Review: American Graffiti (1973)

e38f5-americang3 The year was 1962. Cars were cool, the music was hopping, and teens were young and in love. It’s a simpler world, but it is not a world without your typical worries, especially since high school is over and college is just around the corner for some.

Curt (Richard Dreyfuss) is destined for college with a big scholarship under his belt, but he is still not convinced it’s the right fit for him.

Steve (Ron Howard) is also college bound, but he finds himself spending his last night patching things up with his girlfriend, Curt’s sister Laurie (Cindy Williams).

Their friend Toad (Charles Martin Smith) has the night of his life with Debbie (Candy Clark), leaving his puny Vespa behind after Steve’s loans his ride to the lovable geek.

Cool king of the strip John Milner (Paul Le Mat) gains an annoying co-passenger and winds up having an unorthodox but memorable night all the same.

It would be a pleasure to dive further and further into each arc, but it seems wholly unnecessary. The joy of American Graffiti is the ride it takes you on. The differing perspectives, varying experiences, and ultimately, a full realization of a certain time and place. True, I was never around in 1962, but it feels like I was. Some of Buddy Holly’s thunder has been stolen by the Beach Boys. JD (James Dean) is boss and Ozzie and Harriet can be seen on the picture tube. It goes without saying that the hottest pastimes are cruising and necking.

Understandably, George Lucas pulled from his own past love of cars and music to transport us back in time. That would have been impossible without the music that acts as the ultimate jukebox and it is pervasive wherever the night takes us. With that nostalgia comes Wolfman Jack who highlights the lightness of the age while also making a more somber cameo which contrasts with the image that he created on the radio waves.

This is a story about young adolescents, and it certainly is a comedy as life is often a comedy. There are memorable moments, fights, and times where we just need to puke. Through it all we learn a little about ourselves and those around us. Dreams can be made and re-imagined as they were for Steve and Curt. However, when it all comes down to it, each one of us has our own path we must carve an existence out of. For each individual it looked a little different. However, one of the reasons I always come back to American Graffiti is the timelessness or rather the way it so wonderfully freezes time. I feel like I’m there in the moment with these characters. I laugh, cheer, and empathize with them. Perhaps the time and place of their world differs from mine, but their worries and aspirations are universal.

No one wants to fade into the past and we all are looking for our girl in the white T-Bird. Only time will tell what actually happens. We just have to live life and see what kind of ride we get taken for.

5/5 Stars

Review: Blade Runner (1982) – Final Cut

edd47-bladerunner1“Too bad she won’t live but then again who does?”

It’s the year 2019 in Los Angeles but this is a far cry from the world we are used to as you will soon see. Blade Runner is a hybrid neo-noir, dystopian, and sci-fi film. The Tyrell Corporation has successfully created humanoids called replicants that are near perfect copies of humans except at one point some went rogue and special policemen called Blade Runners were called in. Their services are still required to get rid of a few remnants

Unlike your typical Noir, the film is not in black and white but it still is faded, dank, and dreary. It’s a world-weary L.A. that doesn’t see the light of day anymore. The sterile environment is filled with unnaturally bluish light, old technology, and spaceships coupled with neon lights. The 1980s aesthetic actually adds to the atmosphere which fills all the more dilapidated and old by modern standards. It is weirdly sci-fi while also being time worn. On the ground, it has the appearance of a Chinatown where it is perpetually raining. There is a melding of cultures, time, and place. The ultimate melting pot.

This is the strangely foreign earth that four replicants escape to. One of the fugitives soon blows away a Blade Runner and thus, the best man for the job is brought in: Rick Deckard (Harrison Ford). Finding 4 so called “Skin jobs” is like finding needles in the proverbial haystack. But Deckard has the experience.

Initially, he pays a visit to replicant mastermind Dr. Elden Tyrell and does a test on the woman Rachael (who appears to be a replicant but without any knowledge of it). Deckard proves his skill to Tyrell and heads off on his investigation. Meanwhile, two of the replicants Roy Batty and Leon interrogate a replicant eye manufacturer (James Hong) who points them to one J. F. Sebastian. Another replicant Pris pays a visit to the hapless man named Sebastian and he invites her into his home.

Deckard’s search leads him to snake scales and his first target. He gets to Zhora by putting on an act as a dweeby member from the American Federation of Variety Artists (reminiscent of Bogart in The Big Sleep). She has none of his pitiful guise but he soon pops her. One down. But Leon sees what happens and is ready to make Deckard pay for his deeds. Luckily the Blade Runner gets some much-needed help. Two down. Two to go.

The leader of the replicants, Roy Batty goes with Sebastian to the lair of Tyrell. Batty meets his maker literally and they trade some choice words. In a strangely horrifying instance, he gives his father a kiss before proceeding to cave his head in. A modern reincarnation of Frankenstein and his creature. Except Batty cannot take his life yet.

