Apocalypse Now (1979)

10713-apocnowIn this hellish adaption of Joseph Conrad’s Heart of Darkness set in Vietnam, Martin Sheen is a captain given a classified mission. He must go down the river into Cambodia to terminate a Colonel Kurtz (Marlon Brando), who has gone rogue. The main part of the film follows his journey on a boat with a small crew of men. They meet up with a hardened napalm-loving colonel (Robert Duvall), watch a USO show, and witness as well as take part in senseless killing. With the crew whittled down, Willard finally reaches the outpost of Kurtz, only to witness the horror that lies there. After waiting so long to complete his mission, Willard feels conflicted about it upon seeing Kurtz. This is one of Francis Ford Coppola’s most famous films and it truly was a labor of love since it took a long time to complete. Although their parts may seem minimal, Brando, Duvall, Dennis Hopper, and even Harrison Ford contribute. Because I read the source novel, I could appreciate the film in that sense but The Godfather is a better film in my opinion.

4.5/5 Stars

American Graffiti (1973)

Starring Ron Howard and Richard Dreyfuss with a host of others, this George Lucas directed film follows the lives of young people in California during the early 60s. It is the night before Curt and Steve are going off to college. They both want to make the most of the time left. However, Steve spends all his time trying to strengthen his relationship with his girlfriend (Cindy Williams). Curt, on the other hand, finds himself out in the town talking with girls and proving himself to a group of thugs. The rest of the film consists of the hot rodding antics of two other characters. A tough speedster (Paul Le Mat) finds himself driving around a 12-year-old girl. “Toad” the nerdy one (Charles Martin Smith), finds himself spending a wild night with a nice but peculiar girl.

With its classic music accompanied by Wolfman Jack and the vintage cars, American Graffiti is a blast of nostalgia that allows us to remember simpler times. It takes this important day in the life of these young individuals and it allows us to be a part of it. Each character has his own experiences that cause them to grow. Toad matures, Curt realizes he must experience college, Steve learns the importance of his girlfriend, and Milner realizes he really does not want to be “The King” anymore.

This film may have slower parts but that just makes it more enjoyable because then the night kicks into high gear when Toad loses the car, Milner beats up the thugs, or Curt has visions of a blonde in a T-Bird. Fittingly as he flies away to his unknown future he sees her white car cruising down the road. It was something that I had wanted to see the first time around but I had seemingly missed it. It made the ending even better.

5/5 Stars

Patton (1970)

Starring George C. Scott and Karl Malden, the film chronicles the exploits and controversy surrounding the great World War II general. Gaining fame  in Africa, Patton would move on to Sicily, and finally march toward Berlin. Patton was a colorful character who was highly religious, a war romantic, and he also had a big mouth. Despite often being tough and unpopular, over time Patton did garner the respect of many an aid, ally, and even enemy. His heroic 3rd army became famous for their exploits all across Europe. By the end of the war, Patton came out a very complex hero from a former age. The reason this film is good not only rest on it being a war movie but also based on character development. George C. Scott does a wonderful job of portraying the larger-than-life persona of Patton.

4.5/5 Stars

The Sting (1973)

Starring Paul Newman, Robert Redford, and Robert Shaw, the film follows a small time con man (Redford) as he joins forces with an old pro (Newman) to pull an elaborate Sting on a shady banker (Shaw). The two meet after the death of a mutual friend and they set up a complicated plan. With the help of their friends, the two of them make contact and thus begins the adventure. Soon the con man gains the trust of the victim. However, the plan gets even more complicated when a heartless cop and the feds come onto the scene. The double-crossing con is then forced to cross his partners he and faces the consequences. Then, one final twist and you have the worlds greatest Sting. With its ragtime music, 1930s setting, and ensemble cast including Ray Walston, Harold Gould, and Dana Elcar, this film is full of excitement and certainly worth seeing.

4.5/5 Stars

Star Wars (1977)

568ac-starwarsmovieposter1977Arguably one of the most successful franchises ever, it is easy to understand how Star Wars became so popular. This galaxy far far away and the characters that graced the screen were so intriguing. You had Luke Skywalker, Obi-Wan Kenobi, Han Solo, Princess Leia, Chewbacca, C3PO, R2D2, and of course Darth Vader. The idea of George Lucas which seemed laughable at first, quickly became a hit. I have always been enthralled with Star Wars like many others before me. However, after watching the original saga again it became clear how wonderful these films were because the tales they told were so fun and entertaining. The relatively simple story of this small time farm boy deciding to fight against evil in the galaxy has always been enjoyable. On top of that the action was great and the characters were even better. This is still one of my favorite films all time easily.

