North by Northwest (1959) – Alfred Hitchcock

ed5e6-northbynorthwest1As the last collaboration between Cary Grant and Alfred Hitchcock, they came together to make the ultimate thriller in North by Northwest. Grant plays a common business man named Roger Thorndike who is framed as a killer in a very public place. All of the sudden he has become a fugitive on the run for a crime he never even committed. Along the way he meets a government agent (Eve Marie Sainte) while dodging the authorities. Trying to clear his name, Grant finds himself fleeing the actual killers. His adventures include a run-in with a crop dusting plane and eventually find him hanging for dear life.  However, he comes out on top in the end and he slowly falls in love too (of course). From the beginning when you see the opening credits and hear the score, you gear up for adventure and that is exactly what you get. It follows the wonderful tradition of Hitchcock films and it does not fail to entertain. Besides great locations, a memorable score, and interesting camera work, the story is wonderful.

5/5 Stars

 

Amelie (2001)

Amelie is one of those films that you will either love it or you won’t because the fact is, it marches to the beat of a different drum. It is a unique, whimsical Parisian world full of a quirky cast of characters headed by Audrey Tatou. 

The ever present narrator opens the film by relating Amelie’s childhood as a young girl who was forced to occupy her time with fantasy and her imagination. Soon we are introduced to this quirky little girl and all the other figures who take up space in her life. She was isolated and her mother died when she was very young leaving her to live with her father. When she is older, Amelie moves on and begins to work in a café. Then in 1997 the death of Princess Di and a bit of fate cause her to devote her life to bringing happiness to other people. She plays matchmaker, reunites an old man with boyhood treasures, guides a blind man through the city, spurs her father to travel through use of his beloved gnome, gives renewed hope to a widowed landlady, and puts an abusive grocer back in his place. Amid her many good deeds Amelie makes friends with as solitary and brittle painter as well as Lucien, the kindly assistant at the corner grocery. Most importantly Amelie begins to realize she is falling for an unknown man after she accidentally retrieves a scrapbook of his. She tries to deliver it back to him anonymously and it becomes a wild goose chase all across Paris, full of arrows, flyers, notes, and rendezvous. However, her shyness makes it difficult for her to approach him, but with a little prodding she finally goes after Nino Quincampoix and he finally meets his mysterious girl. 

This film had me in stitches at times,  attempting to catch up at times, and completely mesmerized in other moments. This film has wonderful characters and such an idiosyncratic, and often abrupt way of telling their story. It was a change of pace that I enjoyed and I believe that Amelie is an enjoyable albeit eccentric romantic comedy.

4.5/5 Stars

 

To Catch a Thief (1955) – Alfred Hitchcock

1b4d6-to_catch_a_thiefStarring Cary Grant and Grace Kelly and directed by Alfred Hitchcock, this film follows the life of a former cat burglar who is accused of thievery in France. An outbreak of thefts seem to point to John Robie and he seeks refuge with some old friends. He plans to clear his name by catching the real thief. He learns that a vacationing mother and daughter have the most expensive jewels and he strikes up a relationship. The daughter realizes what he is and goes on to tempt him to steal her valuables. When they actually go missing she suspects him. Trying to figure out what is going on Robie struggles with a possible burglar who falls to his death and he attends a ball with Francie who has pronounced her love for him. After a clever switch Robie waits for the real perpetrator only to be surprised. As a thriller and romance this is a fun film. The cinematography is excellent and Kelly’s wardrobe done by Edith Head is memorable. Cary Grant and Grace Kelly are certainly a memorable screen couple.

4/5 Stars

Notorious (1946) – Alfred Hitchcock

dc86a-notorious_posterPairing Cary Grant with Ingrid Bergman along with Hitchcock directing, Notorious tells a story of spies in South America after World War II. Bergman is the daughter of a former Nazi so she is enlisted by a T.R. Devlin (Grant) to spy on other Nazis in South America. Pretty soon Bergman has been accepted and is married to one of the men (Claude Rains). Bitter and cold, Devlin shows no pity for her plight. However, during a party an important discovery is made that puts her in danger. To make matters worse, she is now sick and the others are suspicious. Showing his true loyalty, Devlin comes to her aid before she is harmed and brings her to safety.

