The Searchers (1956)

d4eb3-the_searchersOne of John Wayne and John Ford’s best westerns respectively, The Searchers follows an ex-Confederate soldier (Wayne) as he looks for his niece Debbie, who was taken by Indians when they killed her parents. Now Wayne and a young man played by Jefferey Hunter must look for her and bring Debbie home. With an almost obsessive desire, Wayne’s character Ethan Edwards vows to find her. Along the way, the old vet and young man have conflicting personalities that get in the way. Even when they finally find her, she has become more Indian than white, and Edwards seems bent on killing her much to Hunter’s horror. In the end, the gruff but courageous searcher shows his true colors.

A great western, and simply a wonderful film, The Searchers has a lot to offer with great action, Monument Valley scenery, and of course John Wayne. The supporting cast is good as well, including Vera Miles, Natalie Wood, Ward Bond, John Qualen, Hank Worden, and Ken Curtis.

There are some pivotal scenes in this film that I think really get to the core of what it is about, and Ford constructs a multitude of scenes which are simply a joy to observe as they unfold. One turning point has to be when the two Searchers look over a few white girls that the cavalry recovered from the Comanche. One of the girls gives off a childish screech, which causes Ethan to turn around, and Ford’s camera closes in on his scowling face half covered by shadow. Here is a proud man who would not surrender during the end of the Civil War. Here is a man full of prejudice and vengeance. Here is a man who shows glimpses of kindness, and here is a man who knows pain. It is complicated because he heads out after Debbie seemingly in an act of love. But soon it seems that it has become his vendetta, and Ethan has simply become bent on revenge. It takes his final confrontation with Debbie to reveal the true depth of his character.

Undoubtedly this is one of the preeminent American westerns, but I think you could also call it a social commentary on racial prejudice. Furthermore, The Searchers influence ranges from the plight of Luke Skywalker in Star Wars to the music of Buddy Holly (“That’ll be the Day”). I think fittingly enough the film ends with Wayne framed in the doorway, walking off into the distance. After all, he is a searcher, and you cannot expect a man like that to stay put.

5/5 Stars

My Darling Clementine (1946)

Directed by John Ford and starring a cast including Henry Fonda, Linda Darnell, Victor Mature, Walter Brennan, and Ward Bond, the film retells the story of the gunfight at the O.K. Coral. Wyatt Earp (Fonda) is herding cattle with his brothers near the town of Tombstone. However, his youngest brother is killed and the cattle are stolen. From that point on Earp becomes Marshall and encounters a gruff old man with his sons, a fiery song girl, the complex Doc Holiday, and Doc’s former lover Clementine. As Marshall, Earp has his share of conflicts but the town slowly begins to improve under his supervision. However, the Clanton’s lash out and thus starts the legendary gunfight at the O.K. Coral. This is a classic western, with a host of good characters, memorable scenery, and Henry Fonda in a solid leading performance as the larger-than-life Earp. Although this may not one of my favorites in the genre, John Ford proved once again that he knew how to make a classic western.

4/5 Stars

It’s a Wonderful Life (1946)

This is not only a Christmas classic but a classic in any sense of the word. It is the best of Stewart and Capra adding up to one of the most heartwarming stories of all time.  This may exhibit Stewart is his everyman role once again, but it breaks away from Mr. Smith in many ways making it another uniquely great film. A film like this that makes you know and feel for characters so profoundly is certainly worth watching.

Starring Jimmy Stewart and Donna Reed with a fantastic supporting cast,  the film tells the life story of George Bailey. We watch with the angel Clarence as he sees George’s life unfold. George saves his brother Harry as a boy and as a result, loses hearing in his ear. He works in the Bedford Falls drugstore and keeps the proprietor Mr. Gower from making a deadly mistake. Later on, he plans to travel the world and go to college so he can escape his hometown and do bigger and better things. But once more he sacrifices. One fateful day, he doesn’t know it yet, but he meets the love of his life Mary, and the same day his kindly father has a stroke. Soon after,  Harry goes off to college and George is left holding down the fort at their father’s old building and loan. He builds up all those around him with selfless kindness, while simultaneously standing up to the grumpy millionaire Mr. Potter. Eventually, he marries Mary and has children. First, during the Depression George gives up his honeymoon to keep the building and loan open. Then, during WWII while his brother and others become heroes, George stays in Bedford Falls because of his poor hearing. In this post-war period, the story picks up in the present.

Although, by unfortunate circumstances George Bailey finds himself contemplating suicide after the absent-minded Uncle Billy misplaces $8,000. That’s when Clarence comes into his life to show George just how important he really is. George sees a world where Harry is dead, Mr. Gower is a disgrace, Martini does not own the bar, his mother has no sons, Uncle Billy is insane, Violet is disgraced, Bert and Ernie do not know him, Mary is an old maid, and Mr. Potter has monopolized Bedford Falls.

Once he gets his life back George finds immediate joy and gains so much because of his friends and family. He runs through the streets of Bedford Falls yelling out “Merry Christmas,” because he is simply grateful to live again. Miraculously, the whole town rallies around him, and George reaps the reward for all he has sowed over the years. Clarence is finally awarded his wings and George Bailey is the richest man in town. There is nothing much to do after this film but simply be happy and sing “Auld Lang Syne.” It is a Wonderful film in many ways, with a wonderful cast, and a wonderful message. It has some of the greatest character development of any film ever because you do not simply become attached to one man but an entire community. That’s what makes the scene where Uncle Billy loses the money one of the most difficult for me to watch. Each and every time I’m so attached to these people. Even if I already know the resolution, I cannot bear for anything bad to happen to them. In fact, it is interesting to focus on just one of the supporting characters and see how they are affected by the life of George Bailey. It makes me ask myself if I were to die tomorrow would anyone care? We know in the case of George they certainly would.

I am further reminded of the phrase that is written on the wall of the building and loan, “You can only take with you, that which you give away.” This is what George Bailey did, and I believe it is something that each and every one of us should be mindful of. He is a great character not only because James Stewart played him genuinely and with such magnetism and heart, but because he was such a sacrificial figure. True, this is a sentimental film given the title and the director, but it is paramount to realize the progression this film follows. George must sink into the depths of his despair and disillusionment before he can truly realize that It’s a Wonderful Life. I would challenge you the next time you watch this film, to not simply acknowledge it as perennial Christmas fare, but look a bit deeper because there is so much more here. As always, Attaboy Clarence! You did it again.

5/5 Stars

The Maltese Falcon (1941) – Film-Noir

4ef67-falconmThis archetypal film-noir directed by John Huston, stars Humphrey Bogart as the detective Sam Spade. After an initial conversation with a mysterious woman, that same night two men end up dead. As Spade tries to understand what is going on, it puts him in contact with a paranoid little man and another man who is trailing him. All of them have something to do with a black bird and the situation gets more complicated when Spade meets the fat man. Rather surprisingly Spade ends up with the falcon but of course there has to be a twist. Soon enough the truth comes out of Brigid O’Shaughnessy and Spade coldly does his work. This film has great characters played by Mary Astor, Peter Lorre, Sidney Greenstreet, Ward Bond, and Elisha Cook Jr. The directing is good as well as the cinematography. This is the film that finally made Bogart a star and he would never look back.

5/5 Stars