Miracle on 34th Street (1947)

Starring Edmund Gwen, Maureen O’Hara, John Payne, and Natalie Wood, the film tells the heartwarming story of an old man who acts as Santa Claus for the Macy department store in New York. However, Kris who is a very warm person (Gwen), truly does believe he is Santa and he is constantly being kind to others. Despite his popularity, a sour psychologist claims Kris is crazy and the case goes to court to decide once and for all if he is Santa. Although the case seems bleak, Kris is enlightened by the fact that his test case family (O’Hara and Wood) finally believe in him. Through a series of extraordinary events his lawyer friend (Payne) is able to win the case right before Christmas. Pretty soon Kris seems to prove that he really is who he said he was. This is one of the great cheering Christmas classics of cinema.

5/5 Stars

Merry Christmas everyone!

 

It’s a Wonderful Life (1946)

This is not only a Christmas classic but a classic in any sense of the word. It is the best of Stewart and Capra adding up to one of the most heartwarming stories of all time.  This may exhibit Stewart is his everyman role once again, but it breaks away from Mr. Smith in many ways making it another uniquely great film. A film like this that makes you know and feel for characters so profoundly is certainly worth watching.

Starring Jimmy Stewart and Donna Reed with a fantastic supporting cast,  the film tells the life story of George Bailey. We watch with the angel Clarence as he sees George’s life unfold. George saves his brother Harry as a boy and as a result, loses hearing in his ear. He works in the Bedford Falls drugstore and keeps the proprietor Mr. Gower from making a deadly mistake. Later on, he plans to travel the world and go to college so he can escape his hometown and do bigger and better things. But once more he sacrifices. One fateful day, he doesn’t know it yet, but he meets the love of his life Mary, and the same day his kindly father has a stroke. Soon after,  Harry goes off to college and George is left holding down the fort at their father’s old building and loan. He builds up all those around him with selfless kindness, while simultaneously standing up to the grumpy millionaire Mr. Potter. Eventually, he marries Mary and has children. First, during the Depression George gives up his honeymoon to keep the building and loan open. Then, during WWII while his brother and others become heroes, George stays in Bedford Falls because of his poor hearing. In this post-war period, the story picks up in the present.

Although, by unfortunate circumstances George Bailey finds himself contemplating suicide after the absent-minded Uncle Billy misplaces $8,000. That’s when Clarence comes into his life to show George just how important he really is. George sees a world where Harry is dead, Mr. Gower is a disgrace, Martini does not own the bar, his mother has no sons, Uncle Billy is insane, Violet is disgraced, Bert and Ernie do not know him, Mary is an old maid, and Mr. Potter has monopolized Bedford Falls.

Once he gets his life back George finds immediate joy and gains so much because of his friends and family. He runs through the streets of Bedford Falls yelling out “Merry Christmas,” because he is simply grateful to live again. Miraculously, the whole town rallies around him, and George reaps the reward for all he has sowed over the years. Clarence is finally awarded his wings and George Bailey is the richest man in town. There is nothing much to do after this film but simply be happy and sing “Auld Lang Syne.” It is a Wonderful film in many ways, with a wonderful cast, and a wonderful message. It has some of the greatest character development of any film ever because you do not simply become attached to one man but an entire community. That’s what makes the scene where Uncle Billy loses the money one of the most difficult for me to watch. Each and every time I’m so attached to these people. Even if I already know the resolution, I cannot bear for anything bad to happen to them. In fact, it is interesting to focus on just one of the supporting characters and see how they are affected by the life of George Bailey. It makes me ask myself if I were to die tomorrow would anyone care? We know in the case of George they certainly would.

I am further reminded of the phrase that is written on the wall of the building and loan, “You can only take with you, that which you give away.” This is what George Bailey did, and I believe it is something that each and every one of us should be mindful of. He is a great character not only because James Stewart played him genuinely and with such magnetism and heart, but because he was such a sacrificial figure. True, this is a sentimental film given the title and the director, but it is paramount to realize the progression this film follows. George must sink into the depths of his despair and disillusionment before he can truly realize that It’s a Wonderful Life. I would challenge you the next time you watch this film, to not simply acknowledge it as perennial Christmas fare, but look a bit deeper because there is so much more here. As always, Attaboy Clarence! You did it again.

