Night of the Living Dead (1968)

ee1cb-night_of_the_living_dead_afficheI came into Night of the Living Dead expecting a whole lot of zombies and some gore and a few deaths. There was most definitely some of that to be sure, but that was far from the whole picture.

First off, it must be acknowledged that George Romero’s picture is a true low budget B film, and it certainly looks the part with its choppy black and white cinematography. Instead of taking away from the film it adds to the aesthetic because we are even less sure of what we are seeing.  The inciting details are also rather blurry as well.

It begins with a prudish girl named Barbra (Judith O’Dea) who goes to visit her father’s grave with her brother. Their little sibling quarrel is soon interrupted by a thing. A zombie for lack of a better term. Johnny is taken down, but Barbra frantically escapes to an abandoned house. Soon she is joined by burly, level-headed Ben (Duane Jones) and a few others. Still little is known about the crisis as the men butt heads about the best plan of action in response to the impending onslaught. Whatever their decision it has no power to impede the ghouls from steadily multiplying and moving closer. The authorities can do very little as the men board of the house and get ready to defend their makeshift fortress.

Plans of escape with a truck go awry and they see all too quickly the ferocity and cannibalistic nature of the undead terrors.  Meanwhile, the Press and Big Whigs in Washington try to make heads and tails of what is going on across a third of the country. The only explanation is radiation from Venus, but that does little to help our protagonists in their predicament.

By its conclusion Night of the Living Dead becomes increasingly more suffocating and claustrophobic as the zombies close in and do their worst. Ben somehow pulls through, but fate does not smile fondly on him. After all, the line between undead and living is sometimes difficult to differentiate. So much so that sometimes I felt like I was watching some Vietnam footage or a White Supremacist posse instead of a fictional horror tale. Yet another layer that makes Night of the Living Dead strangely unnerving.

This film ushered in a new era of horror films, and it truly is the seminal zombie flick before it was cool. Although to the modern viewer this film can feel slow, it has a surprising amount of social and political commentary. One thing’s for certain. I never want to be stuck in a house with zombies closing in on me. Not fun. Not fun at all.

3.5/5 Stars

Diabolique (1954)

3bb85-lesdiaboliquesposterThis French thriller begins at a small boarding school for boys. The principal is a difficult man who is married to a wealthy but frail teacher, and his mistress is another one of the teachers. Because he has been awful and abusive to both of the they befriend each other and devise a plan to kill him. They lure him away from school and eventually drown him in a bathtub. They go back to the school and dispose of the body in the murky pool. The deed is done and they are both apprehensive, especially the frail wife. When the pool is finally drained there is no body! This and other strange occurrences further frighten the wife and she becomes sickly. However, she could never expect what she saw one night that led her to die of fright. The twist at the end of the film is good. It is rumored that Hitchcock tried to get the rights to this story. He would just have to settle for making Psycho instead. What a shame.
 
4.5/5 Stars

Wait Until Dark (1967)

Starring Audrey Hepburn and Alan Arkin, this is a harrowing suspense thriller. The film opens with a man being given a doll by a fearful woman. Little does he know what is inside and there is a thug trying to retrieve it. The man’s blind wife spends most of her time at home with the doll unknowingly in their care. The thug enlists two other incriminated men to help in the elaborate plan. The key is the blind woman and so they get to work by luring her husband away and then gaining her confidence. Through a course of events they hope to scare her into telling where the doll is. She begins to become suspicious but she still does not know where the doll is herself. However, soon it comes into her possession. Night is falling and she is cut off from all outside help. She waits anxiously in her darkened home and when the enraged thug returns Susy fights back the only way she knows how, in a struggle to survive.

Audrey Hepburn is usually a sympathetic figure but when you make her blind the audience worries even more for her safety. The climatic moments are thrilling and they certainly make the viewer uncomfortable. It is questionable if a real blind person would be so trusting or if an actual person would bring home a doll that was handed to them. Aside from that this is an entertaining film and Hepburn was great.

4/5 Stars

Arsenic and Old Lace (1944)

Directed by Frank Capra and starring Cary Grant with a zany and strange supporting cast, this film adapted from a play is a farcical  black comedy. Grant is a drama critic who is just recently married and he is about to go on his honeymoon. However, he is horrified to learn that his two unassuming aunts have killed hopeless, old men with arsenic-laced tea. He must also deal with one brother who believes he is Teddy Roosevelt and a recently returned brother who is wanted for murder. Add these crazy characters, a peculiar German doctor, some policemen, and you are in for a wild ride of wacky antics and mock terror. All the while Grant tries to balance his many problems which nearly go awry. Everything gets figured out in the end and Grant carries his bride away. To say the least this film is very odd and perhaps not Capra’s best. It does culminate nicely in the end however, closing the story on a high note. The cast includes Priscilla Lane, Raymond Massey, Josephine Hull, Peter Lorre, Jean Adair, Jack Carson, and John Alexander

