Patton (1970)

Starring George C. Scott and Karl Malden, the film chronicles the exploits and controversy surrounding the great World War II general. Gaining fame  in Africa, Patton would move on to Sicily, and finally march toward Berlin. Patton was a colorful character who was highly religious, a war romantic, and he also had a big mouth. Despite often being tough and unpopular, over time Patton did garner the respect of many an aid, ally, and even enemy. His heroic 3rd army became famous for their exploits all across Europe. By the end of the war, Patton came out a very complex hero from a former age. The reason this film is good not only rest on it being a war movie but also based on character development. George C. Scott does a wonderful job of portraying the larger-than-life persona of Patton.

4.5/5 Stars

Yankee Doodle Dandy (1942)

Starring James Cagney and an array of others, the film tells the real life story of writer, singer, and dancer George M. Cohan. The story begins with an older Cohan recounting his life story. He began his career with his family in Vaudeville. Slowly he made a name for himself in Broadway and married his love. He and his partner kept making musicals and then the Cohans reunited for one last show. Eventually everyone in the family settled down before they died. The only one left was George who was living with his wife. In his final performance, Cohan gets the country to rally around the flag again as he has done his whole life. This movie has many commendable moments but there is an apparent conflict between biography and musical. Cagney for his part gives a stellar performance as the energetic and ambitious Cohan. The film also doubled as a nice piece of propaganda during World War II.

4.5/5 Stars

Scarlet Street (1945) – Film-Noir

Similar to Woman in the Window, this film-noir was directed by Fritz Lang and it stars Edward G. Robinson, Joan Bennett, and Dan Duryea. Chris Cross is a shy employee who has been working for the same man 25 years. While walking home Chris rescues a beautiful woman from an assailant, not knowing it is her brutish boyfriend. Amused Kitty agrees to have coffee and Chris who is an amateur artist, begins talking art, but Kitty gets the idea he is a wealthy painter. Because Chris is stuck in a hopeless marriage he becomes infatuated with kitty and she takes full advantage. Chris scrounges for money to pay Kitty’s rent and unbeknownst to him, Kitty’s boyfriend tries to sell the artist’s work. A critic is impressed and so Kitty masquerades as the artist. Chris finds out eventually and confronts her but the conniving femme fatale manipulates him again. Chris is delighted his work is appreciated and he is content with Kitty continuing to take the credit. An unexpected turn of events mean he can leave his wife and marry Kitty finally. However, he finds her with Johnny and after his genuine proposal she belittles him.An enraged Chris commits murder but it is pinned on Johnny. A miserable wanders the streets without a job or recognition for his art. Furthermore, he must live with his guilty conscience tormenting him until the end of his days. Woman in the Window is good but this film is more biting and powerful when it is all said and done.

4/5 Stars

The Woman in the Window (1944) – Film-Noir

Starring Edward G. Robinson and Joan Bennett, this film-noir involves an ordinary psychology professor and a beautiful woman. The story begins at the club where the professor and his friends begin to discuss an enchanting portrait of a woman in a store window. He stays behind for a while longer and before he leaves he takes one last look at the painting. And there he meets the woman herself who then invites him over for a drink. However, her angry boyfriend comes by and he is left dead after a scuffle. Now the two perpetrators must cover up their murder and dispose of the body. That task goes to the professor and he naively dumps it out in the country leaving behind numerous clues. One of the professor’s friends is the district attorney and so he finds himself invited back to the scene of the crime. The professor is not suspected but the woman is blackmailed by a low life ex-cop who threatens to expose them if he doesn’t get his money. Much to the woman’s relief the blackmailer is killed but it comes too late for the professor. Or does it? This noir directed by Fritz Lang focuses on a mysterious woman and psychology. It also has one of the most abrupt, out of the blue endings. Every movie should not be resolved this way but I rather liked it one time around.

4/5 Stars

The Big Heat (1953) – Film-Noir

*Contains Spoilers

Starring Glen Ford, Gloria Grahame, and Lee Marvin, with direction by Fritz Lang, the film follows an everyday cop named Dave Bannion (Ford). This film-noir begins with a mysterious suicide of a cop. Soon Bannion is on the case trying to put the facts together and then everything heats up. First, a young woman he talked with is found beaten to death, then his wife is brutally killed by a car bomb. Enraged by the death of his loved one, Bannion obsessively seeks justice. Everything becomes clear when he comes to the realization that one man controls the town through his influence and strong-armed tactics. With his badge taken away, Bannion meets Grahame’s character and she falls for him. However, her thug boyfriend (Marvin) scalds her face and so she becomes determined to help Bannion and she even commits murder. Fatally wounded by the thug, she dies but her actions close the case and bring along justice. Fittingly Bannion is promoted to sergeant by the end of the film and starts on a new case.

