Being There (1979)

Starring Peter Sellers, the film revolves around a gardener named Chance who gains all his social skills from watching television. When his unknown elderly employer dies Chance is forced out of the only world he knows and he just begins to aimlessly walk through Washington D.C. In a freak accident, he is hit by a limo taking a parking space. In a miscommunication he finds himself going to the residence of an influential couple to get medical attention with them thinking his name is Chauncey Gardiner. He quickly gains their admiration because he has such a calm demeanor and Chauncey quickly becomes a respected confident of the sickly Ben Rand. Chauncey even finds himself meeting the president and giving him sagely advice about garden work which is interpreted as an allegory for the economy. The pithy statement finds itself in the president’s speech and there is a buzz about this mysterious figure named Chauncey Gardiner. This new found fame leads to Chauncey ending up on television for an interview and the American public is captivated by his simplistic wisdom. As Ben begins to slowly die, Eve becomes even closer to Chauncey in her grief. At Ben’s funeral, the president gives a speech and those carrying the coffin decide Chauncey should be the potential candidate for president. At the same time Chauncey is walking nearby in a forest by a lake and then in a final dreamlike moment he literally walks on water off into the distance. I think Peter Sellers should be lauded for his performance because he could be comedic and then play it straight like in this film. He is like a cross between Harvey and Forrest Gump with a love of T.V. I must say though that the bloopers at the end take away from the illusion that is created by the film as a whole.

4.5/5 Stars

Young Frankenstein (1974)

Directed by Mel Brooks and starring Gene Wilder with Marty Feldman, Peter Boyle, and Teri Garr, this comedy films parodies old horror films like the original Frankenstein. However, it also functions as a drama in its own right much like the original Frankenstein films. Wilder is a professor and the grandson of Victor Frankenstein. The thing is, he wants nothing to do with his infamous relative, even going so far as pronouncing his name differently. However, when he inherits the family estate he must face his ancestry head on. There temptation takes over and he begins to build a creature of his very own, with horrifyingly funny results. This film has memorable moments including “Putting on the Ritz” and the Inspector’s arm. I still cannot believe that Feldman’s eyes get that big either! Wow. Wilder plays well off his Creature and Garr and Cloris Leachman both have important roles in Mel Brooks’ comedy.

4/5 Stars

The Producers (1968)

425cf-the_producers_1968Directed and written by Mel Brooks and starring Zero Mostel and Gene Wilder, this satirical comedy revolves around a producer and a lowly accountant who scheme to produce a flop so they can run off with the production money. The plan quickly develops thanks to the enthusiasm of Max Bialystock because he is fed up with romancing elderly women for money. They wade through numerous scripts finally settling on one titled “Springtime for Hitler.” They get the rights from the deranged writer, find their equally odd director, and a groovy hippie is cast as Hitler. Everything seems set for failure on opening night when the audience appears aghast. However, when the two producers go to celebrate the reaction changes and the crowd misinterprets LSD’s portrayal of Hitler as satire. The show is a success so in one last ditch effort they destroy the theater. Bialystock and Bloom finds themselves injured, arrested, and finally tried in court for being incredibly guilty. Despite an impassioned entreaty by Bloom the two men find themselves in jail but it isn’t so bad because they go back into the production business and they are up to the same old tricks again. This film was important as Mel Brooks’ first great triumph. True it is vulgar, irreverent, and in bad taste but I think that is exactly what Brooks was going for to get a laugh. And I have to say “Springtime for Hitler” has to be one of the most annoying songs I have ever heard. Aside from that I suppose this movie does have some funny parts.
 
4/5 Stars

A Shot in the Dark (1964)

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Starring a cast including Peter Sellers, Elke Sommers, Herbert Lom, and George Sanders, this comedy-mystery opens with several bustling individuals in a mansion, followed by a gunshot. A pretty maid who was found with the gun is assumed to be guilty, but the bumbling Inspector Clouseau thinks otherwise. He has run ins with his crazy boss, his man servant Kato, and the police, while he clumsily tires to solve the case. Everything seems to point to Maria after more murders. However, Clouseau spends time with her and it becomes evident to us that a black-gloved man is after him. In the melodramatic, chaotic final scene, Clouseau attempts to name the murderer, and the case is solved, no thanks to him. This second installment of the Pink Panther had some funny moments and the slapstick was very good.

4/5 Stars

The Court Jester (1956)

ad192-thecourtjesterposterStarring Danny Kaye with Glynis Johns, Basil Rathbone, and Angela Lansbury, this comedy of errors has a man posing as a court jester in order to assist the true heir to regain his throne. After infiltrating the castle, Kaye unknowingly gets mixed up in a murder plot, falls under the spell of the witch, and must complete his mission, all the while posing as the funny man. However, he finds himself accidentally jousting for the king’s daughter as well as dueling while his beautiful accomplice tries to bail him out and save their plan. Despite all the mishaps, more often then not everything turns out right and that goes for the ending too. Danny Kaye is hilarious and some of the scenes are classic including the snapping spell and the chalice from the palace. It is certainly evident after watching this film that life could not better be!

