4 Star Films’ Favorite Movies: 21-25

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One of the reasons film is so engaging and fascinating is the discussion that it evokes from all people. Every person, no matter their age or knowledge, can have their own subjective opinion on a film and why they liked it, or better yet why they hated it so much that they wanted to throw up.

But I’m going to cut the discussion short and put my cinematic life on the line by being completely vulnerable with some of my admittedly subjective picks for my favorite movies. Any agreement is highly encouraged. All dissenting opinions will be disregarded without a thought. Enjoy #21-#25 in this ongoing series:

21. It’s a Mad Mad Mad Mad World (1963)

This first title was love at first sight. All the things I love about a great comedy. Completely lacking sophistication and full of hilarious insanity. Also, Mad…World has arguably the greatest ensemble every assembled for one film. Everyone shows up for the party and it’s wonderful. Jonathan Winters was my favorite discovery from this film because he truly was a comic gem of a man.

22. Some Like it Hot (1959)

Jack Lemmon will always and forever be one of my favorite actors. Maybe it’s because he reminds me of my Grandpa because my Grandpa is a funny man. But that’s neither here nor there. Some Like it Hot stems from the genius of Billy Wilder, always ready with a funny storyline (two cross-dressing musicians fleeing Chicago gangsters) and a rapier wit. Of course, there’s Tony Curtis and Marilyn Monroe too, and the Hotel Del Coronado makes a memorable appearance filling in for Florida. Boy, oh boy, am I a boy!

23. The Young Girls of Rochefort (1967)

Now this one might seem kind of random. But I quickly fell in love with the fateful whimsy of Jacques Demy. His love of American musicals is evident with the casting of both Gene Kelly and George Chakiris, but this is also undeniably a French production starring sisters Catherine Deneuve and Francoise Dorleac. Michel Legrand’s music is surprisingly catchy and the fact that the film’s exposition is all given through song intrigued me from the beginning.

24. Laura

Film-Noir became a favorite genre, movement, style (whatever you want to call it) early on and Laura was one of the reasons why. I think I was smitten with Laura (Gene Tierney) much like our protagonists, and the film’s core mystery was gripping in more ways than one. David Raksin’s haunting score adds yet another layer to the drama as does Otto Preminger’s direction through the film’s interiors.

25. To Kill a Mockingbird

By now Harper Lee’s novel and Gregory Peck’s portrayal of Atticus Finch are almost intertwined in my mind, so much so, it becomes difficult to separate the two. And since I loved the book growing up, it’s only fitting that the film adaption would also hold a special place. Its set of sentiment and moral uprightness is hard for me to disregard, even when I’m at my most cynical. Mary Badham does a wonderful job as does Brock Peters — the perfect foils for Peck’s monumental portrayal.

It’s a Mad Mad Mad Mad World (1963)

itsamadmad1It’s easy to forgive this sprawling comedy for a weak script because it does a wonderful job of playing to its strengths and delivering a hilarious payload of laughter. Stanley Kramer (known mostly for his social dramas) drops this raucous comedy full of bone-shattering slapstick and violently wild antics. It also assemblies arguably the greatest comic ensembles with some of the biggest names you could ever hope to see on the big screen. Everyone seems to come out for a who’s who of comedic talent in roles big and small. Half the fun is recognizing a familiar face on the screen for a quick cameo, giving a nod of approval, and then grabbing hold of this rip-roaring comedy once more as it hits breakneck speed. There’s nothing sophisticated about it and that’s part of its charm.

The film opens on a mountainous road when a car goes careening off the side of the cliff. Some onlookers go to see what they can do, but little do they know they’ve stumbled on to a gold mine. It’s not hidden under Jimmy Durante’s big nose, but a giant “W” in Santa Rosita State Park. It’s all very suspect, and everybody gets ready to head their different ways. However, a little old-fashioned, All-American greed sets in and they begin to high-tail it down the coast. The prize of a $350,000 payoff is too much to disregard.

After a harrowing car chase the treasure-seekers break off as follows:

Sid Caesar and his wife Edie Adams charter a prehistoric bi-plane and wind up spending the majority of the film trying to escape the basement of a convenience store using any means possible. Buddy Hackett and Mickey Rooney find a plane of their own, the only problem is that their pilot (Jim Bachus) gets a little tipsy mid-flight, leaving landing duties in their inept hands.The long-suffering Milton Berle constantly is being berated with the incessant babbling of loud-mouthed Ethel Merman. Poor Jonathan Winters is ditched by everyone else, then double-crossed by Phil Silvers, before he’s finally is able to hitch a ride. Berle finally loses all patience and teams up with buck-toothed Brit Terry Thomas. Spencer Tracy the wry police chief Culpepper watches all these events unfold with a play by play being fed his way. Meanwhile, his life begins to fall apart, but that pales in comparison to the gas station that Winters demolishes with his bare hands. That’s not the only destruction this gang leaves in their wake either. They total cars, destroy buildings, and do every type of damage you could ever expect. It’s great!

When everyone finally happens on the treasure they’ve picked up a couple cabbies played by the venerable Eddie “Rochester” Royal and Peter Falk. The mayhem leads to an excavating party and a final chase as Culpepper takes the money and runs with the gang hot on his heels. It all ends thrillingly from the top of a fire escape with a precariously situated ladder. The boys all end up in the hospital, but it’s still a laughing matter thanks to a stray banana peel.

Although the laughs slow down a bit in the second half, this film is a wonderfully good time. You have cameos from everybody like Jerry Lewis, Jack Benny, William Demarest, Buster Keaton, Don Knotts, Carl Reiner, and even The Three Stooges. Since there so many people who did make the cut I’ll be a glass half empty misanthrope and list off a few names who did not end up joining the film’s cast. Red Skelton, Bob Hope, Jackie Gleason, Stan Laurel, Bud Abbott, Lucille Ball, Peter Sellers, and of course Don Rickles who never let Kramer live it down for not inviting him. Quite the list, but mind you I’m not complaining too much.

The film takes on a personal note too because my dad actually saw the movie being shot on highway 73 back in the 1960s, and he remembers it rather fondly. To me, the film takes on deeper significance due to the crisscrossed palm trees which also became the iconic symbol of Inn-N-Out Burger all across California. What’s not to love about such a Mad Mad Mad Mad World?

4/5 Stars

It’s a Mad, Mad, Mad, Mad World (1963)

If you want a movie of comedy legends and who’s who, this film has practically everyone you want. Spencer Tracy is a police officer who is tipped off to where a great sum of money is. Close behind are a group of travelers including Milton Berle, Sid Caesar, Ethel Merman, Buddy Hackett, Mickey Rooney, Phil Silvers, Dorothy Provine, Edie Adams, and Jonathan Winters. Soon it becomes a mad dash as each group tries to reach the money first. Along the way are many hilarious antics and memorable cameos (including Jack Benny, Jerry Lewis, The Three Stooges, Don Knotts, and Buster Keaton). In the final scenes Tracy has the money but the others are still in pursuit. After some wild events everyone ends up in the hospital without any money. However, they are quickly reminded how madly funny the world is all the same. I really enjoyed this film because of the many great stars and hilarious scenarios. It really had me belly-laughing. This was also the favorite movie of the founder of Inn-N-Out Burger so what more could you want?

4.5/5 Stars