The Killers (1946) – Film-Noir

Starring Burt Lancaster in his debut as well as Ava Garner, the film begins with two gunmen killing “The Swede” (Lancaster) in a small town. Interested in the mystery, an insurance investigator named Reardon (Edmund O’Brien) tries to piece together the past of the dead man. He works to gather more information and talks to “The Swede’s” former friend as well as a hotel worker, and a past cell mate. Through a series of flashbacks Reardon slowly strings together the past including “The Swede’s” boxing career, his time in prison, and especially an alluring woman, Kitty Collins (Gardner).In the climatic scene Reardon finally meets the beautiful Kitty. Only after a series of events and her quick getaway does he grasp the whole truth. Kitty was a deadly double crosser. However, in a cruel twist her partner in crime is killed and her fate is sealed. This is an exciting film noir with solid acting and a great style of storytelling. This was my first experience with director Robert Siomak, and I must say I was quite impressed.

4.5/5 Stars

Sunset Boulevard (1950) – Film-Noir

This is a great film-noir but more importantly it serves as a biting picture of the Hollywood lifestyle . Billy Wilder created a very interesting film that is well worth watching. It puts a very contrasting pair together and delivers the tale with a exceptional style of storytelling.

*May Contain Spoilers

In this film starring William Holden and Gloria Swanson (real-life silent film star) a down-on-his-luck writer, strictly by chance, finds himself living with a forgotten film actress. From the very beginning he finds her eccentric and her mansion chilling. All the same he agrees to live there in order to edit her movie script and earn some much needed money. Soon she grows accustomed and dependent on him since her only other companion is a butler. Hoping to make a comeback she goes to director Cecil B. Demille but it becomes evident to those around her that things will not work out. At the same time the young writer begins to distance himself as he begins to fall for a young woman writer he has been working for. In a chilling ending someone dies and another goes seemingly mad because the tension has grown too great. This film is very well done from the flashback and narration at the beginning to its critique of Hollywood and the parallelism with real events.

5/5 Stars

 

Touch of Evil (1958) – Film-Noir

92b8e-touchofevilStarring Charlton Heston, Janet Leigh, and Orson Welles, this film is one of the last examples of what is considered true film-noir. In a small, dangerous, run down, border town, a mysterious car bombing murder takes place. A Mexican investigator who is a newlywed (Heston) and a hardened American policeman (Welles) join forces on the case. However, soon the case becomes complicated with corruption, kidnapping, and plotting. With his wife in danger, Heston must save her while trying to crack the mystery. Only after some time does he realize the man with the touch of evil. The protagonist wins but that does not mean there is not tragedy as well. Orson Welles does it again with this intriguing film. The opening shot alone shows the brilliance of Welles. This film is one worth seeing, showcasing director Welles and good acting by the entire cast.

4.5/5 Stars

42 (2013)

e3a98-42_film_posterStarring Chadwick Boseman and Harrison Ford, this biopic chronicles the life of Jackie Robinson, the extraordinary man and athlete who broke baseball’s color barrier in 1947.  

The film opens and Robinson is playing for the all-black Kansas City Monarchs because the big leagues are still segregated and prejudice still reigns supreme. However, Branch Rickey, general manager of the Brooklyn Dodgers has ideas of his own. He sends a scout to offer Robinson a contract that Robinson accepts and he finds himself with the Montreal Dodgers. After the good news Robinson proposes to his girlfriend Rachel and they get married soon after. The two of them head down to spring training, and with the help of a black journalist Wendell Smith, Robinson begins to settle in. 

Despite being the only black man on an all-white squad, his athletic ability and speed lead to a successful season. Although there is some initial backlash it seems like Rickey’s “noble experiment” might be working. The next spring training in Panama opens and the real trouble begins. The Dodger squad signs a petition vowing not to play with a black man. Then, to add insult to injury Leo Durocher is prohibited from managing. 

It is a rough start to Robinson’s career in the big leagues, and soon it becomes obvious that this is just the beginning. Discrimination is rampant. Robinson is taunted, beaned, spiked, and threatened with death. But in agreement with Rickey, Robinson vows not to fight back. Instead, he beats his adversary on the field. This mindset, along with the support of his wife, and several teammates, lead Jackie to success. He took home the Rookie of the Year and the Dodgers, in turn, won the pennant. 

Fittingly, the film closes with postscripts that describe number 42’s impact on the game. It seems that some have said that from a film standpoint it is unexciting or unremarkable storytelling and that well night might be true, but with a story as good and important as this, I don’t think it matters that much. Fans, including me don’t care. This film is meaningful, because although I knew a lot about Robinson’s life, I never really thought about people like Ralph Branca or Ben Chapman in this light. They are more than just statistics in a baseball almanac. They were men who played a part in this story, whether good or bad. I have always considered Jackie Robinson one of my greatest heroes, not only because I am a Dodger fan but because he was a remarkable man and this movie simply reinforced that notion. Here’s to you number 42.
 
