Hangmen Also Die! (1943)

Hangmen_Also_Die_1943There are some fine pieces of intrigue in this modest WWII period film from Fritz Lang. The plot is based off real events in Czechoslovakia surrounding the assassination of Nazi Holocaust proponent Reinhold Heydrich. Mascha (Anna Lee) finds herself admidst a web of trouble when she helps a member of the underground after he commits the killing. But the Nazis are soon hounding her and it brings danger to her father’s household (Walter Brennan) . Ultimately she is forced to choose where her greatest allegiance stands.The film features Gene Lockhart playing the Nazi collaborator Czaka. Perhaps this film is not all that realistic and the casting is not perfect (although I did enjoy seeing Anna Lee in a leading role). At the time it came out this movie functioned as an anti-Nazi film and it still packs a decent punch from that perspective. It deserves some acknowledgement at the very least.

3.5/5 Stars

Review: Miracle of 34th Street (1947)

703c5-miracleon34thChristmas movies do not get much better than this. What a concept! Here’s a film about a man who really is Kris Kringle aka Santa Claus. He gets picked up by Macy’s department store to be their Santa Claus, and he winds up facing a hearing to decide whether he is legitimate or not. His pet project is to make an unsentimental little girl (Natalie Wood), and her practical mother (Maureen O’Hara) believe in him. He finds an ally in a young lawyer (John Payne) who believes in his holiday cheer and is also smitten with the girl’s mother.

Some people would undoubtedly say it’s a bunch a hogwash to make a movie about such a topic. Maybe it is only holiday tripe, but I find it is very hard to refute this “Miracle” of a Christmas classic. The characters portrayed are so spot on and heartfelt it is so easy to get pulled into their story. At the same time, it’s difficult not to like a film where department stores help each other, the hustle and bustle is toned down, and for once mankind has faith in each other for awhile.

As an audience, we gravitate towards Edmund Gwen because he represents the Santa we all wish to know. He is kind, thoughtful, generous, and above all a magical gift giver. Maureen O’Hara goes through a character progression that mirrors that of her daughter, except it is perhaps a little more poignant in her case due to her maturity. It would seemingly be easy to dislike her and yet thanks to O’Hara we cannot help but feel for her. She is also extremely beautiful, even in black and white. Although young, Wood proves to be a memorable little girl in this one, and she was just getting started. Payne is a good addition in his own right — a highly underrated actor.

The film is rounded out by a wonderful array of characters in the Macy’s store like magnate R.H. Macy (Harry Atrim), well-meaning Mr. Shellhammer (Philip Tonge) and friendly young janitor Alfred (Alvin Greeman). Shoppers such as the one and only Thelma Ritter in an early role, and civil servants like Judge Harper  (Gene Lockhart) round out New York’s population with generally decent people who we can relate to. The one exception is Dr. Sawyer (Porter Hall), the company psychologist, and greatest villain of the film, who is the antithesis of Kris and his Christmas spirit.

My hope is that this one never pales, never loses its cheer, and maintains its timelessness for many Christmases to come. Until the next Macy’s Thanksgiving parade comes along have yourself a merry little Christmas and remember all psychologists are not evil jerks looking to ruin the holidays!

5/5 Stars

Review: His Girl Friday (1940)

25148-hisgirl1It all happened in the “Dark Ages” of the newspaper game — When to a reporter “Getting that story” justified anything short of murder. Incidentally you will see in this picture no resemblance to the men and women of the press of today.”

Hildy Johnson (aka His Girl Friday) is making her return to the Morning Post but not to get her old job back. She came to pay a visit to her former husband (and paper editor) who she divorced because she is newly engaged and wants to break everything off for good. It means she can go off into the sunset with her new beau, but it also means no more paper. She drops the news and it turns out the wedding is set for the next day so Walter has very little time to go to work. He soon begins a sly barrage of subtle and not so subtle jabs, ridicules, and put downs aimed at the easy target Bruce Baldwin (Ralph Bellamy). Walter cuts him off, plays dumb, and is in general condescending and conniving. Hildy sees it all unfolding and half watches with bemusement, while also trying to stop Walter from causing any major trouble.

You see he’s a wonderful fellow in a loathsome sort of way, but you cannot help but like him. Because as Hildy notes he comes by charm naturally since “his grandfather was a snake.” These are the kinds of barbs and witty put downs we deal with the entire film. Besides being good fun, it also is quite extraordinary, since they never stop coming. It’s also fascinating to simply watch the many expressions of Cary Grant, whether it is a smirk or straight face, it always has a tinge of mischief which suits his character just fine. He seems more like a little boy at times, trying to win back his girl, and in many ways, that’s what he’s trying to do. But back to the action.

Hildy unwittingly falls into Walter’s trap, and from that point on there’s no stopping her, or Walter’s scheme for that matter. When the wheels of journalism start turning there’s no stopping someone like Hildy with newsprint in her blood. Walter lets her catch wind of a man who pleads innocence though he is to be hung for shooting a black policeman. Hildy puts up a fight, but she doesn’t last very long.

Soon she’s gotten into talk to the nervous prisoner Earl and gets his point of view on the whole messy ordeal. The other newsboys are callous to the world, and as the gallows goes up outside their window, all they can do is play cards and think about the best scoop. Hildy is a little different but she’s still leaving…or is she?

Next, Williams escapes and the mad search for the fugitive is on as the newsroom goes into an uproar. The mayor and sheriff are in a tizzy and then a reprieve for Williams comes, but they ignore it because they need this hanging in order to get re-elected. By a stroke of luck, Hildy finds Williams and stashes him away in a desk. Now she is hooked, and when Walter hears about her stroke of luck, everything begins again like old times. Bruce and his mother are soon disregarded as Hildy types feverishly, and Walter wheels and deals on the telephone. Then, the sheriff and mayor burst in with the rest of the boys. Williams’ hiding place is uncovered and the two reconciled lovebirds look like they might wind up with a jail sentence. But the honorable air-head Mr. Pettibone saves the day. All that’s left to do is depart on a two-week honeymoon to Niagara Falls or maybe a workers riot in Albany. All is right with the world again. Walter’s got His Girl Friday, and she’s got her lovable wiseguy husband back.

I’m not quite sure why I am so often drawn to this movie because it is more than it being readily available in the public domain. The dynamic of Grant and Russell is certainly superb. Walter can be an absolute cad, but Grant’s charm makes him bearable to the end. Russell is the true star of this film and she deals the punches with the rest of the boys. It really is the perfect role for her. The film is blessed with the great supporting cast including Porter Hall, Roscoe Karns, Gene Lockhart, Billy Gilbert and a host of others who populate the film with colorful faces and voices.

After seeing Nothing Sacred (1937) it was also interesting to see another script from Ben Hecht about journalism. Again, it might be a screwball comedy but there are also political undertones. Most blatantly about journalism itself, but also about corrupt leaders (like the mayor and sheriff), the Red Scare, gender roles, capital punishment, and even WWII.

Of course, it must also be noted that this is a film directed by the great Howard Hawks. I have always had difficulty pinpointing his trademarks, because the reality is, he was so versatile, trying his hand at so many different genres. All I know is that I more often than not enjoy his work behind the camera because it is seamless and it feels quintessentially American. His Girl Friday is no different. Although, this one is just a tad faster than most. It’s sure to raise your blood pressure so be warned.

5/5 Stars