The Philadelphia Story (1940)

Headlined by Katharine Hepburn, Cary Grant, and Jimmy Stewart, The Philadelphia Story  tells a comical tale of a divorced socialite who is about to be remarried. Tracy Lord is an arrogant socialite who divorced her equally fiery husband C.K. Dexter Haven. Now it is the day before her wedding to another man. However, Haven returns and brings a long two magazine reporters to get a scoop they were forced into. After a lavish party and many drinks the reporter (Stewart) and Tracy Lord find themselves spending an inebriated night talking and swimming. Haven manipulates the situation and the future husband Kittridge, who catches the tail end, believes something bad is happening. The next morning the wedding is in jeopardy and Hepburn and Stewart are oblivious. Although nothing happened, Lord agrees to terminate the wedding and Mike (Stewart) tries to save her embarrassment by proposing marriage. However, she realizes it is not meant to be and goes to Haven while Mike returns to the camera woman who loves him. It all ends well but the joke is still on them in the end. This romantic comedy has a lot of star power and it is actually pretty good.

4.5/5 Stars

His Girl Friday (1940)

30c9f-his_girl_friday_posterStarring Cary Grant and Rosalind Russell with direction by Howard Hawks, this film’s rapid and overlapping dialogue helps make it a witty comedy romance. Walter Burns (Grant) is a newspaper editor who was formally married to Hildy Johnson (Russell). However, now they are no longer together and she is on the verge of marrying another man (Ralph Bellamy). Grant still loves her and tries all the tricks he knows in order to get her back. Soon the two of them are deeply involved in a story having to do with a man who is soon to be hung. As they work to get the scoop, the two of them slowly begin to realize they still love each other despite their differences. Finally, Russell rejects a normal life with her new fiancee and she and Grant unite once again. A directing legend, Hawks has another success with the screwball comedy. Grant and Russell play well off each other and they have a good supporting cast behind them.

This film is a sensory overload with words whizzing by so fast that you hardly have time to catch them. But what you do pick up is great and the overlapping, rapid fire dialogue is delivered so effectively by the entire cast, including Grant and Russell. Russell takes on the persona of the independent career woman prevalent in the late 30s and early 40s. As such she knows how to trade blows with the boys in the newsroom and she delivers a spirited performance to counter Grant’s constant conniving and tricks in his sly attempt to win her back. Aside from the main stars, the film has a brilliant set of stock characters and the dialogue is such that it seems like it would be a joy to read the script. There is the self-referential humor to Ralph Bellamy, then to a Mock Turtle as well as Archie Leach. The first is Grant’s role in Alice in Wonderland and the second is his real name. The film even has time to deal a few jabs to Hitler, Communists, and most especially the newspaper industry. All in all His Girl Friday is a comedic whirlwind but it is a pretty good piece of mayhem.

4.5/5 Stars

Bringing Up Baby (1938)

In this mile-a-minute screwball comedy directed by Howard Hawks, Cary Grant is forced to deal with Katharine Hepburn’s ditsy socialite character. A Paleontologist (Grant) has been trying to assemble a dinosaur but he is missing a bone. On top of that Huxley is about to enter into an unhappy marriage and he also must impress a museum donor. The next day he meets a socialite (Hepburn) by accident and through a mix up he finds himself being taken to her home in order to help take care of a tame leopard named Baby. In the following chaos a dog buries the bone needed for the dinosaur, visitors come, Baby runs away, a wild leopard is on the loose, and the free-spirited girl finds herself falling for “Mr. Bone.” To complicate matters, the pair wind up in jail trying to explain their story to a quirky constable. In the end everything works out and despite the craziness, Huxley realizes he cannot live without this girl. This may not be  my favorite screwball comedy, but I would say it definitely is the zaniest and that stands for something.