5/5 Stars

Network (1976)

fb40a-networkmovieStarring Faye Dunaway, William Holden, Peter Finch, and Robert Duvall, this film satirizes the television industry. Howard Beale (Finch) is being fired as a news anchor for the struggling UBS network. On one of his final days on air he begins to rave madly and his industry friend Max (Holden) does not cut him short. At first there is uproar but then a shrewd business man (Duvall) decides to use Beal to boost ratings with the backing of one of the network staff (Dunaway). With her great ambition she moves up and takes Max’s place while becoming romantically involved with him. For a time the network thrives off the rants of Beale. However, he begins to change his tune and ratings begin to plummet. With everything in a shambles, they can him literally. This is a biting satire of television with intense performances and some moments that leave you pondering who the real nutcases are.

4/5 Stars

All the President’s Men (1976)

89d88-mv5bodaxmtc4odcxnf5bml5banbnxkftztcwndy0ntaymq-_v1-_sy317_cr80214317_Starring Robert Redford and Dustin Hoffman, this political thriller follows two young investigative journalists as they try to uncover the truth after a mysterious break in at the Watergate Hotel. The Washington Post is the only paper covering the issue that many have dismissed as an isolated event. These two men try to follow all the leads they have but they reach a dead end since no one seems willing to talk. However, with the help of the anonymous source Deep Throat, tireless searching, and a few witnesses, the pieces begin to come together. Little do they know the extent of what they have happened upon. Ultimately, their story about Watergate would lead to the scandal that ended in Richard Nixon’s resignation. This is not only an intriguing film, but it also holds tremendous historical importance.

4.5/5 Stars

The Last Picture Show (1971)

df52d-the_last_picture_show_28movie_poster29Starring Timothy Bottoms, Jeff Bridges, Cybil Sheppard, and Ben Johnson, with director Peter Bogdanovich, the film revolves around young people in a small Texas town during the early 1950s. Although at first glance it seems simple and innocent, there is another side to the town, full of romantic entanglements, fights, and even deaths. Sonny (Bottoms) and Duane (Bridges) are best friends without any real parents, only each other and some of the town folk. They have a falling out over a girl (Sheppard) and then Sonny sees the girl go off to college while Duane returns shortly only to ship out to Korea. However, Sonny is able to make amends with his friend and they see the last picture show. In the absence of his friends, Sonny is left in need of someone to fill the void. This film is interesting because it is shot with black and white cinematography and it only uses period music. This effectively creates a setting that appears to be very realistic.

4.5/5 Stars

The Godfather Part II (1974)

Starring a cast including Al Pacino and Robert De Niro with director Francis Ford Coppola, the film opens with a young Vito Corleone coming to America. The story switches gears to 1958 in Nevada where Michael Corleone has successfully moved the family. However, after a close call Michael goes to Miami and then Cuba to attend to some business having to do with a man named Hyman Roth (Lee Strasberg). The story alternates off and on to Vito as a young man who begins making a life for himself. Upon returning to Michael, he is in a senate hearing where he narrowly avoids being indicted for his activities. From that point on Michael shows no mercy to anyone who is in his way and that includes his family. By the end of the film he is no longer the former idealistic Michael but a callous, cold mobster.

This film was a good installment of The Godfather, acting as both a sequel and prequel. However, at times the split story did seem unnecessary but it does show a contrast between Vito and Michael. The acting, the score, and the directing were all very good. I will let others decide which installment is superior but I will say that this film shows the darker side of Michael. Ironically, he worked so hard to be strong for his family but as he feared he ultimately lost them.

4.5/5 Stars

MASH (1970)

6e0d8-mashfilmposterThe inspiration for the award-winning TV series, MASH follows the quips and antics of two doctors as they are stationed in Korea. Starring Donald Sutherland, Elliot Gould, Tom Skerritt, Sally Kellerman, with director Robert Altman, it brims with sexual banter, bloody bodies, and comedic moments. MASH effectively is a commentary against war and is seemingly as somber as it is funny. However, up to the end you are left with a smile on your face. The climatic moments during the football game will have all riled up and fittingly we see Captain Pierce (Sutherland) ride away in the same stolen jeep he had when arriving. The iconic theme “Suicide is Painless” adds to the composition. Overall it is a good film much different then the MASH we got to know on television.

4/5 Stars