Film-Noir

Noir comes from the French word meaning “dark” and it generally refers to a type of crime melodrama that often includes hard-boiled detectives, beguiling femme fatales, taboo topics, and violence. In order to tell the story flashbacks, voice-overs, as well as chiaroscuro cinematography are often used. The tentative period of film-noir is often said to be from 1941 to 1958 but none of things are set in stone. To put it simply film-noir has a cynical tone that often reveals the world’s underbelly. A film may not have all of these parameters and it can still be considered noir. Although many people say the true noir period is over, movies still come out with similar themes or qualities and are thus christened neo-noir. In the following weeks I am looking forward to releasing reviews on some of my favorite films in the genre. I hope you enjoy them as much as I do. After all, this is the stuff that dreams are made of.

Touch of Evil (1958) – Film-Noir

92b8e-touchofevilStarring Charlton Heston, Janet Leigh, and Orson Welles, this film is one of the last examples of what is considered true film-noir. In a small, dangerous, run down, border town, a mysterious car bombing murder takes place. A Mexican investigator who is a newlywed (Heston) and a hardened American policeman (Welles) join forces on the case. However, soon the case becomes complicated with corruption, kidnapping, and plotting. With his wife in danger, Heston must save her while trying to crack the mystery. Only after some time does he realize the man with the touch of evil. The protagonist wins but that does not mean there is not tragedy as well. Orson Welles does it again with this intriguing film. The opening shot alone shows the brilliance of Welles. This film is one worth seeing, showcasing director Welles and good acting by the entire cast.

4.5/5 Stars