5/5 Stars

The Bishop’s Wife (1947)

Starring Cary Grant, Loretta Young, and David Niven, I would certainly consider this film a Christmas classic. It opens and we are introduced to the kindly and handsome angel Dudley (Grant). When a Bishop prays for guidance in the difficult task of building a Cathedral, Dudley is sent to him. The once genial man has become frustrated and troubled, making life more difficult for his loving wife. When Dudley arrives, Henry finds out in disbelief that he is an angel. However, to everyone else Dudley is simply a charming man who has come to assist Henry. Everyone gravitates towards his kindness, except Henry. Dudley befriends an old professor, is kindly to the servants, helps their little daughter, and above all makes the Bishop’s wife happy by spending time with her. Over time he becomes attracted to her but she doe snot feel the same way. A jealous Henry stands up to the angel and realizes he must strengthen his marriage. Before he leaves Dudley explains he will not be remembered and he will not reutrn. Then on Christmas Eve the Bishop delivers a sermon as a new man. Dudley look on contentedly, knowing that he wrote the sermon. Most importantly he fixed the Bishop’s attitude and marriage so he could continue doing good with or without a cathedral. Grant’s charming portrayal reminds me somewhat of Clarence Oddbody and it makes sense because Henry Koster directed James Stewart in Harvey as well.

4/5 Stars

Holiday Affair (1949)

a869b-holidayaffair1949Starring Janet Leigh and Robert Mitchum, this Christmas romantic comedy revolves around a young widow, her son, and the two men in her life. The film opens with Leigh shopping at Crowley’s in New York and buying a toy train from a clerk. She takes it home and her excited boy sneaks a peak at it. However, as the sales person suspected she is a comparative shopper who returns the train. He is about to report her but does not, which costs him his job. Over time, he becomes better acquainted with Connie Ennis, her boy, and her kindly but unexciting boyfriend. Timmy then wakes up on Christmas morning to find the train under the train for him. However, as Mrs. knowns it was not from her and she goes to see Steve. She tells him of her upcoming marriage and they have a falling out. Later, Steve is taken in by the police suspected of thievery, and must be bailed out. He is then invited to Christmas dinner which is also attended by Connie’s parents. Steve announces that he loves Connie and she tells him to leave. Timmy returns his train the next day so Steve can have the money. Soon her boyfriend realizes it is over and then Connie has a confrontation with Steve. However, in the end she realizes her true love for him and she and Timmy follow him to California. This is a relatively unknown Christmas film with a lot of Christmas spirit.

3.5/5 Stars

The African Queen (1951)

1c3a0-the-african-queen-1With the ultimate pairing of Humphrey Bogart and Katharine Hepburn, this film throws together two starkly different people in extraordinary circumstances. Hepburn is a prim and proper missionary in Africa whose brother dies after a confrontation with German soldiers. Bogart is the rough-edged pilot of an old steamboat christened The African Queen. Together they take on the dangerous task of going down the river in order to sink a German ship. At first they are both at odds with each other and struggle to cope with their situation. However, with no one else to turn to, over time, they become close. Their bond is so great that they are willing to die rather than to be separated. This is truly a heartwarming story of love and loyalty with two legends who literally light up the screen.

5/5 Stars

In a Lonely Place (1950) – Film-Noir

Starring Humphrey Bogart and Gloria Grahame with direction by Nicholas Ray, the film is about a struggling screenwriter with a hot temper. Dixon Steele (Bogart) has not written a good script in a while but then one evening he has an enthusiastic young woman explain a novel he is supposed to adapt since he has not read it. Everything goes seemingly normal however the next morning she is dead and Steele is the main suspect. The police investigate, including Steele’s detective friend, but a neighbor gives an alibi which seems to save Steele. Soon Grahame begins to fall in love with him and vice versa. However, she soon realizes his violent side and second guesses Steele’s innocence since he has such a violent history. Although they are to be married it is broken off when he finds out she was going to leave. Only then does Grahame find out he was indeed innocent but the damage is already done and their relationship cannot be saved. This is a pretty good film noir with powerful characters.

4.5/5 Stars

Bonnie and Clyde (1967)

b1a0c-bonnie_and_clydeStarring Warren Beatty and Faye Dunaway, with director Arthur Penn, the film chronicles the crime life of a group of notorious gangsters during the 1930s. Clyde Barrow (Beatty), a small time thief meets the beautiful young girl Bonnie Parker (Dunaway) and together they begin robbing banks. Soon they enlist the help of a dim-witted mechanic C.W., and then Clyde’s brother joins the fray bringing along his wife. They have a string of successes and they become infamous nationwide. Soon they begin to bicker among themselves and the police start to buckle down. In a shootout Buck is shot dead and Bonnie, Clyde, and C.W. just barely escape. However, their actions eventually do catch up with them and thus ends the story of these two figures depicted as anti-heroes. This film is significant because it was influenced by the French New Wave but it in turn ushered in a new era of American film . It has a unique combination of comedy, romance, violence, and of course banjo music.

5/5 Stars

Midnight in Paris (2011)

8d293-midnight_in_paris_posterDirected and written by Woody Allen and starring Owen Wilson, this film is a nostalgic piece of romantic fantasy. 