4/5 Stars

Topper (1937)

e1812-topper_lobby_cardThis fantasy comedy starring Cary Grant and Constance Bennett opens with a married couple flying down the road in their automobile. The unusual thing is that George Kerby is driving with his feet and that pretty much sums of this pair straight from the beginning. They live a wild, fun-filled life full of wealth and parties. However, all this craziness gets them killed when George takes on a curve in the road too fast. They decide as a good deed they must brighten up someone else’s life. Their subject of choice is Mr. Topper, an older fellow from the bank where George had acquired a great deal of stock. He is rather like a grumpy but lovable old dog who just does not want any excitement. The ghosts’ of the Kerbys change that however causing “Toppie” to get his name in the gossip columns after a stay at a chaotic vacation spot. His stuffy wife is dismayed, and his butler is peeved, but finally Topper is starting to enjoy life thanks to the prodding and trouble making of the Kerbys. This film has some good moments, but I would say that Grant’s comedy roles would just keep getting better after this one. 
 
3.5/5 Stars

The Awful Truth (1937)

99f81-theawfultruth1937Starring Irene Dunne and Cary Grant, the film revolves around a couple after they split up over unfounded assumptions of unfaithfulness. The divorce is granted and after the wife gains custody of the beloved dog Mr. Smith, the 90 day waiting period begins. First she tries to get over him by spending time with a kind but dimwitted man from Oklahoma. Then Grant gets involved, and at first he gets enjoyment seeing his wife uncomfortable, but he soon becomes a bit jealous and sad. He then takes up his own relationship with an heiress and on the eve of their divorce they seem to be parting ways. However, Dunne’s character will not let it end that easily and she poses as his sister, eventually getting him away from his fiancee. Needless to say that in the end they get back together. This screwball comedy has very funny dialogue and Grand does some wonderful slapstick. It probably is one of my favorites from the genre.

4.5/5 Stars

To Be or Not to Be (1942)

Starring Jack Benny and Carole Lombard with director Ernst Lubitsch, the film follows a group of actors in Poland during the outbreak of World War II. All too soon their act seems to be in jeopardy and they must put on the most important performance of their lives. Benny and Lombard are a husband and wife acting duo, who with the help of their troupe must stop a spy from giving damaging information to the Nazis. With the help of their acting and disguises, they are able to pull off the monumental task. This satire is so extraordinary because it made fun of the Nazis and found humor in that subject at the same time their villainy was occurring. Benny certainly seems out of place in Poland and he is not much when it comes to performing Hamlet, but I suppose that’s part of his charm. He is so vain and suspicious of his wife and yet he ends up a hero.

When I first saw this film I expected major laughs and it really does not have that, at least not in the way that Chaplin lampooned Hitler in the Great Dictator. Here Lubitsch weaves a somewhat darker story and yet it causes us to smile because of this Polish acting troupe that embodies the words of Shakespeare that “All the world’s a stage.” He meant it to be metaphorical but they take it to heart and their acting turns into reality. The bit player Greenberg goes as far as reciting the Jewish part of Shylock from the Merchant of Venice and it ultimately saves their lives. As such the film often switches back in forth from stage to actuality and pretty soon it is hard to separate them. The the plight of these people was close to Lubitsch, but he also was adept at the romantic comedy. Thus, despite the constant bickering and the trials faced by Joseph and Maria Tura, we cannot help but laugh at their love story. To Be or Not to Be is not your everyday comedy, but instead it occupies its own unique niche. Hopefully no one walks out on it!

4/5 Stars

The Great Dictator (1940)

ac211-the_great_dictatorStarring Charlie Chaplin with Paulette Goddard, this satire blatantly critiques Hitler and the Nazis. The film opens during WWI where a little solider (Chaplin) saves an important military man. However, as a result he lands in a hospital with amnesia. All the while the power hungry dictator of Tomania, Adenoid Hynkel (also Chaplin) is on the rise. The man with amnesia returns to his barber shop in the Jewish ghetto and there he catches the eye of a beautiful girl Hannah. However, as Jews they are not safe, and even when things start improving, quickly Hynkel puts down his iron fist. The barber and another dissident are imprisoned, Hannah is in trouble, and Hynkel is ironing out his differences with Benzino Napaloni. However, after a gutsy escape, the barber poses as Hynkel and makes an impassioned plea to the people.

