Beauty and the Beast (1991)

7bdf2-beautybeastposterMy affinity the past decade has gradually turned from the classical Disney formula to the seemingly more inventive storytelling of Pixar. However, Beauty and the Beast certainly has all the makings of a great Disney film, and it is perhaps one of the last classics to come out of the canon.

As per usual, the story gets its inspiration from books and fairy tales. This time from France. Of course, any good fairy tale must have a prince and this specific prince was unfortunately turned into a great ugly beast by an old woman-turned-beautiful enchantress who he insulted. After that trauma, he is resigned to that awful fate until he learns what true love is. Until then he lives locked away in an enchanted castle with no human contact and only a magic mirror to gaze into.

Belle is the most beautiful girl in her little French village where she devours book after book and deflects the increasing advances of the handsome yet conceited Gaston. She lives with her quirky father who has a knack for crazy inventions. One such contraption actually works and he rides off to show it off, but on the way he gets lost out in the wilderness. Lo and behold he ends up at the Beast’s fortress and is soon imprisoned. His daughter goes after him and receives a warm welcome from the enchanted staff of the castle, but the Beast will only let her father go if she stays. So she tearfully agrees. The drama is heightening.

It is slow at first, but over time the Beast’s timid side is revealed, and he begins to fall for Belle. The breaking of the spell seems imminent and yet he reluctantly lets the homesick Belle go see her father again. However, Gaston has been working in the shadows and riles up a mob to lock Maurice away and then go after the child-killing Beast. Humanity must be saved from such a villainous creature after all.

In typical Disney fashion, the final act is a wholly entertaining conclusion with an often uproarious skirmish between the villagers and the enchanted inhabitants of the castle. Top that off with a necessary final showdown, some passionate kisses, and some sumptuous final sequences, and everyone is happy. Disney has always been adept at making films with a wide range of appeal and they do it again here with their foolproof formula. They take a universal story and fill it with mellifluous music and absorbing visuals. The animation is often inventive and fun while the characters fill all the necessary spots. You have your villain, your beautiful girl, your anti-hero, a bickering clock and candle, along with a kindly teapot. What more could you want?

I must say I am curious to watch the original French version La Belle et la Bete (1946) by Jean Cocteau to see how this version varies. Until then I am happily content with this film. This is the type of animated film audiences deserve to see and hopefully they will. Bonjour and Be Our Guest!

4.5/5 Stars

My Neighbor Totoro (1988)

7eaa5-my_neighbor_totoro_-_tonari_no_totoro_movie_posterFrom the famed Japanese animator Hayao Miyazaki, this enchanting film is about two little girls and their very unusual neighbor Totoro.

The film opens with Satsuki and her little sister Mei arriving at a new home out in the country with their father. They are two energetic and rambunctious girls, who are excited by this new adventure. Their father is a kindly man, who spends a great deal of time with them when he is not working. Several other characters play a part including the elderly lady Nanny, the young boy Kanta, and of course the girls’ mother who is in the hospital. First, the girls chase dust creatures through their supposedly “haunted house.” Then, one day Mei follows a strange furry little creature under their house and then into the depths of the woods nearby.  She takes a tumble and all of a sudden she finds herself in the dwelling of a big fluffy Totoro spirit and falls asleep on its belly. When she tries to show Totoro to Satsuki and her father she cannot find him.

However, one evening as they wait for their father’s bus, Totoro comes to the stop, and this time Satsuki is introduced to the spirit who leaves them with a gift. After they spend another magical night with Totoro a few days later, the girls learn to their dismay that their mother is not coming home as planned. An annoyed Mei decides to take some corn to the hospital many miles away. Her disappearance causes a panic in the town, especially with Satsuki. She searches tirelessly for her little sister until her feet are sore. Her only other option is to plead with her neighbor Totoro to help her. Thanks to Totoro Mei and Satsuki are reunited and they see to their delight that their mother is in high spirits at the hospital.

This is certainly a film for children, but it would be unfortunate to call this a childish film. I must take a brief moment to praise the animation led by Miyazaki too. Every single image could almost be a painting they are so beautiful.  In my limited knowledge of anime, it is far above anything I have seen before. It was great to see this film in the original Japanese because it seemed more authentic, but what really struck me was the realistic nature of these young girls. Perhaps they speak a foreign language (to me) but their moods are universal. They can be extremely loud, they pout, share moments of laughter, and they love their parents.

Furthermore, this story does not need some major conflict to drive the plot. Their father is a loving open-minded man who does not even briefly doubt their adventures. I was even thinking that the obvious turn of events was that their mother would die and yet that is not the case. What this film really has is a wonderful innocence which can be appreciated by all ages. Instead of creating some major pathos we are simply able to enjoy this magical friendship between this remarkably cute fluffy spirit Totoro and these two girls. I certainly cannot wait for more from Studio Ghibli and I’m sorry that such an artist is retiring soon.

 
4.5/5 Stars

UP (2009)

This Pixar film, starring Ed Asner and Jordan Nagai, follows a retired gentleman, who keeps his promise to his deceased wife by traveling to South America. Carl Frederickson met the love of his life in Ellie, and they got married. However,  pretty soon they were in their later years and Ellie died. Carl wants to keep his promise, and so he heads to South American in his balloon-propelled house. Along the way, he has an energetic boy named Russell thrust upon him. Over time they become friends as Russell tries to help Carl so he can earn a Wilderness Explorer badge. Russell befriends a talking dog named Dug and a giant bird called Kevin, while Mr. Frederisckson accepts their company begrudgingly. But they do run into trouble, and so they have to rally in order to save Kevin from his captors. Although this story seems sad at first, it quickly becomes heartwarming with the addition of Russell. He helps to breathe new life into Mr. Frederickson, and more importantly, they form a relational bond. This is probably the best Pixar film since Finding Nemo.

It always strikes me how wonderfully unassuming this film is. If you told me that a film about an old man traveling to South America in a balloon-propelled house would be this gripping, funny, and heartwarming, I certainly would not believe you. But time after time UP is a joy to watch.

It has one of the moving opening sequences in recent memory, and it does it with pithiness. This is the first sign that this is something special. Each and every time I always find the score so whimsical, and it seems to fit so perfectly with the concept. Another marvel of this film is Russell, the spunky Asian-American kid in pursuit of his assisting the elderly badge. He is a hilarious little boy with a lot to say, and he says it with such expression and energy, which really shows through the Pixar animation. A shout-out must also be given to Kevin and Dug because Russell is the standout, but the film would not be the same without this pair of quirky creatures.

Most importantly, the younger generation learns from the older generation, and in turn, I think Carl learns valuable lessons from his young companion. It is very important to never forget our past, but perhaps more important is making something of our future and living in the present. It is a new type of buddy film that reminds us that friendship, as well as adventure, are out there, we just need to go and find it.

5/5 Stars