Deckard finds his third replicant and barely notches his third kill. Now it’s only Roy and Rick left to duel it out. What ensues is a game of cat and mouse where a frantic Deckard is playfully stalked by a seemingly deranged Batty. At times both men seem inhuman (I thought you were supposed to be good. Aren’t you the “good” man?), but it is ultimately Batty who remains the unfeeling one. That’s what makes his quiet death all that surprising. Deckard is left looking on bewildered as Batty’s dripping head hangs limp. Four down.

Deckard returns one last time for Rachael. He has fallen for a replicant, but he could care less. Then again, she might not be the only one left. If Gaff’s origami unicorn and Deckard’s dream mean anything at all. The identity of Deckard is one of the many ambiguities that is left for the audience to mull over. That is the beauty of Blade Runner because, with the many different versions, there are various interpretations that can be made. You be the judge of which one is correct. I still say they should have kept the name “Do Androids Dream of Electric Sheep,” but then again what do I know? Blade Runner will continue to befuddle me as well as others and that’s probably a good thing. If all movie mysteries were solved and tied up nicely with a big bow they would all but lose their allure. Not so with this one.

4.5/5 Stars

The Best Films of Harrison Ford

1. Raiders of the Lost Ark
2. Star Wars
3. The Empire Strikes Back
4. Blade Runner
5. The Fugitive
6. Witness
7. The Last Crusade
8. Return of the Jedi
9. Temple of Doom
10. Presumed Innocent
11. 42
12. Apocalypse Now
13. American Graffiti
14. The Conversation
15. Working Girl

Blade Runner (1982) – Final Cut

3869e-blade_runner_posterThis sci-fi, neo-noir directed by Ridley Scott stars Harrison Ford as Rick Deckard. The film opens in Los Angeles in 2019 which is continually dark and perpetually raining. In this futuristic dystopia, several replicants, which are superhumanoids, have escaped and gone rogue. After one man is killed, Rick Deckard is called in to execute them and take up his former job as a blade runner. First he heads to the Tyrell Corporation where he meets Rachael, a woman who is unknowingly a replicant. The fugitive replicants begin to search for their creator and Deckard continues his own search and with a little help he is successful. At the same time the replicants gain access to Tyrell and confront him. Then, ultimately it is down to Deckard and Roy Batty, the leader of the replicants. In a somewhat bizarre ending, Deckard fights to survive and he returns to Rachael, their future unknown. Scott played off his own difficult experiences for this film in order to create a universe full of uncertainty. This environment is paradoxically old and futuristic at the same time. Even the melding of film-noir and sci-fi creates a disconcerting atmosphere of technology but also fear. I think part of the aura surrounding this film also has to do with the fact that Scott made multiple cuts so depending on which one you see the film differs as a whole (I saw the final cut from 2007).
 
4/5 Stars

The Last Crusade (1989)

3299e-indiana_jones_and_the_last_crusade_aStarring Harrison Ford with Sean Connery, this is the exciting final chapter of the original Indiana Jones trilogy. The film opens with the young Indy and we discover more  about him. Then, in 1938 we rejoin him as he begins his quest for the Holy Grail. He is introduced to an avid artifact collector named Donovan who then tells him his father Henry Jones Sr. has vanished. Indy winds up with his father’s diary and then heads to Venice where he meets a beautiful Austrian colleague of his father. Indy uses the clues and his knowledge to advance the search. However, all too soon he realizes his father is in trouble and the Nazis are behind it. After a twist the Joneses get away and continue to Berlin. however, their foes are already headed for the Grail. Indy is once again put in a difficult place as he is forced to evade the traps on his way to the very dangerous artifact. This film has a lot of great moments full of action and great dialogue. Ford and Connery play well off each other and we are also given a bit of an origin story for Indy.

4/5 Stars

Raider’s of the Lost Ark (1981)

This film is a nod to all the old time serials and it put us face to face with one of the greatest cinematic heroes of all time . Raiders is wonderful because it is a pure and simple adventure with wonderful characters, a great score, and intriguing scenes. This truly is one of the best action films of all time.

*May Contain Spoilers

Introducing a great hero in Indiana Jones this movie is a blast every minute. With his whip, pistol, and iconic fedora, Indy travels the world in order to track down the Ark of the Covenant. However his arch rival Belloq is also searching for it backed by the Nazis. Indy’s search kindles an old flame in Marion Ravenwood (Karen Allen) and reunites him with his friend Sallah. Jones has a knack for adventure and despite constant obstacles he is never truly beaten. However Belloq does seem to have the last laugh by testing the uncovered Ark. Its power is so great though it destroys all who look at it. So Indy and Marion escape narrowly with their lives. With its great combination of George Lucas and Steven Speilberg along with a great score, this film is a lot of fun. It is difficult not to like the adventures of this classic hero.