4.5/5 Stars

The Lady from Shanghai (1947) – Film-Noir

Starring Orson Welles and Rita Hayworth, the film is narrated by an Irish sailor (Welles) who meets a beautiful but unhappily married woman (Hayworth). Michael is given a job on the yacht of the wealthy lawyer Arthur Bannister and he is near the alluring Elsa once again. While he is aboard the yacht, Bannister’s partner Grisby asks Michael to fake a murder so Grisby can disappear and claim the insurance money. Michael is suppose to confess to the crime but Grisby will be long gone and there will be no evidence. However, things go awry when Grisby kills another man and then he himself ends up dead. This leaves an innocent Michael facing the gas chamber. Only after he makes a desperate escape from court does he learn who was behind the murder of Grisby and also actually in league with him. In a surreal climax ending in the hall of mirrors, Elsa, Michael, and Bannister all face each other. However, only one survives. Despite a slow beginning the exciting second half of this film is a credit to the directing of Welles.

4/5 Stars

The Postman Always Rings Twice (1946) – Film-Noir

Starring John Garfield and Lana Turner, the film begins with a drifter taking a job at a roadside diner for a jolly older man with a beautiful young wife (Turner). After initial conflict, Frank and Cora fall passionately in love. They try one disastrous attempt to take the husband’s life, and in desperation they try again, this time succeeding in getting rid of him. Soon they are in court fighting the murder rap. Miraculously the two of them get out of it but ironically by the time the trial is over they hate each others guts. They live in constant loathing of each other but after thwarting a blackmail scheme their wild love is rekindled. In an equally cruel twist of fate, they both end up paying for their actions the second time around. With the voice-over, femme fatale, cinematography, and twisting plot, this is a quintessential film-noir that I really enjoyed. I would consider it the landmark performance for Lana Turner and maybe John Garfield as well. They learn the hard way that the postman does always ring twice and there is nothing you can do about it.

4.5/5 Stars

Gilda (1946) – Film-Noir

*This May Contain Spoilers

This film-noir and twisted love story stars Glenn Ford and Rita Hayworth. Johnny Farrell is a shady gambler who has just arrived in Buenos Aires. Through certain  circumstances, he quickly meets a mysterious man. Soon he learns this man is a casino owner and Farrell gains a job as his right-hand man. However, things get complicated when Farrell’s boss marries Gilda, a beautiful woman who Farrell had been involved with a long time ago. Quickly their mutual dislike becomes evident but Mr. Mundy has Johhny constantly watching over Gilda. Seeing her flirting with many other men increases Johhny’s hatred for her. Soon he learns his boss is in something much bigger and after a murder, Mr. Mundy attempts to escape on a plane. Johnny sees it crash but little does he know his boss is alive. To get at Gilda, he marries her and keeps her confined. Despite their hatred, they still hold complicated feelings for each other. But then Mr. Mundy comes back seeking revenge on both Johnny and Gilda. However, his plans fail and the romance is complete. If there was ever an essential femme fatale, Hayworth’s character certainly would fit that category. Her performance of  “Put the Blame on Mame” is definitely memorable.

4.5/5 Stars

The Sweet Smell of Success (1957) – Film-Noir

Starring Burt Lancaster and Tony Curtis, this film has memorable dialogue and chilling performances. Curtis is Sydney Falco, a greedy and conniving press agent who is constantly trying to get on the good side of influential people. His main target is the renowned if not ruthless gossip columnist J.J. Hunsecker (Lancaster). Falco bargains for publicity he desperately needs in exchange fro breaking up the romance of Hunsecker’s kid sister. The plan seems to work just as Falco foresaw, however a heated confrontation leads to Hunsecker seeking revenge on his sister’s boyfriend. Ruthlessly he has the man framed with the help of a reluctant Falco. Finally, Falco has had enough but Hunsecker turns on him too in order to protect his image and his sister. As the film closes, Hunsecker’s almost suicidal sister leaves to go back to her boyfriend and he is all alone. Lancaster and Curtis both give performances that brim with corruption and sleaze. The score and the New York atmosphere also help to bring the film alive.

4.5/5 Stars

Mildred Pierce (1945) – Film-Noir

Starring Joan Crawford, this classic film noir is intriguing because it revolves around a successful woman. The film begins with a murder and Pierce is taken in for questioning. From that point on she tells the story of her life with her first husband and two daughters. However, Pierce was in conflict with her husband about their spoiled daughter Veda and they split. She was forced to go it alone in the business world and make something of herself. However, her spoiled daughter and complex relationships with men made her life painful. She was now a wealthy restaurant owner but Veda no longer loved her. Pierce tried in every way to win back this love However, her efforts were not enough to save Veda from her fate. This film is certainly enjoyable and Crawford does a wonderful job because for once you actually feel sorry for her. She has a solid cast behind her including Ann Blyth, Eve Arden, and Jack Carson.

4.5/5 Stars