Broadcast News (1987)

4392b-broadcast_newsI didn’t laugh at James L. Brook’s Broadcast News like I would your typical comedy (This is no Anchorman). However, I did find myself chuckling, in spite of myself, because these characters are humans and as humans, they are screw ups, petty people, and have errors in judgment. The humor comes in the everyday occurrences of working with a news station. There is constant chaos paired with egos butting heads and somehow the news still  gets reported.

At such a news station there are three seemingly everyday people who form a triangle of sorts. First off there is Tom Grunick (William Hurt), a handsome anchorman who is often sincere but lacking in the smarts and experience of others. Then, you have Aaron Altman (Albert Brooks), an experienced reporter with a gift for writing and a dream to be an anchorman as well. Finally, caught between the two fellows is manic producer Jane Craig (Holly Hunter) who excels in her career.
Aaron is a longtime friend and partner of Jane who secretly loves her. Tom comes into the picture as the inexperienced one, and it looks like he won’t be going anywhere. However, he gets his chance with a special report and thanks to Jane he hits it out of the park. It so exhilarating and all of a sudden he feels a lot closer too. That’s what Broadcast News does to these people. It makes them feel that much closer and it begins to make it difficult to filter their feelings. That’s how Jane finds herself caught between two men who both seem to love her.
It takes a major layoff to shake up the status quo and it reveals a bit more of the pettiness that exists within the industry (reflected some by Jack Nicholson’s evening anchor). Aaron quits his job, Tom gets promoted to a post in London, and Jane gets the position of her old boss who receives the boot. Aaron is jealous of Tom and his goodbye to Jane is a rather sour one. Jane, on the other hand, has some choice words for Tom when she finds out how he manipulated one of his news reports. That’s the way life is. It might be set up like a perfect love triangle initially, but then no one seems to win in the end.

We come back to the three individuals a few years down the road and they have all moved on with their careers and their personal lives. Not everything is patched up and they hardly have much in common anymore, but they can still talk and continue living their lives as before.

This film did not strike me as laugh out loud funny or remarkably spellbinding, but it was a truthful look at life at a news station. That in itself is a compliment to the film even if it is not altogether extraordinary because it seems genuine. I will certainly always be a fan of two of Brook’s other creations for the small screen, The Mary Tyler Moore Show and Taxi. He has a great breadth of work to be proud of.
3.5/5 Stars

The Departed (2006)

Directed by Martin Scorsese and starring an all-star cast including Matt Damon, Leonardo DiCapprio, Jack Nicholson, and many others, this is a crime thriller with an interesting concept. The plot has to do with two young men who were in the Massachusetts Police Academy. One is tailored by the Irish mobster Frank Costello to become a mole within the police. The other is called upon to infiltrate the mob before he graduates. Thus begins their dangerous assignments as each tires to find the rat in the other organization while also working to stay out of reproach. Costigan is able to get close to the vile Costello while Sullivan is part of the Special Investigation Unit and also begins a relationship with a psychologist. They must secretly keep contact with the other side but it becomes increasingly treacherous with one encounter leading to a chase and another in the death of a police captain. The heat is on as both men try and reveal the other mole. During a cocaine pick up Costello is traced to the spot and a chaotic shootout ensues. Everything seems calm again and yet Constello’s mole is still around and bent on erasing Costigan from record. They agree to meet on a roof top and from that point on the film moves so rapidly it is almost impossible to take in what happens. Everything seems confused and corrupted but ultimately it does not pay to be a rat. This film has a lot of coarse language and violence but in Scorsese’s hands it is still an intriguing film to watch.

4.5/5 Stars

One Flew Over the Cuckoo’s Nest (1975)

This is a powerful film from the 70s that has such an intriguing conflict between Jack Nicholson and Louise Fletcher. There have been many chilling villains in the annals of cinema, but Nurse Ratched was arguably the coldest and yet understated of them all. She makes this a true battle for supremacy. Nicholson is supported very nicely by the rest of the cast who he helps to rile up.

*May Contain Spoilers

Originally adapted from the novel by Ken Kesey, the film tells the story of a criminal interned in a mental hospital, because he thinks it will be “life on easy street” with a bunch of crazies. Jack Nicholson plays this Randle McMurphy, who goes in ready to live easy and challenge authority whenever he can.