To some extent we feel for Claude Rains who will be terminated if it ever comes out he married a spy and that pity is a credit to his portrayal. This film also seems to speak well of Grant as an actor since he plays so against type here. Hitchcock memorable used the key in the film to move the plot forward effectively. Aside from that a couple of sequences stand out to me. The first occurs when Grant enters a room and then we have the POV of Bergman’s heroine. She is lying in bed and drunk so as he gets closer he appears up side down in the frame. Then, there is the famous kissing sequence that all happens simultaneously while Grant is on the phone. The final one I recall is the tracking shot at the party that closes in on the key hidden in Bergman’s hand. Hitchcock practically shoves it in our faces so we know its importance. I think these moments reflect the great direction and showmanship of Hitch.

Partially for this reason Notorious is undoubtedly one of Hitchcock’s best films with a truly stellar cast of characters. If Casablanca was the beginning of the story then this seems to be the perfect sequel. You have a WWII related plot, Bergman, Rains and Cary Grant to stand in for Bogart after all. But that is a topic for another post in the future!

5/5 Stars

Arsenic and Old Lace (1944)

Directed by Frank Capra and starring Cary Grant with a zany and strange supporting cast, this film adapted from a play is a farcical  black comedy. Grant is a drama critic who is just recently married and he is about to go on his honeymoon. However, he is horrified to learn that his two unassuming aunts have killed hopeless, old men with arsenic-laced tea. He must also deal with one brother who believes he is Teddy Roosevelt and a recently returned brother who is wanted for murder. Add these crazy characters, a peculiar German doctor, some policemen, and you are in for a wild ride of wacky antics and mock terror. All the while Grant tries to balance his many problems which nearly go awry. Everything gets figured out in the end and Grant carries his bride away. To say the least this film is very odd and perhaps not Capra’s best. It does culminate nicely in the end however, closing the story on a high note. The cast includes Priscilla Lane, Raymond Massey, Josephine Hull, Peter Lorre, Jean Adair, Jack Carson, and John Alexander

3.5/5 Stars

Suspicion (1941) – Alfred Hitchcock

Starring Cary Grant and Joan Fontaine with director Alfred Hitchcock, the film follows a young English woman who marries a charming man. However, he has gained notoriety for gambling and he also has a mysterious side. After telling his wife he is done gambling, he goes to find a job. Through a series of conversations however Fontaine’s character discovers her husband has been keeping things from her. Because of the tragic death of her husband’s good friend and other suspicious events, Fontaine begins to grow paranoid. She fears for her life as she is alone with her husband. In the final dramatic scene her situation takes a great twist. Although not Hitchcock’s best, in this film he does play with our minds as we too are constantly suspicious. Grant and Fontaine both give very commendable performances.

4/5 Stars

The Philadelphia Story (1940)

Headlined by Katharine Hepburn, Cary Grant, and Jimmy Stewart, The Philadelphia Story  tells a comical tale of a divorced socialite who is about to be remarried. Tracy Lord is an arrogant socialite who divorced her equally fiery husband C.K. Dexter Haven. Now it is the day before her wedding to another man. However, Haven returns and brings a long two magazine reporters to get a scoop they were forced into. After a lavish party and many drinks the reporter (Stewart) and Tracy Lord find themselves spending an inebriated night talking and swimming. Haven manipulates the situation and the future husband Kittridge, who catches the tail end, believes something bad is happening. The next morning the wedding is in jeopardy and Hepburn and Stewart are oblivious. Although nothing happened, Lord agrees to terminate the wedding and Mike (Stewart) tries to save her embarrassment by proposing marriage. However, she realizes it is not meant to be and goes to Haven while Mike returns to the camera woman who loves him. It all ends well but the joke is still on them in the end. This romantic comedy has a lot of star power and it is actually pretty good.