5/5 Stars

 

Apocalypse Now (1979)

10713-apocnowIn this hellish adaption of Joseph Conrad’s Heart of Darkness set in Vietnam, Martin Sheen is a captain given a classified mission. He must go down the river into Cambodia to terminate a Colonel Kurtz (Marlon Brando), who has gone rogue. The main part of the film follows his journey on a boat with a small crew of men. They meet up with a hardened napalm-loving colonel (Robert Duvall), watch a USO show, and witness as well as take part in senseless killing. With the crew whittled down, Willard finally reaches the outpost of Kurtz, only to witness the horror that lies there. After waiting so long to complete his mission, Willard feels conflicted about it upon seeing Kurtz. This is one of Francis Ford Coppola’s most famous films and it truly was a labor of love since it took a long time to complete. Although their parts may seem minimal, Brando, Duvall, Dennis Hopper, and even Harrison Ford contribute. Because I read the source novel, I could appreciate the film in that sense but The Godfather is a better film in my opinion.

4.5/5 Stars

American Graffiti (1973)

Starring Ron Howard and Richard Dreyfuss with a host of others, this George Lucas directed film follows the lives of young people in California during the early 60s. It is the night before Curt and Steve are going off to college. They both want to make the most of the time left. However, Steve spends all his time trying to strengthen his relationship with his girlfriend (Cindy Williams). Curt, on the other hand, finds himself out in the town talking with girls and proving himself to a group of thugs. The rest of the film consists of the hot rodding antics of two other characters. A tough speedster (Paul Le Mat) finds himself driving around a 12-year-old girl. “Toad” the nerdy one (Charles Martin Smith), finds himself spending a wild night with a nice but peculiar girl.

With its classic music accompanied by Wolfman Jack and the vintage cars, American Graffiti is a blast of nostalgia that allows us to remember simpler times. It takes this important day in the life of these young individuals and it allows us to be a part of it. Each character has his own experiences that cause them to grow. Toad matures, Curt realizes he must experience college, Steve learns the importance of his girlfriend, and Milner realizes he really does not want to be “The King” anymore.

This film may have slower parts but that just makes it more enjoyable because then the night kicks into high gear when Toad loses the car, Milner beats up the thugs, or Curt has visions of a blonde in a T-Bird. Fittingly as he flies away to his unknown future he sees her white car cruising down the road. It was something that I had wanted to see the first time around but I had seemingly missed it. It made the ending even better.

5/5 Stars

42 (2013)

e3a98-42_film_posterStarring Chadwick Boseman and Harrison Ford, this biopic chronicles the life of Jackie Robinson, the extraordinary man and athlete who broke baseball’s color barrier in 1947.  

The film opens and Robinson is playing for the all-black Kansas City Monarchs because the big leagues are still segregated and prejudice still reigns supreme. However, Branch Rickey, general manager of the Brooklyn Dodgers has ideas of his own. He sends a scout to offer Robinson a contract that Robinson accepts and he finds himself with the Montreal Dodgers. After the good news Robinson proposes to his girlfriend Rachel and they get married soon after. The two of them head down to spring training, and with the help of a black journalist Wendell Smith, Robinson begins to settle in. 

Despite being the only black man on an all-white squad, his athletic ability and speed lead to a successful season. Although there is some initial backlash it seems like Rickey’s “noble experiment” might be working. The next spring training in Panama opens and the real trouble begins. The Dodger squad signs a petition vowing not to play with a black man. Then, to add insult to injury Leo Durocher is prohibited from managing. 

It is a rough start to Robinson’s career in the big leagues, and soon it becomes obvious that this is just the beginning. Discrimination is rampant. Robinson is taunted, beaned, spiked, and threatened with death. But in agreement with Rickey, Robinson vows not to fight back. Instead, he beats his adversary on the field. This mindset, along with the support of his wife, and several teammates, lead Jackie to success. He took home the Rookie of the Year and the Dodgers, in turn, won the pennant. 

Fittingly, the film closes with postscripts that describe number 42’s impact on the game. It seems that some have said that from a film standpoint it is unexciting or unremarkable storytelling and that well night might be true, but with a story as good and important as this, I don’t think it matters that much. Fans, including me don’t care. This film is meaningful, because although I knew a lot about Robinson’s life, I never really thought about people like Ralph Branca or Ben Chapman in this light. They are more than just statistics in a baseball almanac. They were men who played a part in this story, whether good or bad. I have always considered Jackie Robinson one of my greatest heroes, not only because I am a Dodger fan but because he was a remarkable man and this movie simply reinforced that notion. Here’s to you number 42.
 
3.5/5 Stars

Star Wars (1977)

568ac-starwarsmovieposter1977Arguably one of the most successful franchises ever, it is easy to understand how Star Wars became so popular. This galaxy far far away and the characters that graced the screen were so intriguing. You had Luke Skywalker, Obi-Wan Kenobi, Han Solo, Princess Leia, Chewbacca, C3PO, R2D2, and of course Darth Vader. The idea of George Lucas which seemed laughable at first, quickly became a hit. I have always been enthralled with Star Wars like many others before me. However, after watching the original saga again it became clear how wonderful these films were because the tales they told were so fun and entertaining. The relatively simple story of this small time farm boy deciding to fight against evil in the galaxy has always been enjoyable. On top of that the action was great and the characters were even better. This is still one of my favorite films all time easily.

5/5 Stars