The Best Years of Our Lives (1946)

Directed by William Wyler, the film chronicles the lives of three men as they return from World War II. They feel joy and then angst trying to integrate back into society  with lives that are strangely different from when they left. They face various struggles like finding a job, holding a marriage together, to just trying to get used to a disability. Although they each have their own lives which we get to see first hand, they are still intertwined. Together these three men find it within themselves to make these the best years possible. Full of both highs and lows, this movie is extremely touching and leaves you with a smile. The cast is superb including Dana Andrews, Fredric March, Harold Russell (real life amputee), Myrna Loy, Teresa Wright, Virginia Mayo, and of course Hoagy Carmichael. This film is great because it does not try to glamorize and it stands the test of time in my mind.

5/5 Stars

My Personal Taste in Film (2013)

I would say that no one who watches movies is, or can be, completely objective. Thus, I thought it would be good if I laid out my own preferences and biases for all to know and see. I must admit that I have always been fond of older films from a young age. Classics from the 1950s and 60s were mainstays for me because my parents grew up with them and oftentimes they were more tame than modern films. After watching even more films from this Golden Age of Hollywood I would say I still appreciate them a lot. In many ways I would be more apt to watch a classic then a recently released blockbuster, but that has changed to some extent. At least now I am more open to watching and enjoying newer movies. I think that came about partially because I became more well versed in modern films and I try to keep up to date with the best new releases.

Going back to my fondness for classic films, that has also led me to a great appreciation of legendary directors such as Alfred Hitchcock, William Wyler, John Ford, Billy Wilder, and Howard Hawks. I also became fascinated by the film-noir genre which occurred during this Golden Age and still very much influences films that come out now. I am not squeamish about black and white films either, in fact, I rather enjoy them because in some ways they allow for more artistic expression.
Originally I was a bit more hesitant watching modern movies because oftentimes they are less innocent and they can contain more violence or rough language. However, not all films are like that and it is important to realize that good movies are still coming out today. They may be different from the classics but they can be superb in their own right. In an effort to curb my initial bias I have tried to watch more recent films from the end of the 20th century and the start of the 21st. As you might have noticed my knowledge of classic films was specifically Hollywood from the 1950s into the 1960s. So in an effort to broaden that range I started off on famous international art house films as well as silent films by the likes of Chaplin, Keaton, and Murnau.
I am only human so I obviously would pick certain films over others by personal preference, but hopefully because I have attempted to expand my knowledge and exposure you will at least come to respect my opinion on films even if you disagree with me.

Memento (2000)

6c3e2-memento_posterDirected by Christopher Nolan and starring Guy Pierce, this thriller has an interesting narrative that stars in descending order, simultaneously goes in ascending order, and then meets in the middle. Leonard is a man whose wife was murdered and he wants to find the culprit. However, he has short term memory loss so he must use Polaroid pictures and tattoos to help himself remember. He talks to a policeman on the phone about a case he recalls. He meets the man Teddy and also gets involved with a woman who wants his help after her boyfriend was killed. However  Leonard makes his own truth and when reality is revealed to him, he will not accept it. The story meets and so the audience must come to realize this is in fact true. I feel the storytelling style alone is intriguing because it is so different and it truly makes us think. Nolan made another such film in Inception 10 years later.

4/5 Stars

L.A. Confidential (1997)

Starring Kevin Spacey, Russell Crowe, Guy Pierce, and a great supporting cast, the film takes place in Los Angeles in 1953 where the police force is trying to get rid of crime. Pearce is the promising newcomer who will do whatever it takes to move up. Spacey on the other hand is the technical adviser a cop show and makes money on the side supplying a gossip journalist. Crowe is simply a hardened strong man. Despite their mutual dislike for each other, they must ultimately work together to uncover the mystery behind the murders at the Night Owl Cafe. Their investigation leads them nearer than they ever expected. In a heated finale they must fight for justice while struggling to stay alive. Although quite violent, this film has a good period setting, and the interesting story is reminiscent of classic film-noir.

4.5/5 Stars

Inception (2010)

Starring Leonardo Dicapprio, Joseph Gordon-Levit, Tom Hardy, and Ellen Page with direction by Christopher Nolan, the film follows the elaborate plot to plant an idea in someone’s mind. Dom Cobb is skilled at entering into peoples’ minds in order to steal ideas. However, in order to get back to a normal life now he must plant something instead. He gathers a team to help him enter the dreams successfully. However  they are not just going one level down but in fact several tiers into the mind. This will make  each successive perception more unstable and perilous. The team enters the first dream fine but soon they realize that their influential subject has built up defenses in his dreams. Furthermore, if they die the dream will not simply end but they will all be trapped in limbo. With those problems they enter the second tier and then the third and so on. Ultimately, Cobb must face one of his own realities or else all is lost. This film is so intriguing because it is different and in many ways it blows your mind (including the ambiguous ending).

