This may not be the greatest film of all time, but it is certainly one of the greatest westerns gifted to us so generously by Fred Zinnemann. It tells a very simple story, yet it is, in fact, so powerful simply, because of the hero it depicts. In its time it also served as a condemning allegory of the finger pointing going on in Hollywood.
*May Contain Spoilers
The film tells the story of Marshall Will Kane, who is willing to face his foes even when no one else will help him. Gary Cooper plays the newlywed lawman, who must flee town or face the killer coming on the noon train. He resolves to do just that, despite the pleas of his loving wife (Grace Kelly). The sheriff scrambles against the clock to get help. However, no one is brave enough to face the enemy with him. Even with the odds against him, he faces them in a showdown. Cooper is outgunned, but not outmatched — heroically prevailing.
This film is so powerful, because it is full of human emotions, and it feels so real since the events unfold almost in real time. The somber ballad, sung by Tex Ritter, also helps to create the mood right from the opening credits. In fact, I must admit that multiple times I have found myself humming or crooning the words, but then again I suppose it makes sense since the song is woven into the very fabric of the film.
The score by Dimitri Tiomkin utilizes the tune throughout to complement the images of the town. In that respect, “Do Not Forsake Me, Oh My Darlin'” is not just a song, but an important piece of this story. It is easy to forget the supporting players since Cooper often steals the show. Nevertheless, there’s Lloyd Bridges, Grace Kelly, Katy Jurado, Thomas Mitchell, Lon Chaney Jr., Harry Morgan, and even a young Lee Van Cleef. Many have pasts with Kane that we cannot expect to fully know. All we can understand is the here and now that causes a person to weigh their options, and either follow or go against their conscience. Kane and then his bride both did what they thought was right even when others would not follow suit.
It struck me how simple the story is, and yet on the other side, it is a complex allegory that critiques humanity. Will Kane is a man, who helped make the town what it is, but when trouble comes and the odds are bad no one is willing to help him. Besides the obvious positives like a good story and a heroic protagonist, this film stands out because it feels so human. Here we are as an audience watching the events unfold almost minute for minute. Then we see the various town folk and their fear of getting involved, and to make matters worse a lot of them are Kane’s very good friends. It makes us question what we would have done in their position. Because some of them were obviously good people, who were scared to be involved. Of course, during this time McCarthyism was prevalent and it is suggested that this film alluded to that. However, whatever you think it is still unquestionable that High Noon is a powerful film, a love story, and at its simplest a classic western.