The Artist (2011)

7cfee-the-artist-posterWith a cast of all nationalities and backgrounds, this film is a breath of fresh air for many reasons. Ironically, this freshness comes in a contemporary age thanks to a look back at a former age. In black and white and almost completely silent, the movie begins in 1927. George Valentin (Jean Dujardin) is a Hollywood star of the silent era. Quite by accident he makes an up and coming star out of Peppy Miller (Berenice Bejo). Soon she makes the transition to stardom in talkies as Valentin slowly fades away. However, Peppy never truly forgets him and in different ways she tries to help him. Unfortunately, George is a proud man who loses his wife, sends his loyal chauffeur away, and will not accept the charity of Peppy. Eventually her kindness pays off however and George is no longer forgotten. All the cast including John Goodman and James Cromwell do a wonderful job at expressing emotion since this film is so unique. Because there is hardly any spoken dialogue, the score takes center stage and I think it succeeds wonderfully in setting the scene whether it is playful, dramatic, or simply silent. There are also many devices used by the director Michael Hazanavicius that help convey the story without a need for words whether it is staircases, sinking quicksand, or a trampled film poster. Furthermore, he draws great influence from films like Sunset Boulevard and Singin’ in the Rain to give this new film a touch of nostalgia. In fact, The Artist brings up so many names and films in my mind it’s wonderful. Douglas Fairbanks, Jean Harlow, the dog from The Thin Man and The Awful Truth, The Dueling Cavaliers and Lena Lumont, just to name a few. Perhaps most importantly of all the film causes me to be empathetic towards the forgotten stars like Buster Keaton and Norma Desmond. It makes Chaplin’s ability to make silent pictures during the talkie revolution seem even more impressive as well. In a year that also gave us Midnight in Paris, this film also revels in the past history of the 1920s, but perhaps more importantly it too is able to suggest a certain hopefulness in the future. In a world that is often loud and busy this film was a nice respite.


 5/5 Stars

 

The Rules of the Game (1939)

bcb9f-la_regle_du_jeuThis French film directed by Jean Renoir is a light comedy that turns into a critique of the Upper classes. The film involves the superficial events and racy love affairs as only the French can have. It opens as a famous aviator lands his plane only to be disappointed that his married lover did not come to see him. Soon we learn that her husband has a mistress of his own. Put these four together,  Renoir in his jolly role of Octave, all the other guests, then the many servants, and soon you have a major spectacle. They dine, hunt, gossip, put on a show, quarrel, and above all fall in love. It is all fun and games however until someone gets hurt. Although this film is not what we may be accustomed to in our present generation, it is easy to appreciate the satire, cinematography, and ensemble cast. Kudos to Renoir for making a very intriguing film.

4.5/5 Stars

City Lights (1931)

In this Charlie Chaplin film we follow the Tramp as he romances a blind flower girl and is befriended by a crazy millionaire. In line with all the great Chaplin silent films, this one has many comedic moments but also sentimentality. In one scene the Tramp might find himself dragged along with the millionaire or fighting in a boxing match. However, the next sequence he might be sharing a very nice moment with the girl who only knows him by his voice and kind deeds. Fittingly, in the final moments of the film, the flower girl who can now see is reunited with the humble tramp who showed her so much kindness. Overall this was a very good film and it seemed to have a wonderful balance of humor and romance. It proves that sound is not always needed if you are a good storyteller.

5/5 Stars

Other Chaplin films I may watch in the future include The Kid (1921), The Circus (1928), and The Great Dictator (1941)

The Gold Rush (1925)

3c3f8-the_gold_rushIn this Charlie Chaplin flick we follow the little man or the Tramp as he prospects for gold in the Yukon. All alone and cold he stumbles upon a cabin where a corrupt man lives. However, the weather wreaks havoc and the Tramp finds himself eventually left with a fellow prospector. After a time the two friends split up. In the city the little man finds love while his former partner meets up with trouble on the road. Eventually they  do reunite, strike it rich, and become millionaires. Along the way there are many characteristic Charlie Chaplin antics. It is extraordinary, because for a film that is not a “talkie,” The Gold Rush is surprisingly complex with humor, drama, and romance. If you take into consideration the era of this film, it is very good.

4.5/5 Stars

Charlie Chaplin will be continued in the next review…

Pulp Fiction (1994)

53f76-pulp_fiction_coverStarring a cast including John Travolta, Samuel L. Jackson, Uma Thurman, and Bruce Willis, this Quentin Tarantino crime film tells the somewhat inter-related stories of these four main characters. Travolta and Jackson are a pair of hit men who have several adventures having to do with retrieving a briefcase, disposing of a dead body, and eating breakfast at a diner. Separately, Travolta has a somewhat harrowing outing watching the wife of his boss (Thurman). Willis on the other hand does not throw the boxing match he was suppose to. Thus, he finds himself in hiding with his lover, facing his own set of problems. I do have to say this film was interesting because of the nonlinear format almost like chapters. The eclectic pop culture references were classic along with some of the dialogue. However, it gets tiring listening to the strong language and a scene or two are worth skipping in my mind.