4.5/5 Stars

The Thin Man (1934)

c6713-poster_-_thin_man_the_02Starring William Powell and Myrna Loy and adapted from a Dashiel Hammet novel, this comedy-mystery follows a former detective and his rich, loving wife. At first Nick Charles is reluctant to go on a case that revolves around a thin man who he knew and who has disappeared. The police believe he is the culprit behind the three subsequent murders. Other mysterious events and the many suspects, leave both the police and audience unsure. After the constant begging of Nora, Nick follows a hunch and joins the case. He seemingly makes a break through and he and Nora hold a dinner with all the suspects. There the truth is discovered and the culprit is found. This is like a screwball comedy that is further complicated by the mystery. Powell and Loy play off each other very well and the supporting cast is good.

4.5/5 Stars

The Lady Killers (1955)

c0838-the_ladykillers_posterStarring Alec Guinness, this is a unique and often hilarious black comedy caper film by the Ealing Studios. The adventure begins with the quirky criminal mastermind, Guinness, renting a room from an old woman. Soon his masquerading accomplices arrive. The five of them plan to commit a robbery and when the day comes things start off smoothly. However, they have the unknowing old woman pick up their prize and chaos follows her. The men get the money but before they can escape the lady accidentally finds out. The latter half of the film follows the double crossing antics of the criminals as they try to run off with the money while trying to figure out who will do the unpleasant job of knocking off the lady. Needless to say they don’t succeed. I was wary of this movie at first but it was actually very enjoyable because of the comedic and odd scenario. Keep your eyes on a young Peter Sellers as well as Herbert Lom.

4.5/5 Stars

Kind Hearts and Coronets (1949)

d4c15-kind_hearts_and_coronetsStarring Dennis Price and Alec Guinness (in eight roles), this black comedy follows a commoner who tries to avenge his mother by killing eight relatives. The story begins with a man about to be hung and as he waits, he writes his memoir. Through a flashback, his childhood and adult life is shown. He worked tirelessly to move up in society and he also did away with everyone standing between him and the Dukedom (all played by Guinness). Things get complicated when he is about to marry a deceased victim’s wife and then a childhood beau tries to blackmail him. Ironically, the one murder he did not mean to commit is the one for which he gets caught. Yet there is still hope, or is there? Price plays the young and clever English gentleman very well and needless to say Guinness is extremely funny. Also, the two female characters are different but both good in their own right.

5/5 Stars

Playtime (1967)

67d66-playtimeoriginalposterStarring and directed by Jacques Tati, this film is his most ambitious work yet. The film opens in a Parisian airport with droves of tourists. Then the audience ends up looking into an office high rise full of glass, cubicles, elevators, and escalators. All throughout we observe many characters including Mr. Hulot who seems strangely out of place in this modern, suburban city. He ends up at an international expo, visits a friend’s home in the evening, and then ends up taking part in the disastrous opening of a night club. Hulot becomes acquainted with an American tourist before she returns home from her Parisian adventure. At times this film is almost like a giant ballet, with often subtle humor, and a stream of events only connected by the characters they involve. The architecture picks up where Mon Oncle left off, the sets are on a grand scale, and even the clothing of  most of the people seem to fade into this world. This film is also international as well as universal because it is more about the image and sound than dialogue. After it all I was left with a satisfied smile. It may not be for everyone but for me personally it was a joy to watch.

5/5 Stars

Mon Oncle (1958)

32cfb-mononcle_posterStarring and directed by Jacques Tati, the film revolves around the bumbling but kind-hearted Monsieur Hulot, as he interacts with his relations and young nephew. We follow Hulot as he navigates through his life in France. His sister and brother-in-law live in an ultra modern home complete with automated machines, a fish-shaped fountain, and cold-looking furniture. In contrast, there’s the carefree Hulot whose only possessions seem to be his ever present pipe and umbrella. He struggles to cope with everything modern and bungles in his brother-in-law’s factory. However, most importantly he seems to enjoy life and he is liked by all including Gerard, his nephew. This film is enjoyable because of the little things. You have the often repeated theme that brings to mind Parisian cafes. There is satire, odd architecture, little dogs, the use of or the lack of sound, many caricatures, and most importantly of all Hulot himself. It would seem to me he bridged the gap between Chaplin and Keaton with Mr. Bean. Too bad more people do not know about him.

4.5/5 Stars