The Treasure of The Sierra Madre (1948)

4d2bb-treasuremadrePutting Humphrey Bogart in his element once again, The Treasure of The Sierra Madre is another wonderful adventure film. Directed by John Huston, it tells the story of three men who join together in their search for an elusive treasure in Mexico. At the beginning, they are in good spirits eager to become wealthy. However, when they finally strike it rich they find it is not all it is cracked up to be . The situation escalates and they become paranoid of each other. Finally, Bogart’s character Dobbs is pushed over the edge and commits a malicious act out of desperation. Seemingly as an act of karma, he meets with another form of justice. However, it seems that by the end no one actually wins. A surprisingly good film, Sierra Madre takes your usual treasure hunt and realistically depicts man’s greed which often can overpower everything else. Bogart was supported nicely by Walter Huston (the father of the director) and Tim Holt.

5/5 Stars

The Maltese Falcon (1941) – Film-Noir

4ef67-falconmThis archetypal film-noir directed by John Huston, stars Humphrey Bogart as the detective Sam Spade. After an initial conversation with a mysterious woman, that same night two men end up dead. As Spade tries to understand what is going on, it puts him in contact with a paranoid little man and another man who is trailing him. All of them have something to do with a black bird and the situation gets more complicated when Spade meets the fat man. Rather surprisingly Spade ends up with the falcon but of course there has to be a twist. Soon enough the truth comes out of Brigid O’Shaughnessy and Spade coldly does his work. This film has great characters played by Mary Astor, Peter Lorre, Sidney Greenstreet, Ward Bond, and Elisha Cook Jr. The directing is good as well as the cinematography. This is the film that finally made Bogart a star and he would never look back.

5/5 Stars

Chinatown (1974)

89858-chinatownposter1Starring Jack Nicholson with Faye Dunaway and John Huston, this skillfully written neo-noir is a nod to the work of Chandler and Hammet. J.J. “Jake” Gittes is a P.I. in the L.A. area during the 30s who specializes in marital cases. When a woman calling herself Mrs. Mulwray asks Gittes to watch her supposedly cheating husband, he enters something he does not understand. Soon he meets the real Mrs. Mulwray (Dunaway), learns Mr. Mulwray is dead, and discovers Mrs. Mulwray’s father is the powerful water tycoon Noah Cross (Huston). As he tries to uncover the truth behind some odd events, Gittes meets with opposition, more confusion, and eventually some answers. The mystery is twofold and he begins to understand the plot over the L.A. water, however he does not figure out the secret kept by Mrs. Mulwray right away. When he finally does find out he is too late and tragedy ultimately comes in Chinatown. This film was enjoyable in the buildup and the ending was okay if not tragic. However, it did seem that the mystery surrounding the water was predictable.

4.5/5 Stars

The Asphalt Jungle (1950) – Film-Noir


* May contain spoilers
Directed by John Huston and starring an ensemble cast headed by Sam Jaffe and Sterling Hayden, this was the first great noir heist film. Jaffe has just recently been released from prison and he has contrived an intricate jewel robbery. He teams with a multi-talented safe cracker, a small time thug with dreams of owning a farm, and an invalid driver. The whole operation is to be backed by an attorney who is in a difficult situation. Initially the procedure begins well enough but soon things go haywire with alarms, misfired guns, and then police. Now Jaffe is wanted again, Hayden is slowly dying, a bookie loses his nerve, and the attorney tries to pull a fast one. The perfect conception turns out to be far from it in the end. This film reminded me strikingly of The Killing which I saw earlier. Both are heist films starring Hayden and they end disastrously. For her part Marilyn Monroe steals the screen in her first prominent role which was a foretaste of what was to come.

4/5 Stars

The Killers (1946) – Film-Noir

Starring Burt Lancaster in his debut as well as Ava Garner, the film begins with two gunmen killing “The Swede” (Lancaster) in a small town. Interested in the mystery, an insurance investigator named Reardon (Edmund O’Brien) tries to piece together the past of the dead man. He works to gather more information and talks to “The Swede’s” former friend as well as a hotel worker, and a past cell mate. Through a series of flashbacks Reardon slowly strings together the past including “The Swede’s” boxing career, his time in prison, and especially an alluring woman, Kitty Collins (Gardner).In the climatic scene Reardon finally meets the beautiful Kitty. Only after a series of events and her quick getaway does he grasp the whole truth. Kitty was a deadly double crosser. However, in a cruel twist her partner in crime is killed and her fate is sealed. This is an exciting film noir with solid acting and a great style of storytelling. This was my first experience with director Robert Siomak, and I must say I was quite impressed.

4.5/5 Stars