4.5/5 Stars

The Apartment (1960)

Starring Jack Lemmon, Shirley Maclaine, and Fred McMurray, with director Billy Wilder, the film follows C. C. Baxter (Lemmon). He is a young man working in a large corporation that is very difficult to get ahead in. His only chance of moving up is through loaning his apartment to company executives so they can entertain their lady friends. This set up causes him constant inconveniences and leads to complaints from neighbors.  One of these complications involves a elevator girl from work (Maclaine) who was left sleeping in his bed. Soon Baxter must figure out how to nurse her to health and cover for the executive who left her. During the process he slowly feels himself falling in love but it all ends there when she is to be married to the recently-divorced executive. Finally, finding his backbone, Baxter quits his new high-level job and eventually reunites with his love. Wilder and Lemmon teamed up again following Some Like it Hot and this one is pretty good movie-wise!

4.5/5 Stars

Sullivan’s Travels (1941)

63a32-600full-sullivanStarring Joel McCrea and Veronica Lake, with director Preston Sturges, Sullivan’s Travels is about a highly successful film director (McCrea) who wants to make a movie about the common man and suffering. However, he usually writes comedies and so he decides to go on the road as a hobo to try and understand the lifestyle. During his adventures he meets a young failed actress (Lake) who is about to leave Hollywood. Wanting to help her, Sully tells the girl what he is doing and they go off together masquerading as tramps. After taking a short respite, he goes on the road again, this time alone. Through a series of events he finds himself in a chain gang while his friends assume he is dead. Eventually he is freed but not before learning a valuable lesson. If he wants to relate with the poor he should give them laughter instead of hardship. I found this movie to be an enjoyable  light comedy (even though I had never heard of it beforehand).

5/5 Stars

MASH (1970)

6e0d8-mashfilmposterThe inspiration for the award-winning TV series, MASH follows the quips and antics of two doctors as they are stationed in Korea. Starring Donald Sutherland, Elliot Gould, Tom Skerritt, Sally Kellerman, with director Robert Altman, it brims with sexual banter, bloody bodies, and comedic moments. MASH effectively is a commentary against war and is seemingly as somber as it is funny. However, up to the end you are left with a smile on your face. The climatic moments during the football game will have all riled up and fittingly we see Captain Pierce (Sutherland) ride away in the same stolen jeep he had when arriving. The iconic theme “Suicide is Painless” adds to the composition. Overall it is a good film much different then the MASH we got to know on television.

4/5 Stars

Forrest Gump (1994)

f0e31-forrest_gump_posterIn the classic starring Tom Hanks as the slow-witted but kindhearted Forrest, we see him as he takes part in history. From the day we see him teach Elvis how to dance, up to the point he runs across country, he is constantly part of or making history. However despite everything he has accomplished whether it be in Vietnam, playing ping-pong, or in the shrimping business, Forrest still is humble and seemingly oblivious to it all. His innocence is heartwarming amidst all the turmoil around him in the 60s,  70s, and 80s. Hanks is supported wonderfully by Robin Wright, Mykelti Williamson, Gary Sinise, and Sally Fields. This film is funny as well as touching, making it wonderful to watch. The soundtrack also helps to transport you back to the different eras.

4.5/5 Stars

Butch Cassidy and the Sundance Kid (1969)

b0ce9-butch_sundance_posterWith the great combo of Paul Newman and Robert Redford as the legendary outlaws, this movie is great fun. The Hole-in-the-Wall Gang became infamous for their exploits with Butch (Newman) being the brains and Sundance (Redford) the fastest gun around. Together these two robbed banks, held up trains, and all the while had a good time. At one point or another the law was after them so they fled to South America with one of Butch’s nefarious schemes in mind. However, it was not what they expected and they had to face their biggest challenge ever. With the odds against them, they went out fighting and the legend of Butch Cassidy and Sundance was forever solidified. This film is as much a lighthearted comedy as it is a western. Newman and Redford have hilarious dialogue that brings the film alive and you end up rooting for these two anti-heroes. Although it is a seemingly random addition the song “Raindrops Keep Falling on My Head” is an added bonus.

5/5 Stars

Butch: “Ah, you’re wasting your time. They can’t track us over rocks.”
Sundance: “Tell them that.”
Butch: “They’re beginning to get on my nerves. Who are those guys?”