The Asphalt Jungle (1950) – Film-Noir


* May contain spoilers
Directed by John Huston and starring an ensemble cast headed by Sam Jaffe and Sterling Hayden, this was the first great noir heist film. Jaffe has just recently been released from prison and he has contrived an intricate jewel robbery. He teams with a multi-talented safe cracker, a small time thug with dreams of owning a farm, and an invalid driver. The whole operation is to be backed by an attorney who is in a difficult situation. Initially the procedure begins well enough but soon things go haywire with alarms, misfired guns, and then police. Now Jaffe is wanted again, Hayden is slowly dying, a bookie loses his nerve, and the attorney tries to pull a fast one. The perfect conception turns out to be far from it in the end. This film reminded me strikingly of The Killing which I saw earlier. Both are heist films starring Hayden and they end disastrously. For her part Marilyn Monroe steals the screen in her first prominent role which was a foretaste of what was to come.

4/5 Stars

Titanic (1953)

30704-titanic_1953_filmStarring Barbara Stanwyck and Clifton Webb with a solid cast of others, the film follows different people before and during the sinking of the infamous ocean liner. Stanwyck has taken her son and daughter away from their wealthy father. He gets on board however and the relationship gets strained. Meanwhile a young man falls for their daughter trying to win her affection. The viewer also sees the captain who seems to be a good man and we come to known a priest turned drunk who is in disarray. When the ship strikes the iceberg everything changes instantly and the estranged pair show their love while others show their courage. This film is not historically accurate and some people will find it unspectacular compared to the modern blockbuster. However, it is all about the characters and they make this a very moving if not underrated film. It seems fitting that I first watched this film exactly 100 years after the fact.

3.5/5 Stars

Double Indemnity (1944) – Film-Noir

If the Maltese Falcon was the first great film-noir then this film has to be a refining and improvement of the genre. Billy Wilder put together a crime film that is still intriguing today with its femme fatale and other techniques in storytelling and cinematography.

*May Contain Spoilers

Starring Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson, this is a classic film-noir. Walter Neff is your average American insurance salesman. However while trying to sell some accident insurance he falls for a woman who is married to a former widower. Together they plot and carry out a murder on her irritable husband trying to cash in on a double indemnity clause. Although everything goes as clockwork the two of them must stay apart and Neff’s colleague is hot on their trail. Through a series of visits with Deitrichson’s depressed step-daughter, Neff himself finds out Phyllis was seeing someone else. In their final confrontation he figures out she killed her husband’s first wife . Then she preceded to use Neff for her own purposes.Following their confrontation Neff feels guilt and so he records all he knows for his colleague Keyes to hear later. This movie was definitely full of suspense as well as great characters. Directer Wilder utilizes the voice over with flashback very effectively to tell the story.

5/5 Stars

 

Meet John Doe (1941)

Starring Gary Cooper and Barbara Stanwyck with direction by Frank Capra, the film begins with a news woman (Stanwyck) creating a made up story about John Doe, a man willing to commit suicide to protest big government. In order to keep the story going, they take a man off the street to effectively be John Doe. At first John (Cooper) and his friend the Colonel (Walter Brennan) are attracted by the chance to work. However, slowly he seems to become John Doe and the whole nation is seemingly behind him with Stanwyck’s character falling for his image as well. A political machine tries to discredit him and prove he never was John Doe. Now all along John decides to go through the suicide to prove his point to all. The political machine tries to stop him and Stanwyck finally does saying they can still keep the ideals of John Doe alive. Sharing some similarities with Mr. Smith, this film is one of those feel good films.

4/5 Stars

Murder, My Sweet (1944) – Film-Noir

murder my sweet

This film-noir adaptation of the Raymond Chandler novel stars Dick Powell, Claire Trevor, and Anne Shirley. It opens with a blinded Philip Marlowe being interrogated and so he agrees to spill everything he knows.

It all started one evening in his office when a big thug named Moose came in to get his help in finding a girl. Marlowe agrees to take the case and he questions a drunken bar owner but all is not right. He returns to his office where a man named Marriot wants his protection during a ransom drop off. However, at the location Marlowe is knocked out and the man is left dead. Through a series of events he meets Helen Grayle and her significantly older husband, who are both involved with a necklace. Also involved is the shady psychic adviser Jules Anthor, not to mention Mr. Grayle’s protective daughter Anne. Marlowe is forced to meet with Anthor and he eventually finds himself locked up in a facility. He gets away and after a meeting with Anne they head down to the Grayle’s beach house. There they have a confrontation with Helen. Now Anther is dead and Marlowe agrees to show Moose his girl Velma. They head down to the beach house and Marlowe puts all the pieces of the case together in front of Helen. Then Ann, Mr. Grayle, and finally Moose all burst onto the scene in a final chaotic finale.  Despite this bleak conclusion, there is also a hint of a happy ending. Much like the Big Sleep this film at times becomes incomprehensible but it just means your brain must work fast to catch up. Dick Powell I felt was a great Marlowe and Anne Shirley was a strong heroine. This is a quintessential film noir to say the least.