3.5/5 Stars

Separate Tables (1958)

bdd6d-separate_tablesStarring Burt Lancaster, Rita Hayworth, Deborah Kerr, David Niven, and Wendy Hiller, the films follows the evens at an Inn in England. This relatively simply film is less about plot and more about the interactions between people. Lancaster is a troubled man who is trying to forget his past marriage. Hayworth is the attractive wife he left who has her own insecurities, Kerr is the timid daughter who always obeys her mum, and she takes a fancy for the Major. Niven is the Major, a seemingly kind older gentleman with a less desirable side. Add a few more guests and Wendy Hiller as the sensible owner of the inn and you have this movie. What first begins as separated tables eventually evolves into something else entirely.

4/5 Stars

Umberto D (1952)

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This Italian neo-realist film directed by Vittorio De Sica, with many untrained actors, is about an elderly man scraping by off his pension. His landlady wants to evict him and his only real friends are a maid and his dog Flike. Much of the movie follows him as he tries to pawn belongings for money. He is a very proud man with a respectable past, but now times are tough. We watch as he goes to the hospital, has his home taken out from under him, and then he tries to give away his beloved dog. This film at times can be very bleak but Mr. Umberto is resilient to the end.

4/5 Stars

White Heat (1949) – Film-Noir

Starring James Cagney, Edmund O’Brien, and Virginia Mayo, once again Cagney does the gangster role. However, his Cody Jarret is older and more psychotic than ever as he leads his band of thugs. Although he has a beautiful wife, the main woman in Jarret’s life is his mom who watches over him. After an initial robbery, Jarret beats the rap by confessing to a smaller crime. While he is in jail the police plant one of their men (O’Brien). Eventually the pair and a crew of cronies break out and plan their next move. However, the undercover man cleverly tips off his colleagues and they follow in hot pursuit. Pretty soon the only one left is Jarret and he is isolated near high above near a gas storage tank. In a crazy fit, Jarret yells to his ma that he has made it to the top of the world as he goes up in flames. This movie has wonderful suspense in the end and Cagney is chilling yet again.

5/5 Stars

The Lost Weekend (1945)

c5841-the_lost_weekend_posterStarring Ray Milland and Jane Wyman, the film follows a former alcoholic writer as he goes on a binge, sinking into the depths of despair. With his brother gone and his girlfriend tied up with work, he finds himself frequenting bars across town and then wandering home to sleep it off. Amid the flashbacks of his past, nightmares, and a stay at the hospital, he finds his state becoming increasingly worse. His brother has given up on him and his often faithful girlfriend is on the verge. Finally, he decides to end it one way or another. Ultimately, with the support of his girlfriend he resolves to put “The Lost Weekend” down on paper so he can over come it. Director Billy Wilder does a wonderful job with this somber if not shocking story. Milland and Wyman both give very good performances which make this drama hit hard. The unearthly-sounding theremin is also very effective in the film’s soundtrack.

4.5/5 Stars

The Public Enemy (1931)

Starring James Cagney, the story follows Tom Powers as he and his friend Matt grow up in Chicago and eventually get involved with the gangsters of the Prohibition era. Tom’s life of crime gives him money and female company. However, it causes a division with his older brother. He sticks with his life and continues acting as  an enforcer for other gangsters. Every barrel of beer he delivers has blood behind it. As always fate catches up with Matt and eventually Tom. His life reveal the problems with Public Enemies. This is Cagney’s breakthrough performance and it makes sense because he literally steals the show. With every slug, slap, grapefruit, and devilish grin he captures the screen.

4.5/5 Stars

 

UP (2009)

This Pixar film, starring Ed Asner and Jordan Nagai, follows a retired gentleman, who keeps his promise to his deceased wife by traveling to South America. Carl Frederickson met the love of his life in Ellie, and they got married. However,  pretty soon they were in their later years and Ellie died. Carl wants to keep his promise, and so he heads to South American in his balloon-propelled house. Along the way, he has an energetic boy named Russell thrust upon him. Over time they become friends as Russell tries to help Carl so he can earn a Wilderness Explorer badge. Russell befriends a talking dog named Dug and a giant bird called Kevin, while Mr. Frederisckson accepts their company begrudgingly. But they do run into trouble, and so they have to rally in order to save Kevin from his captors. Although this story seems sad at first, it quickly becomes heartwarming with the addition of Russell. He helps to breathe new life into Mr. Frederickson, and more importantly, they form a relational bond. This is probably the best Pixar film since Finding Nemo.

It always strikes me how wonderfully unassuming this film is. If you told me that a film about an old man traveling to South America in a balloon-propelled house would be this gripping, funny, and heartwarming, I certainly would not believe you. But time after time UP is a joy to watch.

It has one of the moving opening sequences in recent memory, and it does it with pithiness. This is the first sign that this is something special. Each and every time I always find the score so whimsical, and it seems to fit so perfectly with the concept. Another marvel of this film is Russell, the spunky Asian-American kid in pursuit of his assisting the elderly badge. He is a hilarious little boy with a lot to say, and he says it with such expression and energy, which really shows through the Pixar animation. A shout-out must also be given to Kevin and Dug because Russell is the standout, but the film would not be the same without this pair of quirky creatures.

Most importantly, the younger generation learns from the older generation, and in turn, I think Carl learns valuable lessons from his young companion. It is very important to never forget our past, but perhaps more important is making something of our future and living in the present. It is a new type of buddy film that reminds us that friendship, as well as adventure, are out there, we just need to go and find it.

5/5 Stars