing Dean Martin. Thus, there are some genuinely entertaining moments that feel like nothing more than a Rat Pack hangout.

But Some Came Running is quick to plunge back into dramatic turmoil. There are affairs, hypocrisy, unbridled passion, bar fights, parades, and carnivals all highlighted by the eye-catching staging of Minnelli. In fact, Minnelli always has an eye for his scenes, and there’s nothing different about this film. We are watching the players of course, but the space they fill, the clothes they wear, and so on are almost just as interesting. Colors pop making for vibrant viewing to match the spectacle. The climactic moments feel rather Hitchcockian with the pulse-pounding intensity set to the backdrop of a bustling carnival and the Elmer Bernstein score reverberates with his usual fervor.

Dean Martin is the comedy. Arthur Kennedy is necessary. Shirley MacLaine is the tragedy. Martha Hyer is rationality. But Frank Sinatra is the core of this film because he balances a surface level cynicism with genuine affection. He shows his interior on multiple occasions. His eyes watch over his niece with great care. His heart yearns for Gwen ardently, and he holds a deep sympathy for Ginny. Sinatra was in many quality films, but this is perhaps his greatest performance.

Is it blasphemy that in many ways I appreciate this James Jones adaptation just as much, if not more than, the long-heralded From Here to Eternity?  I suppose I am entitled to my opinion.

4/5 Stars

12 thoughts on “Some Came Running (1958)

  1. I think this is an absolutely first rate piece of filmmaking.. I can’t think of any of the cast members who put a foot wrong and the performances are genuinely affecting.
    I love the way Minnelli puts it all together and his aesthetic is a big part of what makes the movie so great – I think it’s Minnelli’s masterpiece to be honest.

    Liked by 1 person

  2. Pingback: Sinatra Centennial Blogathon Day 1 | Movie classics

  3. This is a great performance by Sinatra and a powerful film, must agree – I like your comparison with The Best Years of Our Lives, since this is another damaged veteran coming home, and also your comment: “Frank Sinatra is the core of this film because he balances a surface level cynicism with genuine affection”. I really need to see this again! Thanks for your great posting, a superb contribution to the blogathon.

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  4. I’ve only ever seen the middle of this film and never went back to watch the whole thing. Well, I’m going to fix that, now that I’ve read your terrific review.

    I agree that Sinatra was the core of the film, as you said. And he made it look so easy.

    Liked by 1 person

  5. Pingback: Announcing the Sinatra Centennial Blogathon | Movie classics

  6. “A 50’s variation of The Best Years of Our Lives” = the best description of this wonderful film! I was surprised by how good it was, and how many emotions it evoked. Unfortunately, rain started and the lights went off, and I couldn’t finish it. I read about the ending online, and was very surprised by it! I really like Dean here and, indeed, Frank is the center of it all.
    Don’t forget to read my contribution to the blogathon! 🙂

    Liked by 1 person

  7. Pingback: 5 Favorite Films of the 1950s: The B Sides | 4 Star Films

  8. Pingback: Home from The Hill (1960): Underrated Vincente Minnelli Family Drama | 4 Star Films

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