Meanwhile, the doctors observe him seeing if Randle really belongs. As he grows accustomed to the institution, he becomes the instigator of the other patients. Whether they are playing cards, talking with the group, taking medication, getting their exercise, or taking a fishing trip, he always looks to get his way and have the other patients rally around him. However, he must deal with Nurse Ratched, a cold and iron-fisted woman, who keeps everyone at bay believing it is for their own personal well-being.

In fact, she chooses not to send McMurphy away because he is their problem and Ratched is ready to deal with him in the way she sees fit. Not even McMurphy seems able to prevail over Ratched and her tactics in the end. He starts a riot in the ward after they are not allowed to watch the World Series, and as the final straw, he holds a wild Christmas party with girls and alcohol. He plans to get away in the aftermath with his new-found friend “Chief,” only to wake up in the morning to a very displeased Ratched. Her pressure causes one unstable young man to commit suicide, and with the opportunity to escape right in front of him, an enraged McMurphy strangles the nurse, only to be subdued. Things quiet down and the patients revert back to their old ways with “Mac” nowhere to be seen.

One night he is returned and in a Deja Vu moment, the Chief goes to talk to Randle, only to see a blank look on his face. Ratched’s methods have seemingly won. However, Chief is able to use Randle’s plan to escape and keep the hope alive. Nicholson was backed by a stellar cast including Louise Fletcher, Danny Devito, Christopher Lloyd, Brad Dourif, Will Sampson, Sydney Lassick, and William Redfield.

Although this film is rougher around the edges, it reminds me of the earlier dramatic classic 12 Angry Men, because both films have wonderful casts that are able to create such tension through their collaborative performances. Much like Henry Fonda, Nicholson is the undisputed star, but all the other players make this movie truly extraordinary. Early on there are some definite comedic moments, but the film begins to get darker as the story progresses, and Ratched gets more and more strict.

Furthermore, this film is shot in a realistic almost bleak documentary-like style that really adds to the film. It is almost difficult to watch the scene where Randle chokes Ratched because it is up-in-your-face and graphic. Despite, the fact that the ending is depressing, there is still a hint of hope. It is one of the things that makes One Flew Over the Cuckoo’s Nest so riveting. Much like many of the patients that inhabit the facility,  the mood constantly swings like a pendulum from humorous, to calm, to bleakness, and finally hopefulness.

5/5 Stars

 

Easy Rider (1969)

d395a-easyriderStarring Peter Fonda and Dennis Hopper, this road film follows the two young men traveling across country from L.A. after a drug deal. Along the way they meet a Hippie colony, experimenting with drugs, and simply live life as they please. Much of the movie comprises of the many pit stops they take as they make their way to Mardi Gras. Some people welcome them, and still others are hostile, especially in the South. This film does a wonderful job of portraying the counter culture generation and the experiences they had. In some ways it seems that Dennis Hopper and Peter Fonda are not really acting, but partially embodying the existence that they are already used to. One of the highlights in the film would be Jack Nicholson’s odd ball, hick lawyer who crosses paths with the two hippie bikers in a Southern jail. A stellar soundtrack including such 1960s groups like the Byrds and the Band take potentially boring biking sequences and make them some of the best moments of the film. They also often express the mindset of the generation including anthems such as “Born to Be Wild” and “I Wasn’t Born to Follow.” Although it is not the greatest movie, it holds historical importance in order to help us remember this past generation.

4/5 Stars

Chinatown (1974)

89858-chinatownposter1Starring Jack Nicholson with Faye Dunaway and John Huston, this skillfully written neo-noir is a nod to the work of Chandler and Hammet. J.J. “Jake” Gittes is a P.I. in the L.A. area during the 30s who specializes in marital cases. When a woman calling herself Mrs. Mulwray asks Gittes to watch her supposedly cheating husband, he enters something he does not understand. Soon he meets the real Mrs. Mulwray (Dunaway), learns Mr. Mulwray is dead, and discovers Mrs. Mulwray’s father is the powerful water tycoon Noah Cross (Huston). As he tries to uncover the truth behind some odd events, Gittes meets with opposition, more confusion, and eventually some answers. The mystery is twofold and he begins to understand the plot over the L.A. water, however he does not figure out the secret kept by Mrs. Mulwray right away. When he finally does find out he is too late and tragedy ultimately comes in Chinatown. This film was enjoyable in the buildup and the ending was okay if not tragic. However, it did seem that the mystery surrounding the water was predictable.

4.5/5 Stars