The Big Heat (1953) – Film-Noir

*Contains Spoilers

Starring Glen Ford, Gloria Grahame, and Lee Marvin, with direction by Fritz Lang, the film follows an everyday cop named Dave Bannion (Ford). This film-noir begins with a mysterious suicide of a cop. Soon Bannion is on the case trying to put the facts together and then everything heats up. First, a young woman he talked with is found beaten to death, then his wife is brutally killed by a car bomb. Enraged by the death of his loved one, Bannion obsessively seeks justice. Everything becomes clear when he comes to the realization that one man controls the town through his influence and strong-armed tactics. With his badge taken away, Bannion meets Grahame’s character and she falls for him. However, her thug boyfriend (Marvin) scalds her face and so she becomes determined to help Bannion and she even commits murder. Fatally wounded by the thug, she dies but her actions close the case and bring along justice. Fittingly Bannion is promoted to sergeant by the end of the film and starts on a new case.

4.5/5 Stars

The Lady from Shanghai (1947) – Film-Noir

Starring Orson Welles and Rita Hayworth, the film is narrated by an Irish sailor (Welles) who meets a beautiful but unhappily married woman (Hayworth). Michael is given a job on the yacht of the wealthy lawyer Arthur Bannister and he is near the alluring Elsa once again. While he is aboard the yacht, Bannister’s partner Grisby asks Michael to fake a murder so Grisby can disappear and claim the insurance money. Michael is suppose to confess to the crime but Grisby will be long gone and there will be no evidence. However, things go awry when Grisby kills another man and then he himself ends up dead. This leaves an innocent Michael facing the gas chamber. Only after he makes a desperate escape from court does he learn who was behind the murder of Grisby and also actually in league with him. In a surreal climax ending in the hall of mirrors, Elsa, Michael, and Bannister all face each other. However, only one survives. Despite a slow beginning the exciting second half of this film is a credit to the directing of Welles.

4/5 Stars

The Postman Always Rings Twice (1946) – Film-Noir

Starring John Garfield and Lana Turner, the film begins with a drifter taking a job at a roadside diner for a jolly older man with a beautiful young wife (Turner). After initial conflict, Frank and Cora fall passionately in love. They try one disastrous attempt to take the husband’s life, and in desperation they try again, this time succeeding in getting rid of him. Soon they are in court fighting the murder rap. Miraculously the two of them get out of it but ironically by the time the trial is over they hate each others guts. They live in constant loathing of each other but after thwarting a blackmail scheme their wild love is rekindled. In an equally cruel twist of fate, they both end up paying for their actions the second time around. With the voice-over, femme fatale, cinematography, and twisting plot, this is a quintessential film-noir that I really enjoyed. I would consider it the landmark performance for Lana Turner and maybe John Garfield as well. They learn the hard way that the postman does always ring twice and there is nothing you can do about it.

4.5/5 Stars

Gilda (1946) – Film-Noir

*This May Contain Spoilers

This film-noir and twisted love story stars Glenn Ford and Rita Hayworth. Johnny Farrell is a shady gambler who has just arrived in Buenos Aires. Through certain  circumstances, he quickly meets a mysterious man. Soon he learns this man is a casino owner and Farrell gains a job as his right-hand man. However, things get complicated when Farrell’s boss marries Gilda, a beautiful woman who Farrell had been involved with a long time ago. Quickly their mutual dislike becomes evident but Mr. Mundy has Johhny constantly watching over Gilda. Seeing her flirting with many other men increases Johhny’s hatred for her. Soon he learns his boss is in something much bigger and after a murder, Mr. Mundy attempts to escape on a plane. Johnny sees it crash but little does he know his boss is alive. To get at Gilda, he marries her and keeps her confined. Despite their hatred, they still hold complicated feelings for each other. But then Mr. Mundy comes back seeking revenge on both Johnny and Gilda. However, his plans fail and the romance is complete. If there was ever an essential femme fatale, Hayworth’s character certainly would fit that category. Her performance of  “Put the Blame on Mame” is definitely memorable.

4.5/5 Stars

The Sweet Smell of Success (1957) – Film-Noir

Starring Burt Lancaster and Tony Curtis, this film has memorable dialogue and chilling performances. Curtis is Sydney Falco, a greedy and conniving press agent who is constantly trying to get on the good side of influential people. His main target is the renowned if not ruthless gossip columnist J.J. Hunsecker (Lancaster). Falco bargains for publicity he desperately needs in exchange fro breaking up the romance of Hunsecker’s kid sister. The plan seems to work just as Falco foresaw, however a heated confrontation leads to Hunsecker seeking revenge on his sister’s boyfriend. Ruthlessly he has the man framed with the help of a reluctant Falco. Finally, Falco has had enough but Hunsecker turns on him too in order to protect his image and his sister. As the film closes, Hunsecker’s almost suicidal sister leaves to go back to her boyfriend and he is all alone. Lancaster and Curtis both give performances that brim with corruption and sleaze. The score and the New York atmosphere also help to bring the film alive.