5/5 Stars

Blade Runner (1982) – Final Cut

3869e-blade_runner_posterThis sci-fi, neo-noir directed by Ridley Scott stars Harrison Ford as Rick Deckard. The film opens in Los Angeles in 2019 which is continually dark and perpetually raining. In this futuristic dystopia, several replicants, which are superhumanoids, have escaped and gone rogue. After one man is killed, Rick Deckard is called in to execute them and take up his former job as a blade runner. First he heads to the Tyrell Corporation where he meets Rachael, a woman who is unknowingly a replicant. The fugitive replicants begin to search for their creator and Deckard continues his own search and with a little help he is successful. At the same time the replicants gain access to Tyrell and confront him. Then, ultimately it is down to Deckard and Roy Batty, the leader of the replicants. In a somewhat bizarre ending, Deckard fights to survive and he returns to Rachael, their future unknown. Scott played off his own difficult experiences for this film in order to create a universe full of uncertainty. This environment is paradoxically old and futuristic at the same time. Even the melding of film-noir and sci-fi creates a disconcerting atmosphere of technology but also fear. I think part of the aura surrounding this film also has to do with the fact that Scott made multiple cuts so depending on which one you see the film differs as a whole (I saw the final cut from 2007).
 
4/5 Stars

Taxi Driver (1976)

d184d-taxi_driver_posterDirected by Martin Scorsese, the film stars Robert De Niro with Jodie Foster and Cybil Sheppard. The story opens with a Vietnam vet, Travis Bickle (De Niro) who takes a job as a taxi driver. Travis is a quiet and lonely man who is turned off by the scum and filth he sees on the streets of New York. He becomes enthralled with a beautiful campaign worker who eventually turns him off. Then he also comes in contact with a young girl who makes her living working the streets. His frustration deepens and he begins to work out and collect weapons. It becomes obvious he is about to explode and after an initial failed attempt he does  just that. However, ironically the aftermath leaves him as a hero. Travis is an interesting character because you feel sorry for him and yet he does things that are truly wrong. I found Bernard Hermann’s score, the voice-over narration, and the cryptic ending all to be interesting parts of this film.

4.5/5 Stars

Chinatown (1974)

89858-chinatownposter1Starring Jack Nicholson with Faye Dunaway and John Huston, this skillfully written neo-noir is a nod to the work of Chandler and Hammet. J.J. “Jake” Gittes is a P.I. in the L.A. area during the 30s who specializes in marital cases. When a woman calling herself Mrs. Mulwray asks Gittes to watch her supposedly cheating husband, he enters something he does not understand. Soon he meets the real Mrs. Mulwray (Dunaway), learns Mr. Mulwray is dead, and discovers Mrs. Mulwray’s father is the powerful water tycoon Noah Cross (Huston). As he tries to uncover the truth behind some odd events, Gittes meets with opposition, more confusion, and eventually some answers. The mystery is twofold and he begins to understand the plot over the L.A. water, however he does not figure out the secret kept by Mrs. Mulwray right away. When he finally does find out he is too late and tragedy ultimately comes in Chinatown. This film was enjoyable in the buildup and the ending was okay if not tragic. However, it did seem that the mystery surrounding the water was predictable.

4.5/5 Stars

Dirty Harry (1971)

2daf4-dirty_harryStarring Clint Eastwood as San Francisco police Inspector Harry Callahan, the film opens with a sniper knocking off a young woman. The self-proclaimed Scorpio says he will keep killing a person everyday until the city pays him off.  They go on high alert and Callahan stakes out with his new rookie partner Chico. However, Scorpio escapes once again and he is just begun. He kidnaps a young girl and threatens to kill her. Callahan runs all across town to deliver the ransom where upon a confrontation occurs. After they recover the girl they track down the killer but he is released because they had no warrant. A furious Callahan finally hunts down the conniving killer one last time after Scorpio kidnaps a bus load of children. In the ensuing chaos Harry finally gets his man. This is one of the great action films and it spawned a memorable character in Dirty Harry.

4.5/5 Stars

2001: A Space Odyssey (1968)

I have to admit that this sci-fi film directed by Stanley Kubrick left me feeling let down. The movie itself is split up into four parts, the first beginning in the prehistoric era with a group of apes. Over time a mysterious structure appears and the apes learn how to make tools. From there it cuts to the exploration of space where man goes to Jupiter and beyond with the help of HAL 9000, a skilled but dangerous computer. The classical score is quite good working with the visual but sometimes it seems the movie is lacking in other areas. There is minimal dialogue, it seems that there could be better editing aside from the famous jump cut near the beginning, and the plot jumps all over the place. What I take away from it is the progression of man over time. The fact that there is really no memorable character except the non-human computer is also interesting. Finally, this film was made before the moon landing so in a way it was ahead of its time. That being said it still was not my favorite film.

4/5 Stars