I see this film as a drama full of pathos. It is important to realize that is is not trying to make light of the situation but it is in fact condemning what Hitler was doing at the time. I think that is part of the brilliance and universality of Chaplin’s films. He could balance drama and comedy so aptly, making it possible for him to tackle this controversial topic head on. Furthermore, even though this was his first true talkie he still kept one foot in the silent age in his portrayal of the barber (very similar to the Tramp), and yet he also acknowledged the very present danger of Hitler. This film has some wonderful moments, but I think the two that really stick out are the opening speech by Hynkel which blatantly derides Hitler’s mannerisms and rhetoric. Then, in a complete 360, Chaplin gives his powerful speech aimed to rally mankind. Overall, it is a stellar duel performance from Chaplin and Goddard is as radiant as ever. That mustache certainly did not hurt the film either!

5/5 Stars

Groundhog Day (1993)

01498-groundhog_day_movie_posterStarring Bill Murray and Andie MacDowell, this romantic-fantasy-comedy is about a conceited weatherman named Phil Connors who goes to cover Groundhog Day. After coping with the day once, Phil wakes up and goes through it again realizing he is in a time loop. At first since there are no consequences Phil memorizes every occurrence, takes advantage of situations, and romances any woman he wants. However, over time the novelty wears off and it soon gives way to monotony. He even starts committing elaborate suicides to get out of each day. However, as he continues to fall for his producer, Phil begins to change and decides to use all he knows for good. After one day he is the most loved man in town and surprisingly enough he finally is free. The concept of this film is certainly interesting and it brings up hilarious and thought-provoking situations. Phil Connors begins as a self-serving jerk, hits rock bottom, and finally finds redemption in showing kindness for others. And the best part is he no longer has to listen to I Got You Babe!

4.5/5 Stars

Top Secret! (1984)

93bc0-top_secret_ver1From the creators of Airplane! comes this uproarious comedy that parodies everything from Elvis musicals and surf music to spy thrillers and action movies. Nick Rivers is an American pop star known for his surf music and he is invited to the closed off nation of East Germany to perform at a cultural festival. He is advised not to cause any trouble since he is a guest, but pretty soon he meets a pretty girl who is in way over her head. Soon he finds himself involved and they must attempt to rescue her father who is a scientist forced to work for the East Germans. They gain help from the French Resistance and Nick begins to fall for Hillary only to find her long lost boyfriend is leading the resistance. Together they devise a daring plan to get her father out, but unfortunately there is a traitor among them! As would be expected they get away and Nick gets the girl with a bellyful of laughs along the way. If you are looking for a deep plot you won’t find it here. If you want laughs you have come to the right place. I honestly do not remember Airplane! so well, but after seeing this film I want to go back, because this was genuinely hilarious. There are so many great sight gags, slap stick moments, quirky characters, parodies, and verbal jokes. Many pop up when you least expect them making them even better and by the end of the film you begin to expect the unexpected laugh. It’s great. The film includes skeet surfing, a talking horse, a scene played in reverse, cows, and much, much more. Hopefully you enjoy it as much as I did.
 
4/5 Stars

Airplane! (1980)

15556-airplaneStarring Robert Hays, Julie Hagerty, Peter Graves, Leslie Nielsen, Lloyd Bridges, Robert Stack, with Kareem Abdul Jabbar, this is a funny if not quirky parody and comedy. The story opens with the break up of a former pilot who is scared of flying, and his flight attendant girlfriend. She leaves on her flight and he also boards unbeknownst to her. In the air many passengers get food poisoning, but it also affects the pilot and co pilot. After a doctor diagnoses everyone, the attendant messages the control tower and is instructed to activate the autopilot. But someone needs to land the plane so the fearful Ted is called upon to face his fear. Despite the anxiety and some engine trouble, his former commanding officer is able to talk him down. After these events, the couple is back together once more. Airplane has memorable lines, sight gags, puns, and a plot that parodies other films. It takes a normally dramatic and serious situation and makes it utterly hilarious. I think it works so well because the gags infiltrate the story in every instance creating this tongue-in-cheek humor.

4/5 Stars