3.5/5 Stars

The Birds (1963) – Alfred Hitchcock

ebc31-the_birds_original_posterDirected by Alfred Hitchcock and starring Tippi Hedren, Rod Taylor, and Suzanne Pleshette, this film follows the journey of a rich woman who travels to Bodega Bay in order to visit a man who intrigues her. This love story is already odd to begin with and then add thousands of berserk birds to create far more chaos. Everything is innocent enough at first but Hedren gets attacked by a seagull. Everyone brushes it off but the next day at a birthday party a wave of birds attack. A couple of deaths and many injuries occur causing tumult all over the bay. The birds keep on attacking in cycles so the citizens must either try and flee or barricade themselves in their homes. Soon the threat of the birds seems overwhelming and Hedren and her new relations must fight to survive. Although this film ends with the family finally escaping in Hedren’s Ashton Martin Coup, the birds still sit there as ominously as ever. With the use of special effects and no score, this film sends shivers down the spine. However do not think it is just a horror flick. Much like Psycho it is also a very well made film.

4.5/5 Stars

 

Psycho (1960) – Alfred Hitchcock

Alfred Hitchcock is much appreciated now but this film especially stands out in American culture because it was a first rate horror film when that was an anomaly. It has a chilling score, a notorious villain, and a sequence that is one of the most famous in film history.

*May Contain Spoilers

Directed by Hitchcock and starring Janet Leigh, Anthony Perkins, and Vera Miles, this film is intense from the opening sequence. Marion Crane seems to be your average love-struck woman stuck in her job. However everything quickly changes for her after she runs off with $40,000 that had been entrusted to her. Before she can get it to her boyfriend she must stop for the night at the Bates Motel. She rents a room and meets the timid, unassuming proprietor Norman. Soon it becomes obvious that he likes her but his domineering mother does not approve. Then later when Marion is taking a shower she is brutally murdered. Soon the situation becomes even more confused when a private investigator winds up missing. Marion’s sister and boyfriend resolve to go to the motel themselves. Little do they know the shocking events that await them. Undoubtedly Hitchcock’s most famous film, Psycho shakes the nerves and excites. Furthermore, it solidified Norman Bates as one of the most notorious villains of all time .

5/5 Stars

Apocalypse Now (1979)

10713-apocnowIn this hellish adaption of Joseph Conrad’s Heart of Darkness set in Vietnam, Martin Sheen is a captain given a classified mission. He must go down the river into Cambodia to terminate a Colonel Kurtz (Marlon Brando), who has gone rogue. The main part of the film follows his journey on a boat with a small crew of men. They meet up with a hardened napalm-loving colonel (Robert Duvall), watch a USO show, and witness as well as take part in senseless killing. With the crew whittled down, Willard finally reaches the outpost of Kurtz, only to witness the horror that lies there. After waiting so long to complete his mission, Willard feels conflicted about it upon seeing Kurtz. This is one of Francis Ford Coppola’s most famous films and it truly was a labor of love since it took a long time to complete. Although their parts may seem minimal, Brando, Duvall, Dennis Hopper, and even Harrison Ford contribute. Because I read the source novel, I could appreciate the film in that sense but The Godfather is a better film in my opinion.

4.5/5 Stars

What Ever Happened to Baby Jane? (1962)

This psychological thriller starring Bette Davis and Joan Crawford with Victor Buono, opens with the bratty vaudeville star Baby Jane Hudson. Her sister Blanche lives in her shadow but begrudgingly agrees to watch out for her sister. Now in the 1930s Blanche is the movie star and Jane is all but forgotten. After a mysterious accident, the film moves to the present where Blanche is confined to a wheelchair and Jane vengefully takes care of her. Because of Jane’s psychotic and often cruel behavior, Blanche tries getting help several times but to no avail. She is at the mercy of her sister, when Jane is not trying to renew her career with the help of a young accompanist. Ultimately  the truth is revealed and the film ends on a pitiful note. This film is full of suspense and Davis is absolutely creepy; never was one staircase so integral to a story either.

4.5/5 Stars

Frankenstein (1931)

e7a7f-frankenstein13Starring Colin Clive and Boris Karloff, this archetypal horror film is loosely based on the novel written by Mary Shelley. Frankenstein is a man intent on creating life. However, his creation is made out of corpses and then comes the fateful day that he brings his Creature to life. Once it is alive his own life will never be the same. Soon it begins to cause havoc by killing a little girl and scaring others. It even attacks Frankenstein and his wife on their wedding day. In the end the Creature meets his demise in a burning barn and Frankenstein seemingly escapes utter disaster. This became the perfect set up for the Bride of Frankenstein (1935).
4/5 Stars