Classic Movie Beginner’s Guide: Montgomery Clift

In our ongoing series, we continue shining a light on classic actors we think more people should get to know. This week our focus is none other than Montgomery Clift!

Monty Clift was one of the unsung champions of a new brand of acting that bridged the gap between the New York stage and the soundstages of Hollywood. Before Marlon Brando, James Dean, and others, Montgomery Clift introduced moviegoing audiences to a new form of intense masculinity paired with a striking vulnerability.

His life was marred by tragedy but instead of dwelling on that let’s celebrate the extraordinary career he forged for himself with some of the great directors of his generation. Here are 4 of his greatest movies with performances to match. 

Red River (1948)

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What’s immediately apparent about Monty Clift is how particular he was about his roles. Because his film debut was nothing short of an instant classic. In this iconic sagebrusher from Howard Hawks, Clift went toe-to-toe with a vengeful John Wayne, playing an adopted son and his father who vie for control of the family herd with startling outcomes. 

The Search (1948)

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Once more Clift aligned himself with an esteemed director — this time Fred Zinnemann — and invested himself in a story with real-world urgency. He plays an American soldier who takes in a young boy orphaned by the war. They strike up a relationship while racing against the clock to reunite him with his kin. The chemistry between the two is beautiful to watch.

A Place in The Sun (1951)

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This is the film that will forever define Clift’s career slotting him opposite a dazzling Elizabeth Taylor in one of her first adult roles. The adaptation of Theodore Dreiser’s An American Tragedy, directed by George Stevens, captures the emotional weight Clift was able to channel into many of his greatest roles. It’s one of the most devastating romances of American film thanks in part to Clift and Taylor.

From Here to Eternity (1953)

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Although I’m led to believe the film is slightly overrated, there’s nothing wrong with Monty who brings his continual range as a troubled soldier on the eve of Pearl Harbor. Though it’s easy for him to get overshadowed by kisses in the waves between Burt Lancaster and Deborah Kerr or the gutsy performance of Frank Sinatra, there’s no question Clift is front and center playing opposite Donna Reed.

Worth Watching

The Heiress, I Confess, The Young Lions, Suddenly Last Summer, Wild River, Judgement at Nuremberg, The Misfits

Heaven Knows, Mr. Allison (1957)

heavenknows3From John Huston comes another film about a woman of principle and a man who seems to be everything she is not. This time instead of Katharine Hepburn and Humphrey Bogart aboard The African Queen in WWI, we have Deborah Kerr and Robert Mitchum stuck on a deserted island together during WWII.

Kerr is Sister Angela who was on the island only a few days with a priest before he passed away. Now she is alone taking care of herself in solitude. That is until castaway Marine Mr. Allison washes up on her shore in a raft. For a time it is just the two of them as the Sister offers the marine food after his long, arduous journey. But after getting rest and some nourishment, he returns the favor proving his resourcefulness at scrounging up food on the island. For a while, they live in relative ease like this.

But they are reminded that the war is still going when the Japanese set up camp on the island. The unlikely pair finds themselves living in a cave together. Allison invades the camp on the sly to acquire food for them, and they continue to manage in hiding. Once the enemy is gone, the exuberant marine gets drunk on some sake and professes his love to the novice nun. Although the situation had never quite been awkward up to that point, it quickly becomes so. Sister Angela, in a tizzy, flees out in the pouring rain and winds up getting sick as a result.

heavenknows5To add to the predicament, the Japanese forces return, and back to the cave, it is. This time Mr. Allison must kill a soldier in order to get a blanket for Sister Angela. Soon the Japanese are burning the underbrush in pursuit of the culprit. It’s dire straights certainly, but then help comes.

