Stagecoach (1939)

Directed by John Ford and starring a young John Wayne, this classic western opens with various people boarding a stagecoach for various reasons. The passengers include a drunken doctor, a prostitute, a soft-spoken whiskey salesman, a gambling southern gentleman, an impatient banker, and the wife of a cavalry officer. Driving up top is Buck and the Marshall rides with his eyes open for the wanted Ringo Kid (Wayne) and the threat of Apaches. Despite their differences and the imminent danger, these people are forced to push on toward their destination together. They face unexpected challenges including hostile Apaches, but they finally do reach the town of Lordsburg. After the arrival, Ringo must figure out his relationship with Dallas while also facing the foes that are waiting for him. He does what he has to and ultimately his friends show their true colors. This film is a great character study with very good scenery, stunts, and action. As Wayne’s first big role, it is easy to see how he became a star after this performance. He was supported nicely by the likes of Claire Trevor, Andy Devine, Thomas Mitchell, and John Carradine. Without them and other like them this classic would lose the character depth that makes it work so well.

5/5 Stars

High Noon (1952)

14bd7-high_noon_posterThis may not be the greatest film of all time, but it is certainly one of the greatest westerns gifted to us so generously by Fred Zinnemann. It tells a very simple story, yet it is, in fact, so powerful simply, because of the hero it depicts. In its time it also served as a condemning allegory of the finger pointing going on in Hollywood.

*May Contain Spoilers

The film tells the story of Marshall Will Kane, who is willing to face his foes even when no one else will help him. Gary Cooper plays the newlywed lawman, who must flee town or face the killer coming on the noon train. He resolves to do just that, despite the pleas of his loving wife (Grace Kelly). The sheriff scrambles against the clock to get help. However, no one is brave enough to face the enemy with him. Even with the odds against him, he faces them in a showdown. Cooper is outgunned, but not outmatched — heroically prevailing.

This film is so powerful, because it is full of human emotions, and it feels so real since the events unfold almost in real time. The somber ballad, sung by Tex Ritter, also helps to create the mood right from the opening credits. In fact, I must admit that multiple times I have found myself humming or crooning the words, but then again I suppose it makes sense since the song is woven into the very fabric of the film.

The score by Dimitri Tiomkin utilizes the tune throughout to complement the images of the town. In that respect, “Do Not Forsake Me, Oh My Darlin'” is not just a song, but an important piece of this story. It is easy to forget the supporting players since Cooper often steals the show. Nevertheless, there’s Lloyd Bridges, Grace Kelly, Katy Jurado, Thomas Mitchell, Lon Chaney Jr.,  Harry Morgan, and even a young Lee  Van Cleef. Many have pasts with Kane that we cannot expect to fully know. All we can understand is the here and now that causes a person to weigh their options, and either follow or go against their conscience. Kane and then his bride both did what they thought was right even when others would not follow suit.

It struck me how simple the story is, and yet on the other side, it is a complex allegory that critiques humanity. Will Kane is a man, who helped make the town what it is, but when trouble comes and the odds are bad no one is willing to help him. Besides the obvious positives like a good story and a heroic protagonist, this film stands out because it feels so human. Here we are as an audience watching the events unfold almost minute for minute. Then we see the various town folk and their fear of getting involved, and to make matters worse a lot of them are Kane’s very good friends. It makes us question what we would have done in their position. Because some of them were obviously good people, who were scared to be involved. Of course, during this time McCarthyism was prevalent and it is suggested that this film alluded to that. However, whatever you think it is still unquestionable that High Noon is a powerful film, a love story, and at its simplest a classic western.

5/5 Stars

 

 

The Good, The Bad, and The Ugly (1966)

Starring Clint Eastwood, Lee Van Cleef, and Eli Wallach as the title characters, this is a memorable Spaghetti western. Angel Eyes (Cleef) is on the prowl for a man who stole some gold. Meanwhile Tuco (Wallach) is on the run until three bounty hunters confront him. However, Blondie (Eastwood) is the one who turns him in and then helps Tuco escape after he picks up the reward. Finally, the two accomplices split up on bad terms. The next time Tuco turns the tables capturing Blondie and marching him through the desert. While on their journey they learn where the gold is hidden. First they have run ins with Angel Eyes an the Union army and then they got caught up in a Civil War skirmish. The two of them endure it all and go to the cemetery where the gold is. There they have the final showdown with Angel Eyes in epic fashion. This film is great because it is exciting, it features an iconic Ennio Morricone score, and it has great cinematography which is a trademark of Sergio Leone. An Italian western may seem strange but Leone somehow makes it work.

5/5 Stars

For A Few Dollars More (1965)

7c912-forafewdollarsmoreStarring Clint Eastwood and Lee Van Cleef with director Sergio Leone, this Spaghetti western is the second film in the “Dollar Trilogy.” The film opens with two bounty hunters, and in two separate instances we quickly realize their skill in bagging their man. However, when a notorious outlaw, “El Indio,” and his gang begin to cause trouble, both men are intent on getting the reward. Reluctantly they agree to join forces and Manco (Eastwood) joins Indio in his robbing of a bank so the two mercenaries can bring him down. The bandits get away with the money and then later they overhear the intentions of Manco and the Colonel, and so they rough them up. In secret Indio has them released, then sends his gang after them so he can get away with the money.