4.5/5 Stars

His Girl Friday (1940)

30c9f-his_girl_friday_posterStarring Cary Grant and Rosalind Russell with direction by Howard Hawks, this film’s rapid and overlapping dialogue helps make it a witty comedy romance. Walter Burns (Grant) is a newspaper editor who was formally married to Hildy Johnson (Russell). However, now they are no longer together and she is on the verge of marrying another man (Ralph Bellamy). Grant still loves her and tries all the tricks he knows in order to get her back. Soon the two of them are deeply involved in a story having to do with a man who is soon to be hung. As they work to get the scoop, the two of them slowly begin to realize they still love each other despite their differences. Finally, Russell rejects a normal life with her new fiancee and she and Grant unite once again. A directing legend, Hawks has another success with the screwball comedy. Grant and Russell play well off each other and they have a good supporting cast behind them.

This film is a sensory overload with words whizzing by so fast that you hardly have time to catch them. But what you do pick up is great and the overlapping, rapid fire dialogue is delivered so effectively by the entire cast, including Grant and Russell. Russell takes on the persona of the independent career woman prevalent in the late 30s and early 40s. As such she knows how to trade blows with the boys in the newsroom and she delivers a spirited performance to counter Grant’s constant conniving and tricks in his sly attempt to win her back. Aside from the main stars, the film has a brilliant set of stock characters and the dialogue is such that it seems like it would be a joy to read the script. There is the self-referential humor to Ralph Bellamy, then to a Mock Turtle as well as Archie Leach. The first is Grant’s role in Alice in Wonderland and the second is his real name. The film even has time to deal a few jabs to Hitler, Communists, and most especially the newspaper industry. All in all His Girl Friday is a comedic whirlwind but it is a pretty good piece of mayhem.

4.5/5 Stars

Only Angels Have Wings (1939)

a4eff-only_angels_have_wings_posterStarring Cary Grant and Jean Arthur with a cast including Thomas Mitchell, Rita Hayworth, and Noah Beery Jr., with director Howard Hawks, the film follows pilots who fly mail throughout South America. Grant is the head of the dangerous operation and it becomes apparent to Arthur that he is callous, after a great tragedy strikes. However, she still stays out of interest in him. Things get complicated when the new pilot arrives and he carries a past that puts him at odds with everyone. It doesn’t help that his wife (Hayworth) was the former girl of Grant. In order to keep the operation going, Grant is forced to send out this Macpherson as well as his best friend “The Kid” (Mitchell) into a large storm. Needless to say that are not able to make it. Arthur is about to leave after this second disaster, but beforehand she says goodbye to the saddened Grant. He soon peps up when the weather clears and then prepares to fly again. Arthur at first feels rejected but with a flip of a coin she realizes his love for her. This is certainly a tragic picture, but good nonetheless.

4/5 Stars

The Ghost and Mrs. Muir (1947)

f5ab0-the-ghost-and-mrs-muir-postersStarring Gene Tierney, Rex Harrison, and George Sanders, the film is about a widowed mother who moves with her daughter to a supposedly haunted house. She and the ghost have some altercations but she will not be intimidated and she has fallen in love with the unique home. Soon Mrs. Muir and the Ghost bond as he dictates his life story for her book. However, once it is done, they realize the problems with their relationship. Mrs. Muir falls for a human man and when it gets serious Michael decides to leave her life, causing her not to remember him. Soon the years pass and the unmarried Mrs. Muir is getting older with her daughter growing up. Finally Mrs. Muir passes away peacefully and now she is reunited with the one she forgot and they can be happy for eternity. This is a very nice film and Tierney and Harrison are both wonderful in their roles. Although the plot is simple it is unique and enjoyable all the same.

4/5 Stars