In this column, I go back to my roots with The American Film Institute’s Top 100 Lists, a good place to start for those interested in Classic Hollywood films. It’s in concurrence with #AFIMovieClub and the 10th anniversary of becoming a classic movie fan myself. Thanks for reading.
Let me be clear about this. “Moon River” was love at first sight. The genesis is a bit unclear. Certainly, I saw Breakfast at Tiffany’s first. That must be it. Although my Grandparents had Andy Williams on record. That could have been it. I’m not sure.
The bottom line is the mellifluous tune, with its wafting nostalgic melancholy and quietly evocative tune is beautiful in all its many forms. Mancini’s composition, tailored to Audrey’s own voice, is perfectly understated for her. The lyrics of Johnny Mercer are beyond compare. Simple yet perfectly measured.
I often jest that it’s the kind of song I would want to play at my wedding, but there’s some truth to that as it touches on something that I think is wonderful. For me, it’s the embodiment of love and longing indicative of both the past and future. Huckleberry friends we’ve left behind and those at the rainbow’s end we’ve still yet to meet.
What’s more, it a melody plucked out of time. Yes, it’s the track in the opening scenes of the movie. Yes, Audrey Hepburn sings it so tenderly. But it has a life of its own.
This is part of what makes it one of the most memorable tracks on The American Film Institute’s Top 100 songs. There might be better songs, but nothing can fill the same void in me like “Moon River.” It warms the cockles of my heart.