4.5/5 Stars

Mildred Pierce (1945) – Film-Noir

Starring Joan Crawford, this classic film noir is intriguing because it revolves around a successful woman. The film begins with a murder and Pierce is taken in for questioning. From that point on she tells the story of her life with her first husband and two daughters. However, Pierce was in conflict with her husband about their spoiled daughter Veda and they split. She was forced to go it alone in the business world and make something of herself. However, her spoiled daughter and complex relationships with men made her life painful. She was now a wealthy restaurant owner but Veda no longer loved her. Pierce tried in every way to win back this love However, her efforts were not enough to save Veda from her fate. This film is certainly enjoyable and Crawford does a wonderful job because for once you actually feel sorry for her. She has a solid cast behind her including Ann Blyth, Eve Arden, and Jack Carson.

4.5/5 Stars

The Killing (1956) – Film-Noir

1eadc-thekillingposterkubrickDirected by Stanley Kubrick and starring Sterling Hayden, the film follows a group of crooks and everyday race track workers who carry out an intricate robbery. In the planning stages they have everything figured out completely with one small disturbance. When the day arrives, the plan begins as expected. Each man takes his place in order to do his part. Perfectly coordinated with a disruption in the race and a planned riot. Hayden grabs all the money he can and drops it to an accomplice with hardly a snag. While waiting to split the heist there is finally a wrench in the plans that turns fatal. Hayden catches wind of it and splits as was decided beforehand. With his money and his girl he gets ready to leave the trouble behind him. In a final cruel twist of fate his plan is accidentally uncovered. The shock takes all the fight out of him. This film is wonderfully constructed with its different point of views all hinging on race #7 and the subsequent “killing.”

4.5/5 Stars

The Killers (1946) – Film-Noir

Starring Burt Lancaster in his debut as well as Ava Garner, the film begins with two gunmen killing “The Swede” (Lancaster) in a small town. Interested in the mystery, an insurance investigator named Reardon (Edmund O’Brien) tries to piece together the past of the dead man. He works to gather more information and talks to “The Swede’s” former friend as well as a hotel worker, and a past cell mate. Through a series of flashbacks Reardon slowly strings together the past including “The Swede’s” boxing career, his time in prison, and especially an alluring woman, Kitty Collins (Gardner).In the climatic scene Reardon finally meets the beautiful Kitty. Only after a series of events and her quick getaway does he grasp the whole truth. Kitty was a deadly double crosser. However, in a cruel twist her partner in crime is killed and her fate is sealed. This is an exciting film noir with solid acting and a great style of storytelling. This was my first experience with director Robert Siomak, and I must say I was quite impressed.

4.5/5 Stars

Sunset Boulevard (1950) – Film-Noir

This is a great film-noir but more importantly it serves as a biting picture of the Hollywood lifestyle . Billy Wilder created a very interesting film that is well worth watching. It puts a very contrasting pair together and delivers the tale with a exceptional style of storytelling.

*May Contain Spoilers

In this film starring William Holden and Gloria Swanson (real-life silent film star) a down-on-his-luck writer, strictly by chance, finds himself living with a forgotten film actress. From the very beginning he finds her eccentric and her mansion chilling. All the same he agrees to live there in order to edit her movie script and earn some much needed money. Soon she grows accustomed and dependent on him since her only other companion is a butler. Hoping to make a comeback she goes to director Cecil B. Demille but it becomes evident to those around her that things will not work out. At the same time the young writer begins to distance himself as he begins to fall for a young woman writer he has been working for. In a chilling ending someone dies and another goes seemingly mad because the tension has grown too great. This film is very well done from the flashback and narration at the beginning to its critique of Hollywood and the parallelism with real events.

5/5 Stars

 

Touch of Evil (1958) – Film-Noir

92b8e-touchofevilStarring Charlton Heston, Janet Leigh, and Orson Welles, this film is one of the last examples of what is considered true film-noir. In a small, dangerous, run down, border town, a mysterious car bombing murder takes place. A Mexican investigator who is a newlywed (Heston) and a hardened American policeman (Welles) join forces on the case. However, soon the case becomes complicated with corruption, kidnapping, and plotting. With his wife in danger, Heston must save her while trying to crack the mystery. Only after some time does he realize the man with the touch of evil. The protagonist wins but that does not mean there is not tragedy as well. Orson Welles does it again with this intriguing film. The opening shot alone shows the brilliance of Welles. This film is one worth seeing, showcasing director Welles and good acting by the entire cast.

4.5/5 Stars