Taxi Driver (1976)

d184d-taxi_driver_posterDirected by Martin Scorsese, the film stars Robert De Niro with Jodie Foster and Cybil Sheppard. The story opens with a Vietnam vet, Travis Bickle (De Niro) who takes a job as a taxi driver. Travis is a quiet and lonely man who is turned off by the scum and filth he sees on the streets of New York. He becomes enthralled with a beautiful campaign worker who eventually turns him off. Then he also comes in contact with a young girl who makes her living working the streets. His frustration deepens and he begins to work out and collect weapons. It becomes obvious he is about to explode and after an initial failed attempt he does  just that. However, ironically the aftermath leaves him as a hero. Travis is an interesting character because you feel sorry for him and yet he does things that are truly wrong. I found Bernard Hermann’s score, the voice-over narration, and the cryptic ending all to be interesting parts of this film.

4.5/5 Stars

Goodfellas (1990)

Starring Ray Liotta, Robert De Niro, and Joe Pesci with direction by Martin Scorcese, the film follows the true story of Henry Hill and his life as a mobster. Early on in the 50s Hentry began doing work for the influential mobster Paulie (Paul Sorvino). He began skipping school and slowly begins making a lucrative living with the mob.  Soon he meets Jimmy Conway (De Niro) who loves to hijack trucks as well as the foul-mouthed, quick-tempered robber Tommy DeVito (Pesci). Over time Henry becomes successful after an Air France robbery and eventually he gets married to a woman named Karen (Lorraine Bracco). However, Henry gets caught up in a murder and he also starts seeing another woman. He still has problems but he begins a lucrative drug trade and the Lufthansa heist is pulled. The heat is on and Henry is eventually caught and decides to rat on his friends. He is then forced to live life as a nobody. I appreciated the period music, voice over, tracking shots, and freeze frames. The language of DeVito and others is tiresome but it shows how inherently corrupt they are.

5/5 Stars

Raging Bull (1980)

This autobiographical boxing film directed by Martin Scorsese, stars Robert De Niro, Kathy Moriarty, and Joe Pesci. The film begins with a flashback to 1941 when Jake LaMotta (De Niro) lost a close fight. However, after that loss he begins his run for the middle weight title. Despite a difficult marriage, Jake’s brother and manager introduces him to the young and beautiful Vickie. He continues to fight and in 1947 he is married once again. LaMotta has his share of troubles in the ring but he eventually becomes champion. At the same time his personal life is in a shambles thanks to his constant jealousy and paranoia towards his wife and brother. First, he is estranged from Joey and his career declines. Then after his retirement, Vickie files for a divorce. His days are spent entertaining in nightclubs as a washed up boxer. I enjoyed the reference to On the Waterfront at the end and despite the coarse language, the film had good characters, cinematography, and directing. LaMotta’s life is one that I hope no one would have to experience because there is so much pain and anger in it.

5/5 Stars

The Godfather Part II (1974)

Starring a cast including Al Pacino and Robert De Niro with director Francis Ford Coppola, the film opens with a young Vito Corleone coming to America. The story switches gears to 1958 in Nevada where Michael Corleone has successfully moved the family. However, after a close call Michael goes to Miami and then Cuba to attend to some business having to do with a man named Hyman Roth (Lee Strasberg). The story alternates off and on to Vito as a young man who begins making a life for himself. Upon returning to Michael, he is in a senate hearing where he narrowly avoids being indicted for his activities. From that point on Michael shows no mercy to anyone who is in his way and that includes his family. By the end of the film he is no longer the former idealistic Michael but a callous, cold mobster.

This film was a good installment of The Godfather, acting as both a sequel and prequel. However, at times the split story did seem unnecessary but it does show a contrast between Vito and Michael. The acting, the score, and the directing were all very good. I will let others decide which installment is superior but I will say that this film shows the darker side of Michael. Ironically, he worked so hard to be strong for his family but as he feared he ultimately lost them.

4.5/5 Stars