4/5 Stars

Apocalypse Now (1979)

10713-apocnowIn this hellish adaption of Joseph Conrad’s Heart of Darkness set in Vietnam, Martin Sheen is a captain given a classified mission. He must go down the river into Cambodia to terminate a Colonel Kurtz (Marlon Brando), who has gone rogue. The main part of the film follows his journey on a boat with a small crew of men. They meet up with a hardened napalm-loving colonel (Robert Duvall), watch a USO show, and witness as well as take part in senseless killing. With the crew whittled down, Willard finally reaches the outpost of Kurtz, only to witness the horror that lies there. After waiting so long to complete his mission, Willard feels conflicted about it upon seeing Kurtz. This is one of Francis Ford Coppola’s most famous films and it truly was a labor of love since it took a long time to complete. Although their parts may seem minimal, Brando, Duvall, Dennis Hopper, and even Harrison Ford contribute. Because I read the source novel, I could appreciate the film in that sense but The Godfather is a better film in my opinion.

4.5/5 Stars

American Graffiti (1973)

Starring Ron Howard and Richard Dreyfuss with a host of others, this George Lucas directed film follows the lives of young people in California during the early 60s. It is the night before Curt and Steve are going off to college. They both want to make the most of the time left. However, Steve spends all his time trying to strengthen his relationship with his girlfriend (Cindy Williams). Curt, on the other hand, finds himself out in the town talking with girls and proving himself to a group of thugs. The rest of the film consists of the hot rodding antics of two other characters. A tough speedster (Paul Le Mat) finds himself driving around a 12-year-old girl. “Toad” the nerdy one (Charles Martin Smith), finds himself spending a wild night with a nice but peculiar girl.

With its classic music accompanied by Wolfman Jack and the vintage cars, American Graffiti is a blast of nostalgia that allows us to remember simpler times. It takes this important day in the life of these young individuals and it allows us to be a part of it. Each character has his own experiences that cause them to grow. Toad matures, Curt realizes he must experience college, Steve learns the importance of his girlfriend, and Milner realizes he really does not want to be “The King” anymore.

This film may have slower parts but that just makes it more enjoyable because then the night kicks into high gear when Toad loses the car, Milner beats up the thugs, or Curt has visions of a blonde in a T-Bird. Fittingly as he flies away to his unknown future he sees her white car cruising down the road. It was something that I had wanted to see the first time around but I had seemingly missed it. It made the ending even better.

5/5 Stars

Night and the City (1950) – Film-Noir

Set in London, this film directed by Jules Dassin stars Richard Widmark as a small time swindler and Gene Tierney as the girl he has his eye on. Harry Fabian always has big ideas but they never pan out. However, through a chance encounter he meets the father of the wrestling promoter in the area. He uses their strained relationship to his advantage in order to fight his way into the picture. At the same time a portly club owner and his unhappy wife are at odds partly because of Fabian. The con man’s luck takes a turn for the worst when the old man he met suddenly dies after a wrestling match. His son then puts a price on Fabian’s head and he becomes a wanted fugitive. One last time he sees his love and he has one last fool proof scheme. Fittingly that too falls through and he meets his demise. This is a very entertaining film and Widmark does a fine job.

4/5 Stars

Ace in the Hole (1951) – Film-Noir

Starring Kirk Douglas with director Billy Wilder, the film follows a hard-nosed and manipulative reporter who finds himself stuck in New Mexico without any money. He takes a small job and soon happens upon a cave where a man has gotten trapped. Soon he spins it as a great human interest story and people flock from far and wide to witness the event. The buried man’s unhappy wife capitalizes on the foot traffic and the local sheriff tries to get some free publicity for the upcoming election. Meanwhile Tatum tires to draw out the events so he can get a better story and his old job back. All the while the man gets weaker and weaker until he eventually dies. Just like that everything clears out and the big carnival is over. Tatum brought the demise of another man just to get a story and he ultimately fell himself losing the story and the job he had fought so fiercely to acquire. Although not Wilder’s most well-known film, this is certainly a biting critique of journalism and humanity in general.

4/5 Stars

Criss Cross (1949) – Film-Noir

c8a9b-crisscrossStarring Burt Lancaster and Yvonne DeCarlo, this Robert Siodmak-directed film-noir revolves around a heist and a love triangle gone bad.

The film opens with Lancaster secretly meeting with his lover with plants to eventually run away together. Then he enters the bar and fights with his love’s gangster husband. However, when a policeman friend comes in, Lancaster will not press charges and non one talks. Little does the policeman know what is really going on. The next day Steve drives an armored car full of money to its destination. As he nervously drives, in a flashback he recalls how it all began.

He had finally returned home after a long absence. His main reason was to see his former wife and yet although they still had feelings for each other, she had remarried a gangster named Slim. Despite the circumstances  both lovers began meeting more often. In order to save himself and Anna, he suggested a robbery of the armored car with Slim.

Then, back in the present the wheels begin to turn and the armored car is ambushed. However, Slim does not stick to his word and there is a firefight. Steve is called a hero but he is left helpless in the hospital. After bribing the man who was to betray him, Steve rendezvous with Anna. However, all is not well and she is ready to leave him behind since Slim is obviously on his way. But she is not quick enough. This film reveals the nature of two double crosses which ends in a deadly criss cross.

4/5 Stars