The Pink Panther (1963)

Pink_panther63I came into the Pink Panther with a bit of prior knowledge about the franchise and Henry Mancini’s legendary theme music. In all honesty, the first film I ever saw in the series was A Shot in the Dark (1964). Peter Sellers‘ Inspector Clouseau is the undisputed star of that film which came out only a year later.

That’s why this initial installment from Blake Edwards was rather surprising, to begin with. This is a David Niven vehicle with him playing a modern Don Juan of sorts who also is a world renown thief known as “The Phantom.” He and his female accomplice have their eye on the equally well-known diamond christened the Pink Panther. It now is in the possession of a beautiful young princess (Claudia Cardinale), but the people of the country believes the diamond belongs to them. Into this seemingly serious story of theft and international relations waltzes in the ever-bumbling but good-natured Inspector Clouseau.

Sir Charles Lytton (David Niven) has his eyes on Princess Dala, surveying her every movement. What he doesn’t know is that his young nephew (Robert Wagner) is up to some tricks of his own, and he flees the United States in search of his uncle. Clouseau leaves France with his lovely wife Simone (Capucine) and follows the princess to a ski resort to see if he can sniff out the culprit. They turn out to be a lot closer than he realized.

It’s during a chaotic masquerade ball when the diamond is in jeopardy, with several costumed apes having their eyes on it. The bumbling Clouseau clumsily tries to set a trap, and yet he unwittingly stumbles upon the culprits leading to a chaotic car chase. In fact, The Pink Panther has a rather odd ending with the culprits getting away and Inspector Clouseau getting the blame. Don’t be too worried, however, because Sellers brought the character back numerous other times.

Despite being initially relegated to a supporting role, there is no doubt that Sellers steals his scenes with his ad-libbing and numerous brilliant pieces of slapstick. He might be stepping on his Stradivarius in the dark or getting his hand jammed in a beer stein.  It’s all the funnier when everyone else is playing the scenes relatively straight. There were some other humorous sequences of deception as the culprits try and pull the wool over the Inspector’s eyes. It’s not all that difficult because he’s an utter buffoon. But lovable. Did I mention that?

3.5/5 Stars

The Bishop’s Wife (1947)

Starring Cary Grant, Loretta Young, and David Niven, I would certainly consider this film a Christmas classic. It opens and we are introduced to the kindly and handsome angel Dudley (Grant). When a Bishop prays for guidance in the difficult task of building a Cathedral, Dudley is sent to him. The once genial man has become frustrated and troubled, making life more difficult for his loving wife. When Dudley arrives, Henry finds out in disbelief that he is an angel. However, to everyone else Dudley is simply a charming man who has come to assist Henry. Everyone gravitates towards his kindness, except Henry. Dudley befriends an old professor, is kindly to the servants, helps their little daughter, and above all makes the Bishop’s wife happy by spending time with her. Over time he becomes attracted to her but she doe snot feel the same way. A jealous Henry stands up to the angel and realizes he must strengthen his marriage. Before he leaves Dudley explains he will not be remembered and he will not reutrn. Then on Christmas Eve the Bishop delivers a sermon as a new man. Dudley look on contentedly, knowing that he wrote the sermon. Most importantly he fixed the Bishop’s attitude and marriage so he could continue doing good with or without a cathedral. Grant’s charming portrayal reminds me somewhat of Clarence Oddbody and it makes sense because Henry Koster directed James Stewart in Harvey as well.

4/5 Stars

Separate Tables (1958)

bdd6d-separate_tablesStarring Burt Lancaster, Rita Hayworth, Deborah Kerr, David Niven, and Wendy Hiller, the films follows the evens at an Inn in England. This relatively simply film is less about plot and more about the interactions between people. Lancaster is a troubled man who is trying to forget his past marriage. Hayworth is the attractive wife he left who has her own insecurities, Kerr is the timid daughter who always obeys her mum, and she takes a fancy for the Major. Niven is the Major, a seemingly kind older gentleman with a less desirable side. Add a few more guests and Wendy Hiller as the sensible owner of the inn and you have this movie. What first begins as separated tables eventually evolves into something else entirely.

4/5 Stars