Gil is a successful screenwriter, who is attempting to finish his first novel, and he is in Paris with his wife (Rachel McAdams). She dismisses his work on a nostalgia shop because she feels it is not as worthwhile as his screenwriting career. Gil is infatuated with everything about Paris, while his wife is content with fine dining and shopping with her parents and wine tasting with stuffy friends. 

Then one evening Gil wanders the streets of Paris, and at Midnight a 1920s style car pulls up and he is invited in. Over the course of the evening, he meets the likes of F. Scott Fitzgerald, Zelda Fitzgerald, and even Ernest Hemingway, who agrees to read his manuscript. The following night he brings his wife but she leaves and he is picked up once again at midnight. This time he talks with Hemingway, meets Gertrude Stein, Pablo Picasso, and the beautiful Adriana (Mario Cotillard). Gil continues to return at night much to his wife’s annoyance and his father-in-law’s disapproval. He meets legendary surrealists such as Salvador Dali, Man Ray, and Luis Bunuel, who he inspires with his conversation. 

He finds Adriana’s diary in the present and meets a fellow aficionado (Lea Seydoux) of the olden days. Gil returns to the 1920s and Adriana convinces him to go back to the 1890s where they meet Toulouse-Lautrec, Gauguin, and Degas. This is where Adriana is happy and despite their love, Gil realizes that even though nostalgia is good it is best to live in the present. Gil gets some final feedback on his manuscript and then breaks up with Inez, realizing it was not meant to be. However, Gil finally does find someone who shares his love of Paris in the rain. 

Allen made this film really enjoyable for me because he brought to life many people such as Hemingway, Dali, Bunuel, and others. This type of history fascinates me much like Gil, and it was fun to see these figures represented in the flesh by the likes of Tom Hiddleston, Kathy Bates, and Adrien Brody. That being said, this film carries a good lesson about living your life in the present. I would have initially said that Owen Wilson seemed wrong for this film, but I think he did a wonderful portraying Gil as a man mesmerized by the golden days of Paris.

4/5 Stars

 

North by Northwest (1959) – Alfred Hitchcock

ed5e6-northbynorthwest1As the last collaboration between Cary Grant and Alfred Hitchcock, they came together to make the ultimate thriller in North by Northwest. Grant plays a common business man named Roger Thorndike who is framed as a killer in a very public place. All of the sudden he has become a fugitive on the run for a crime he never even committed. Along the way he meets a government agent (Eve Marie Sainte) while dodging the authorities. Trying to clear his name, Grant finds himself fleeing the actual killers. His adventures include a run-in with a crop dusting plane and eventually find him hanging for dear life.  However, he comes out on top in the end and he slowly falls in love too (of course). From the beginning when you see the opening credits and hear the score, you gear up for adventure and that is exactly what you get. It follows the wonderful tradition of Hitchcock films and it does not fail to entertain. Besides great locations, a memorable score, and interesting camera work, the story is wonderful.

5/5 Stars

 

Amelie (2001)

Amelie is one of those films that you will either love it or you won’t because the fact is, it marches to the beat of a different drum. It is a unique, whimsical Parisian world full of a quirky cast of characters headed by Audrey Tatou. 

The ever present narrator opens the film by relating Amelie’s childhood as a young girl who was forced to occupy her time with fantasy and her imagination. Soon we are introduced to this quirky little girl and all the other figures who take up space in her life. She was isolated and her mother died when she was very young leaving her to live with her father. When she is older, Amelie moves on and begins to work in a café. Then in 1997 the death of Princess Di and a bit of fate cause her to devote her life to bringing happiness to other people. She plays matchmaker, reunites an old man with boyhood treasures, guides a blind man through the city, spurs her father to travel through use of his beloved gnome, gives renewed hope to a widowed landlady, and puts an abusive grocer back in his place. Amid her many good deeds Amelie makes friends with as solitary and brittle painter as well as Lucien, the kindly assistant at the corner grocery. Most importantly Amelie begins to realize she is falling for an unknown man after she accidentally retrieves a scrapbook of his. She tries to deliver it back to him anonymously and it becomes a wild goose chase all across Paris, full of arrows, flyers, notes, and rendezvous. However, her shyness makes it difficult for her to approach him, but with a little prodding she finally goes after Nino Quincampoix and he finally meets his mysterious girl. 

This film had me in stitches at times,  attempting to catch up at times, and completely mesmerized in other moments. This film has wonderful characters and such an idiosyncratic, and often abrupt way of telling their story. It was a change of pace that I enjoyed and I believe that Amelie is an enjoyable albeit eccentric romantic comedy.

4.5/5 Stars