However, the colonel took the loot and so the next morning he and Manco systematically mow down the bandits. Indo comes for the money and shares a tense moment with the colonel only to have Manco appear too. Using the chime of a pocket watch, they face off. In the end one man leaves, his revenge complete and the other takes the reward. Although this is not the best Eastwood western, it certainly had some action-packed moments that were very entertaining.

4/5 Stars

A Fistful of Dollars (1964)

c0810-a_fistful_of_dollars_posterStarring Clint Eastwood with director Sergio Leone, this western adaption of Yojimbo has a poncho-wearing gunslinger (Eastwood) playing two rival gangs off of each other. Upon entering the town, the man with no name is soon disturbed by the Baxters and he makes light work of four men.

Then, he decides to join the rival Rojos gang while spending the rest of his time at the local saloon. After a massacre takes place over some gold, the man uses two of the bodies to lure both sides out to a cemetery  In the ensuing chaos, the Rojos capture one man and then the man with no name sends a hostage over the the Baxters. He was able to get money from both sides before the exchange took place. That night the Rojos celebrate and the gunslinger sneaks off to rescue a woman who is captive. He does a virtuous deed but is found out and the Rojos beat him to a pulp. Using his ingenuity yet again, the man escapes to fight another day. Thinking he received help from the Baxters, the Rojos brutally wipe them out.

With his friend the innkeeper in trouble, the man returns for the final showdown. He outwits his foe and beats the sharpshooter, Ramon, at his own game. As would become the norm  the man would ride off as the victor in one of Leone’s famous panoramic shots.

4.5/5 Stars

Unforgiven (1992)

e1e9a-unforgiven_2Starring Clint Eastwood, Gene Hackman, and Morgan Freeman, the film opens with two cowboys who disfigure a prostitute. The sheriff, Little Bill (Hackman) gives them a punishment but the other women pool their funds to pay for bounty hunters. A young gun requests the help of a former outlaw Will Munny (Eastwood) so they can collect the payment. However, because his deceased wife changed his ways, at first Will is reluctant. In need of money, he eventually heads off and brings along his old partner Ned (Freeman). After an initial conflict in the town of Big Whiskey, they kill the first one of their targets. Ned backs out and leaves the other two to get the second victim. After they do it, they find out Ned met trouble from the merciless sheriff. The young gunslinger gets cold feet and so an angry Munny heads into town for the final showdown. Eastwood’s character is interesting because he starts out trying to be good but he finally reverts back to his old ways. In this film it is difficult to tell who is bad or good. Everyone is simply human.

4.5/5 Stars

The Magnificent Seven (1960)

544c6-magnificent_originalIn honor of my Dad’s birthday I wanted to review his favorite movie of all time.

Adapted as a western from Kurosawa’s Seven Samurai, Yul Brynner is a hired gun who agrees to take a job from Mexican farmers protecting their village from bandits. Gradually, he enlists the help of old friends and new acquaintances who are all handy with a gun. Working with the village men, they are able to deter the bandits. However, the threat of the marauders returning has the villagers scared so they turn against their hired guns. In a fit of bravery, Brynner returns with the others fighting desperately to liberate the village. They are ultimately victorious, but not without causalities with four of the men dying. These men were the seven who fought like 700 and they did something seemingly ludicrous because it was the courageous thing to do. This great cast includes Steve McQueen, Charles Bronson, James Coburn, Robert Vaughan, Horst Buckholz, Brad Dexter, and Eli Wallach. The score by Elmer Bernstein is one of the best. If you want to see a good western then look no further.

4.5/5 Stars

Butch Cassidy and the Sundance Kid (1969)

b0ce9-butch_sundance_posterWith the great combo of Paul Newman and Robert Redford as the legendary outlaws, this movie is great fun. The Hole-in-the-Wall Gang became infamous for their exploits with Butch (Newman) being the brains and Sundance (Redford) the fastest gun around. Together these two robbed banks, held up trains, and all the while had a good time. At one point or another the law was after them so they fled to South America with one of Butch’s nefarious schemes in mind. However, it was not what they expected and they had to face their biggest challenge ever. With the odds against them, they went out fighting and the legend of Butch Cassidy and Sundance was forever solidified. This film is as much a lighthearted comedy as it is a western. Newman and Redford have hilarious dialogue that brings the film alive and you end up rooting for these two anti-heroes. Although it is a seemingly random addition the song “Raindrops Keep Falling on My Head” is an added bonus.

5/5 Stars

Butch: “Ah, you’re wasting your time. They can’t track us over rocks.”
Sundance: “Tell them that.”
Butch: “They’re beginning to get on my nerves. Who are those guys?”