Mr. Allison once again proves himself and regains the faith and admiration of Sister Angela. Once the marines roll in Mr. Allison is able to leave the island on a stretcher with the faithful novice by his side. They are a strange pair, but their relationship makes this story actually engaging. In a way, the life of a marine and a nun have some similarities, although they fall at completely different ends of the spectrum. In the same way, Mitchum and Kerr are adept at playing their roles to that degree. Allison is rough around the edges, a Joe Palooka type, and yet he means well. The nun is devoted to her calling, proper, and it never seems as if she could ever approve of Mr. Allison. And yet, in the midst of all the divides that seem in place, a true bond forms. It’s an entertaining relationship and these two stars,  led by John Huston’s direction, made it thoroughly enjoyable.

4/5 Stars

An Affair to Remember (1956)

anaffairto2An Affair to Remember (1956) has always been noted as a great American romance as far as I can ever remember, and I figured out that part of that was because it gets a mention in Sleepless in Seattle (1993). Whatever the reason, I finally got around to watching it and it is certainly an enjoyable weepy. Any film with Cary Grant as a romantic lead is usually, at the very least, charming and this one is too. He is a famed man on an ocean liner who has finally gone and gotten himself hitched. It’s big news and as soon as the ship touches down he is going to meet his love.

Quite by chance, he meets Deborah Kerr’s character and they are immediately taken with each other. Soon their friendship grows into an affectionate romance, and yet they feel uncomfortable in front of the other passengers who seem to be watching their every move with interest. They both know that once the boat reaches New York things will not be the same between them for some time.

anaffairto4And so it is, but they had made one last plan to meet each other at the top of the Empire State Building. Grant makes it, but Kerr is detained for a very good reason. After seeing her in an awkward situation at the theater, Grant resolves to go see her and get to the bottom of what happened. It’s a tearful, albeit happy, reunion as they come back together.

If any of this feels familiar, like a rerun, that’s because it is. Leo McCarey actually made An Affair to Remember (1956) as a scene for scene remake of his earlier film Love Affair (1939). I never thought I’d say that I like a film with Charles Boyer more than a comparable one with Cary Grant, but it’s the truth. I’m not sure if it’s because I saw it first or that the film feels more intimate, but I really enjoyed Love Affair. An Affair to Remember is certainly elegant in color and Deborah Kerr gives a fine performance, but I was personally blown away by Irene Dunne as an actress. In fact, back in the day, Dunne worked quite a bit with Cary Grant (The Awful Truth, My Favorite Wife, and Penny Serenade).

So my advice is, go back and give Love Affair a watch. It’s still by McCarey with much of the same story so it’s really a personal preference what film you like more.

3.5/5 Stars

Separate Tables (1958)

bdd6d-separate_tablesStarring Burt Lancaster, Rita Hayworth, Deborah Kerr, David Niven, and Wendy Hiller, the films follows the evens at an Inn in England. This relatively simply film is less about plot and more about the interactions between people. Lancaster is a troubled man who is trying to forget his past marriage. Hayworth is the attractive wife he left who has her own insecurities, Kerr is the timid daughter who always obeys her mum, and she takes a fancy for the Major. Niven is the Major, a seemingly kind older gentleman with a less desirable side. Add a few more guests and Wendy Hiller as the sensible owner of the inn and you have this movie. What first begins as separated tables eventually evolves into something else entirely.

4/5 Stars

From Here to Eternity (1953)

b0508-from_here_to_eternity_film_posterDirected by Fred Zinnemann, the film has an all star cast including Burt Lancaster, Monty Clift, Deborah Kerr, Donna Reed, and Frank Sinatra. Clift is a former boxer and bugler who has been transferred to a post in Hawaii. The commanding officer wants to have him fight for the company but Clift is adamant that he will not. From that point on life is made difficult for him on the base. However, he still finds time to go to a club with his friend Maggio (Sinatra) where he meets Lorean (Reed) and falls in love. At the same time the intelligent company sergeant Lancaster, finds himself falling for the commander’s wife (Kerr) who has an unhappy marriage. However, he feels he cannot become an officer effectively terminating their relationship. The dramatic events culminate in the attack on Pearl Harbor which overshadows a smaller tragedy. This movie certainly had a cast full of famous people, but I have to say it was not my favorite film. All the same there definitely are some good moments.

4/5 Stars